《長生殿》為傳奇排場運用之典範，為歷來研究者所肯定，本文在王季烈、曾永義等前賢研究成果的基礎上，對其套式與曲牌的運用和場面的配搭，進行補充與修正的論述。主要論題有：對全本排場的搭配提出更具體的標準，對已舉出的熟套做更精確的溯源和套式用法的解說，補充未明確列出的熟套，說明用曲和套式的創新，以及場面轉移和宮調、曲牌、韻部變化的對應關係。由這些補充和修正可以更精確的了解《長生殿》在用套與用曲上的成就，其守律之嚴與用律之活是同時並行的，也使其成為傳奇排場的典律之作。

＂The Eternal Palace＂, composing by Sheng Hung (1645-1704), has been affirmed unanimously as a model work of the species in Chinese classical drama, Chuanchi in Ming & Ching dynasties, and achieved the greatest accomplishment in aspects of drama & theater. Most important of all, it demonstrated the corresponding rules, or formulae, between the songset & the event, action, or sentiment in every chu(act). Authoritative studies have been made by extraordinary scholars, such as Ji-lie Wang, Yong-I Tseng. On the basis of these studies, by doing continuous & outstretched research, this thesis makes supplements & amendments on points including: 1. A more specific & detailed description of the standard to evaluate the arrangements of Paichang in the viewpoint of the completive script; 2. A more accurate inspection to the origins & genealogies of the formulated songsets submitted & commented in former studies; 3. To submit & make comments on the formulated songsets omitted in former studies; 4. Explanations for the inventive variations of the application of some special songsets; 5. Explanations for the reasons & principles of the correspondence between the alterations of events, actions, & alterations of Gungdiau (musical mode), tunes, rhymes, in certain acts.