明代中葉的徐渭，以詩文、戲曲、書法、繪畫名於世，且在戲劇史與畫史上具重要影響與地位。文人此種詩、文、書、畫、劇皆通的現象，當與博通態度、業餘精神有關。本文〈徐渭「文藝創作觀」對明代中葉後劇論與畫論的影響〉，以明代劇論、畫論語言互涉為主要論述，擇徐渭為論，主因在於：徐渭短劇的創作與對南戲的重視，在戲劇史開風氣之先，而其戲劇創作觀，對越中派、臨川派、吳江派、清代李漁等影響，自不待言；在畫史上，徐渭的創作觀與手法，亦影響了八大山人、石濤、揚州八怪、吳昌碩、齊白石等人。準此，可知徐文長「文藝創作觀」在明代當具重要意義與地位。

The Ming age Shyu-Wey, He is a Famous Artist and Literature. Shyu-Wey is very important in Chinese Drama history and Art history. A man with a civilian background in Ming age, They always could writing drawing etc. this disturbance is tradition culture influence. This text, “To Discuss Ming age Dramatic And Drawing Criticism By Shyu-Wey Literature Criticism”. At first to discuss Ming age Dramatic And Drawing Criticism to employ, then affirmative this disturbance and Shyu-Wey in Chinese Literature and cluture influence.