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題名：國際唱片工業研究：跨國唱片公司的全球化、本土化、數位化-
作者：謝奇任
出版日期：2006
出版項：臺北:五南
ISBN：9571142352
主題關鍵詞：唱片業；全球化；本土化；數位化
學門：藝術學
資料類型：專書
相關次數：
  • 被引用次數被引用次數:期刊(7) 博士論文(0) 專書(0) 專書論文(1)
  • 排除自我引用排除自我引用:6
  • 共同引用共同引用:0
  • 點閱點閱:22
期刊論文
1.DiMaggio, P.、Hirsch, P. M.(1976)。Production organizations in the arts。American Behavioral Scientist，19(6)，735-752。  new window
2.Peterson, R. A.(1985)。Six constraints on the production of literary works。Poetics，14(1/2)，45-67。  new window
3.Gronow, Pekka(1981)。The record industry comes to the Orient。Ethnomusicology，25(2)，251-284。  new window
4.Bhattacharjee, S.、Gopal, R. D.、Sanders, G. L.(2003)。Digital Music and Online Sharing: Software Piracy 2.0?。Communications of the ACM，46(7)，107-111。  new window
5.李天鐸(19980100)。跨國傳播媒體與華語流行音樂的政治經濟分析。當代，7=125，54-71。  延伸查詢new window
6.Peterson, R. A.、Berger, D. G.(1975)。Cycles in symbol production: The case of popular music。American Sociological Review，40，158-173。  new window
7.Rothenbuhler, E. W.、Dimmick, J. W.(1982)。Popular music: Concentration and diversity in the industry, 1974-1980。Journal of Communication，32(1)，143-149。  new window
8.Burnett, R.(1992)。The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry。Communication Research，19(6)，749-769。  new window
9.Salwen, M.(1991)。Cultural imperialism: A media effects approach。Critical Studies in Mass Communication，8(1)，29-38。  new window
10.Dirlik, Arif(1994)。The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism。Critical Inquiry，20，328-356。  new window
11.Hirsch, P. M.(1972)。Processing Fads and Fashions: An Organization-set Analysis of Cultural Industry Systems。American Journal of Sociology，77(4)，639-659。  new window
12.詹中原(20020600)。全球化與公共行政改革--知識經濟觀點之檢視。國家發展研究，1(2)，1-35。new window  延伸查詢new window
13.Lopes, P. D.(1992)。Innovation and diversity in the popular music industry, 1969 to 1990。American Sociological Review，57，56-71。  new window
14.Bettig, Ronald V.(1997)。The enclosure of cyberspace。Critical Studies in Mass Communication，14(2)，138-157。  new window
15.Harcker, D.(1997)。The Wonderful World of IFPI: Music Industry Rhetoric, the Critics and the Classical Marxist Critique。Popular Music，16(1)，45-79。  new window
16.Vaccaro, V. L.、Cohn, D. Y.(2004)。The evolution of business models and marketing strategies in the music industry。The International Journal of Media Management，6(1/2)，46-58。  new window
17.Laing, D.(1986)。The music industry and the 'cultural imperialism' thesis。Media, Culture and Society，8(3)，331-341。  new window
18.江逸之(2004)。唱片，變臉求生。遠見雜誌，218，88-90。  延伸查詢new window
19.季欣麟(1997)。宣傳不等待--上華唱片熱賣現象。遠見雜誌，135，84-90。  延伸查詢new window
20.洪淑芬(1996)。美國柯林頓總統簽署S227號法案，賦予錄音著作著作權人數位表演權。科技法律透析，2月號。  延伸查詢new window
21.張南生(19910800)。民歌沒落了！--從中國現代民歌看七０年代臺灣知識分子與流行文化的關係。聯合文學，7(10)=82，112-114。  延伸查詢new window
22.許俊雄(2006)。美妙音樂下的監控。PChome電腦家庭，88。  延伸查詢new window
23.楊大廣、林雅玲(20021200)。數位權利管理的市場趨勢及技術展望。智慧財產權管理，35，6-11。  延伸查詢new window
24.廣告雜誌(1998)。1997年台灣300大廣告主排名。廣告雜誌，83，55-57。  延伸查詢new window
25.Alexander, P. J.(1994)。New technology and market structure: Evidence from the music recording industry。Journal of Cultural Economics，18(2)，113-123。  new window
26.Schiller, H.(1991)。Not yet post-imperialist era。Critical Studies in Mass Communication，8(1)，13-28。  new window
27.Roe, K.(1985)。Introduction。Communication Research，12(3)，275。  new window
28.Rimmer, M.(2001)。Napster: Infinite digital jukebox or private bazaar?。Media International Australia incorporating Culture and Policy，98，27-38。  new window
29.Kretschmer, M.、Klimis, G. M.、Wallis, R.(2001)。Music in electronic markets: an empirical study。New Media & Society，3(4)，417-441。  new window
30.Kealy, E. R.(1979)。From craft to art: The case of sound mixers and popular music。Sociology of Work and Occupation，6，3-29。  new window
31.Imfeld, C.、Ekstrand, V. S.(2005)。The music industry and the legislative development of the Digital Millennium Copyright Act's Online Service Provider Provision。Communication Law & Policy，10(3)，291-312。  new window
