Li Yu, from the early Qing-dynasty, had created the traditional Chinese drama form his novel" Lian Cheng-Bi", from the chapter nine: "widow set up to get married, beauties pursue a talented young man as one heart". In the story, three women pursue a man, and the play is always been considered as innovation and merry play. The novel was done in Shunzhi period, when Li, Yu was living in Hangzhou, and then reorganized in Kangxi period, after Li Yu moved to Jinling at that time. Besides, the play performed at Pingyang, Shanxi when he visited Qin. At the 46 years of the Qianlong period, Jin Zhao-Yan, a dramatist, had been to Yangzhou and watched the play: "The Marriage with Three" (San Feng-Yuan), and wrote down ten lyrics that base on the story. The performance he saw was the drama adapted version of "A Leap Year Proposal" (Huang Qiu-Feng). Gather and arrange the development context, we can find that the development process of the play, takes at least more than a hundred years, and travels over three thousand miles. From the change of the title to the differences between text and text, from the narrative of novel to the storytelling style of traditional drama play, and the author version to the play version, we can find different kinds of main points and view between them. And all these clues let us be able to conclude a path, from the beginning of preach to the metaphor of the reality. Begin with the preach of a storyteller in "Pursue a Talented Young Man" (Duo Cai-Zi) and then to the help from a god of the underworld in "A Leap Year Proposal", their highest point were the moral education, however, those historical figure, the incident of the border wars that added, Ingeniously, all of them were the warning from Li Yu. Through the hand of the performance, he wanted the country to learn from these not very far away events. In the "The Marriage with three", the story was concentrate on one of the three women, Wu Yue-Er. After a series of games of fighting for marriage autonomy, trick and dress up game, the story and then popped back to patrilineal society, in order to satisfy the desire of free love from female audiences, besides, at the same time, offered some comfort to the control desire from those male audiences. On the other hand, the play also dreamed the dream at all the people's desire about having a standing out hero, driving away the intruder, emperor return, and restore the politics. Because of these, it can be considered as a play that carried with ultimate metaphor of the reality and close to the audience wish.