1940年代在上海淪陷區崛起的女作家蘇青，以犀利文風、直白寫實風格，寫出中國新女性於婚姻家庭中的困境，及戰爭下顛沛流離的悲涼。在動亂鉅變的民國政治格局裡，蘇青文學事業的短暫成功換來女漢奸、落水作家的污名。遲至1980年代始重見光明，1990年代方進入現代文學史。本文以蘇青自傳體小說《結婚十年》為基礎，觀察從五四新文化運動成長的蘇青，在日軍統治的上海書寫「女人家的事」，為求謀生周旋男性與國族縫隙的種種波折。中國婦運發展自出走的娜拉到回歸賢妻良母，蘇青卻以離婚的單親母親身份，為求謀生走上事業有成表象下的新女性踐履之途。同時本文也分析其戰後被汙名化為文化漢奸的事件，探討此一議題中性別與政治交纏的詭譎現象。

Su Qing, a Chinese woman rising to fame as a female writer from the fallen city of Shanghai in the 1940s, wrote in simple, direct and realistic writing style of how Chinese women suffered in marriage and how many wandered hopelessly due to the devastation of war. However, her literary success was short-lived, amid criticism of her as a cultural traitor. It was not until the 1990s that she was recognized as an important figure in modern Chinese literature. This paper explores the struggles of Su Qing as a female writer working in the context of male chauvinism and nationalism in Japanese-ruled Shanghai, based on her autobiographical work, 10 Years of Marriage. Throughout the Chinese Women's Movement, which progressed from its initial insirpation of the runaway Nora, as depicted in Ibsen's A Doll's House, to its eventual celebration of a wise wife and good mother, Su struggled to survive and pursue her career as a divorced single mother. This paper also analyzes Su as a purported cultural traitor, which she was accused of being during the post-war period, which is an intriguing issue in terms of gender and politics.