中國詩歌傳統一直以言志、抒情為主要內容，詩人創作的興發模式，是主體情志受到外在事物引動而有所感發的一個過程。到了唐代，有些詩人受到禪觀體驗的啟發，使其創作時心物之間的興發感動方式產生微妙的轉變。本文即在探討詩人透過禪修的直覺觀照、參禪冥思的思維方式和禪觀體驗的陶養，使其創作時心物之間二元對立的關係消融，開發出一個非心非物、即心即物的詩境。此境的有無繫乎詩人主體的精神修養工夫，這是受到禪修經驗的啟發，而豐富其作詩取境的方式，使詩人創作轉而注重內在精神體驗的涵養工夫及詩境的醞釀，並由這種近似參禪觀靜而得詩的途徑，漸漸形成以參詩來悟入詩法的學詩方式。

Chinese poetry has unfolded the spirit of expressing one's goals and affection, emphasizing on human's internal experience world. The literary improvisation of poets was a performance that reflected on the external world's influence on one's consciousness. This pattern originated the process of human's mind status led by the environment changes. In the Tang Dynasty, some poets were enlightened by the Zen meditation, which trickily transformed their improvisation manners for the feelings involved with the mind and external objects during the poetry creation. Worldly scenes were not just the objective targets for inspiration; furthermore, poets participated in meditation and contemplated upon human sins besides that they adopted a serene and inward lifestyle through subjective perspectives to counteract two opposing forces, mind and external objects while creating poetry. Slowly these two elements interacted and consolidated together. This sublimed poetic scene was newly invented for such " Neither mind nor objects" and "Both mind and objects", in which the spirit was revolved around the spiritual maintenance skills, and that was shaped by Zen meditation experience and further to enrich the poetry creation patterns. This updated aesthetics perception sense and inspiration source moved poets and changed their thoughts into the focus on the aspect of spiritual experience development and poetic scene cultivation. Thus, this essay is to discuss about the inspiration of Zen meditation experience for the poets in the Tang Dynasty to envision poetic scenes for poetry creation. In addition, through the manner of inner meditation and poise to attain poetry inspiration, which had gradually formed the poetry-learning pattern by poetic medication, we can track back to the source of the "analyzing poetics metaphorically with Zen" development in the Sung Dynasty."