摘 要 「動物書寫」為近年文學研究興起的一門領域，屬於自然書寫的大宗， 多聚焦於現代，以質和量言，皆有尚待開展之處。尤其傳統文學領域的研究 近乎闕如。本文嘗試以臺灣賦為文本，聚焦於動物書寫中的「鳥類」，探討 在賦作中呈顯的自然寫作面向。 臺灣賦屬於古典文學，可以呈顯體物寫志的特色，以鳥類書寫的角度而 言，文本所呈現的既有繼承神話與典實的傳統面向，亦有契合古典自然書寫 的動物(鳥類)觀察。例如清代王必昌的〈臺灣賦〉等賦家之作，在在呈現臺 灣當地的歷史、地理與自然物產。對照方志文獻，可以發現已然具有某些在 生物觀察的描寫上與現代自然書寫若合符節的特質，是個值得繼續深入研究 的課題。

Abstract Animal writing has been emerging as a new field and the mainstream of natural writing in the last decade. However, as most studies tend to focus on modern writing, more exploration in classical literature is needed. As a result, this study aims to investigate animal writing in classical literature through examining the Taiwan Fu, focusing on birds in the text. Fu is a typical form of Chinese classical literature, and it can help us to understand the nature. As seen in Taiwan Fu written by Wang Bi Chang, the writer discussed local history, geography, and especially the nature. Therefore, this study has consulted many local histories and documents to identify the connection of natural writing between classical literature and modern literature, which is worthy of in-depth exploration.