期刊論文| 1. | Larson, Wendy(1999)。Never This Wild: Sexing the Cultural Revolution。Modern China，25(4)，423-450。   |
| 2. | Farmanfarmaian, Roxane(2000)。Anchee Min: After the Revolution。Publishers Weekly，5，66-67。 |
| 3. | Freeman, John(2004)。In Town: Anchee Min。The Millwauke Journal Sentinel。 |
| 4. | Higgins, Jim(2000)。Bold Ambition Drives Madame Mao。The Millwauke Journal Sentinel。 |
| 5. | Sanders, Sol W.(2000)。Woman of Ill Repute。National Review。 |
| 6. | Somerson, Wendy(1997)。Under the Mosquito Net: Space and Sexuality in Red Azalea。College Literature，24，98-115。 |
| 7. | Xu, Ben(2004)。A Face that Grows into A Mask: A Symptomatic Reading Anchee Min's Red Azalea。Melus，157-180。 |
| 8. | Xu, Wen-Ying(2000)。Agency via Guilt in Anchee Min's Red Azalea。Melus，203-220。 |
圖書| 1. | Chen, Xiao-Mei(2002)。Acting the Right Part: Political Theater and Popular Drama in Contemporary China。Honolulu：University of Hawaii。 |
| 2. | Benedetti, Jean(1998)。Stanislavski and the Actor。Methuen Drama。 |
| 3. | Seagrave, Sterling(1992)。Dragon Lady: The Life and Legend of the Last Empress of China。Dragon Lady: The Life and Legend of the Last Empress of China。New York。 |
| 4. | Castle, Terry(1986)。Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction。Stanford：London：Stanford UP：Methuen。 |
| 5. | Mackerras, Colin P.(1972)。The Rise of the Peking Opera, 1770-1870: Social Aspects of the Theatre in Manchu China。Oxford：Clarendon Press。 |
| 6. | Althusser, Louis(1992)。From 'Ideology and Ideological State Apratuses'。A Critical and Cultural Theory Reader。Toronto。 |
| 7. | Brecht, Bertolt(2000)。Theatre for Learning。Brecht Sourcebook。London/New York。 |
| 8. | Butler, Judith(2000)。Gender Trouble: Feminism and the Subversion of Identity。Gender Trouble: Feminism and the Subversion of Identity。New York/London。 |
| 9. | Coogan, Michael D.(2003)。The Illustrated Guide to World Religions。The Illustrated Guide to World Religions。Oxford。 |
| 10. | Craft-Fairchild, Catherine(1993)。Masquerade and Gender: Disguise and female Identity in Eighteenth Century Fictions by Women。Masquerade and Gender: Disguise and female Identity in Eighteenth Century Fictions by Women。University Park, PA。 |
| 11. | Howard, Roger(1978)。Contemporary Chinese Theatre。Contemporary Chinese Theatre。Hong Kong。 |
| 12. | Qing, Jiang(1999)。Revolutionizing Beijing Opera。Chinese Theories of Theater and Performance from Confucius to the Present。Ann Arbor。 |
| 13. | 黎德怡(2001)。Gao Xingjian's Monologue as Metadrama。Soul of Chaos: Critical Perspectives on Gao Xingjian。Hong Kong。 |
| 14. | Litvak, Joseph(1992)。Caught in the Act: Theatricality in the Nineteenth-Century English Novel。Caught in the Act: Theatricality in the Nineteenth-Century English Novel。Berkeley。 |
| 15. | Mackerras, Colin P.(1975)。The Chinese Theatre in Modern Times。The Chinese Theatre in Modern Times。London。 |
| 16. | 毛澤東(1999)。Talks at the Yanan Forum on Literature and the Arts。Chinese Theories of Theater and Performance from Confucius to the Present。Ann Arbor。 |
| 17. | Marshall, David(1986)。The Figure of Theatre: Shaftesbury, Defoe, Adam Smith and George Eliot。New York：Columbia University Press。 |
| 18. | Martin, Carol(2000)。Brecht, Feminism, and Chinese Theatre。Brecht Sourcebook。London/New York。 |
| 19. | Miller, Renata Kobetts(2002)。Imagined Audiences: The Novelist and the Stage。A Companion to the Victorian Novel。Oxford。 |
| 20. | Min, Anchee(1996)。Red Azalea。Red Azalea。London。 |
| 21. | Min, Anchee(2001)。Becoming Madame Mao。Becoming Madame Mao。London。 |
| 22. | Min, Anchee(2005)。Empress Orchid。Empress Orchid。London。 |
| 23. | Munns, Jessica(1999)。The Clothes That Wear Us: Essays on Dressing and Transgressing in Eighteenth-Century Culture。The Clothes That Wear Us: Essays on Dressing and Transgressing in Eighteenth-Century Culture。Newark, DE。 |
| 24. | Schofield, Mary Anne(1990)。Masking and Unmasking the Female Mind: Disguising Romance in Femining Fiction 1713 to 1799。Masking and Unmasking the Female Mind: Disguising Romance in Femining Fiction 1713 to 1799。Newark, DE。 |
| 25. | Shakespeare, William(1986)。Macbeth。Macbeth。Harlow。 |
| 26. | Sun, Hui-Zhu(1999)。Aesthetics of Stanislavsky, Brecht, and Mei Lanfang。Chinese Theorie of Theater and Performance from Confucius to the Present。Ann Arbor。 |
| 27. | 譚國光(2001)。Gao Xingjian and the Asian Experimentation in Postmodernist Performance。Soul of Chaos: Critical Perspectives on Gao Xingjian。Hong Kong。 |
| 28. | Terrill, Ross(1984)。The White-Boned Demon: A Biography of Madame Mao Zedong。The White-Boned Demon: A Biography of Madame Mao Zedong。New York。 |
| 29. | Wichmann-Walczak, Elizabeth(2004)。Beijing Opera Plays and Performance。Chinese Aesthetics and Literature: A Reader。New York。 |
| 30. | 葉少嫻、譚國光(2001)。Gender and Self in Gao Xingjian's Three Post Exile Plays。Soul of Chaos: Critical Perspectives on Gao Xingjian。Hong Kong。 |