This study attempts to examine and analyze the impact of literary field change of contemporary Taiwanese literature, alteration of literature production mechanisms and transfer of aesthetics paradigm upon serious literature of the 90's, mainly focusing on the reclassification phenomenon expressed in the field of fiction. The preliminary observation of this study has shown that after the lifting of martial law, literary field changes gradually lead to the birth of literary works that revealed an attempt to move toward the ”high culture quest”, for example, previous studies has similar comments on the behaviors shown in works of notable novelists Chu Tienwen and Zhang Dachun written in the 90's. Meanwhile, changes of aesthetic positioning within literature field, due to different factors, resulted in affecting various works of numerous novelists whereas these works were comparatively ”selfpositioned or have been positioned by circumstances' being categorized into the middle class of serious literature. Taking works by novelist Tsai Sufen and Zhong Wenyin as an example, looking from the perspective of writing habitus and target audience of their works, could be well considered as the typical representatives of middle class literature of the 90's.This study believes that the works currently classified altogether into the serious literature category of the 90's, in fact, calls for further classification in detail. Therefore, this study employs renowned French scholar Pierre Bourdieu's Field of Cultural Production Theory as support to review the new changes in the literary field of contemporary Taiwanese literature. The findings of this study would be helpful to other researchers doing research on topics related to the development of serious literature, providing a more detailed classification to observe the positioning of text so as to avoid the oversight usually found in general research which neglects the author's ”position-taking” as well as regarding literary culture change as a whole which lacked details and specifics.