32.Huges, J.、Lang, K. R.(2003)。If I had a song: The culture of digital community networks and its impact on the music industry。The International Journal on Media Management，5(3)，180-189。  new window
33.Hoover, M.、Stokes, L.(1998)。Popular music and the limits of cultural critique: Gang for four shrinkwrap entertainment。Popular Music and Society，22(3)，21-38。  new window
34.Howe, J.(2001)。Licensed to bill。Wired，140-149。  new window
35.Hesmondhalgh, D.(1996)。Flexibility, post-Fordism and the music industries。Media, Culture and Society，18，469-488。  new window
36.Gow, J.(1992)。The "trouble" with digital audio tape。Popular Music and Society，16(1)，31-48。  new window
37.Fu, W.(2003)。Applying the structure-conduct-performance framework in the media industry analysis。The International Journal on Media Management，5(4)，275-284。  new window
38.Frith, S.(1987)。Copyright and the music business。Popular Music，7(1)，57-75。  new window
39.Freedman, D.(2003)。Managing pirate culture: Corporate responses to peer-to-peer networking。The International Journal on Media Management，5(3)，173-179。  new window
40.Fabbri, F.(1991)。Copyright: The dark side of the music business。Worldbeat，1，109-114。  new window
41.Cohen, A.(20001002)。A crisis of content。Time，68-73。  new window
42.Cohn, D. Y.、Vaccaro, V.(2002)。Diffusion of innovation theory and peer-to-peer music file exchange on the internet。Proceedings of the American Society of Business and Behavioral Sciences，9(1)，234-244。  new window
43.Colista, C.、Leshner, G.(1998)。Traveling music: Following the path of music through the global market。Critical Studies in Mass Communication，15(2)，181-194。  new window
44.Chaffee, S.(1985)。Popular music and communication research。Communication Research，12(3)，413-424。  new window
45.Christianen, M.(1995)。Cycles in symbol production? A new model to explain concentration, diversity and innovation in the music industry。Popular Music，14(1)，55-93。  new window
46.Peterson, R. A.、Berger, D. G.(1971)。Entrepreneurship in organizations: evidence from the popular music industry。Administrative Science Quarterly，16(1)，97-106。  new window
47.Venkatraman, N.、Ramanujam, Vasudevan(1986)。Measurement of Business Performance in Strategy Research: A Comparison of Approaches。Academy of Management Review，11(4)，801-814。  new window
48.章忠信(20021000)。著作權侵害行為之刑事政策檢討。萬國法律，125，94-104。  延伸查詢new window
會議論文
1.吳佳珍(2003)。台灣流行音樂產業價值鏈的轉變：去中心性、創作與消費意識的抬頭。中華傳播學會2003年會，交通大學 。新竹。  延伸查詢new window
2.Curtin, M.(1997)。Transgressive imagery on transnational television。The 5th International Symposium on Film, Television, and Video，(會議日期: May 20-22)。Taipei。  new window
研究報告
1.Norris V. P.(1990)。The political economy of communications: An exploration of fundamental concepts。University Park, PA：School of Communications of the Pennsylvania State University。  new window
學位論文
1.李逸歆(2001)。台灣流行音樂行銷策略之研究(碩士論文)。世新大學。  延伸查詢new window
2.朱龍祥(1997)。流行音樂歌曲歌迷偶像崇拜的行為與心態初探(碩士論文)。高雄醫學院。  延伸查詢new window
3.王家慶(1996)。從符號學詮釋批判台灣的流行音樂文化(碩士論文)。國立成功大學。  延伸查詢new window
4.黃顗穎(2003)。流行音樂歌手形象、偶像崇拜與消費行為關係研究(碩士論文)。國立中山大學。  延伸查詢new window
5.張智雅(2000)。偶像崇拜與青少年認同--以台灣流行音樂歌迷為例(碩士論文)。慈濟醫學院。  延伸查詢new window
6.沈宜蓉(2005)。台灣流行音樂市場之整合行銷傳播策略研究(碩士論文)。世新大學。  延伸查詢new window
7.林怡伶(1995)。流行音樂產製之研究(碩士論文)。國立政治大學。  延伸查詢new window
8.陳泓銘(2000)。臺灣唱片業難過的千禧關卡(碩士論文)。國立臺灣大學。  延伸查詢new window
9.江明珊(2002)。聽MP3，何罪之有？--台灣數位音樂科技、法律與流行音樂工業之角力的開戰(碩士論文)。國立成功大學。  延伸查詢new window
10.林欣宜(2000)。當代台灣音樂工業產銷結構分析(碩士論文)。元智大學。  延伸查詢new window
11.黃宏銘(2004)。整合行銷傳播在唱片產業之應用研究--以兩唱片公司為例(碩士論文)。國立政治大學。  延伸查詢new window
12.王美雅(1994)。流行產業核心資源與國際化策略之研究(碩士論文)。國立政治大學。  延伸查詢new window
13.周昭平(1999)。台灣唱片公司華語流行歌曲產製策略研究：滾石國際與新力音樂的個案比較(碩士論文)。國立中山大學。  延伸查詢new window
14.謝鴻源(2004)。本地唱片業者如何因應當前主要問題之研究(碩士論文)。國立交通大學。  延伸查詢new window
15.陳友芳(1999)。台灣國語流行音樂錄影帶（Music Video）中之性別論述(碩士論文)。中國文化大學。  延伸查詢new window
16.Hsieh, Chi-Jen(2002)。From "The MP3 Revolution" to Pay-to-Play: The Political Economy of Digital Music(博士論文)。Pennsylvania State University。  new window
17.陳慧玲(2003)。青少女流行音樂團體之研究：形象、身體文化與情慾流動(碩士論文)。輔仁大學。  延伸查詢new window
18.鄭嘉揚(2004)。愛情流行歌曲對歌迷愛情態度之影響關聯--以五月天之愛情歌曲與歌迷為例(碩士論文)。中國文化大學。  延伸查詢new window
19.郭威君(2003)。台灣流行音樂唱片產業的未來在何方？(碩士論文)。國立臺灣大學。  延伸查詢new window
20.李佩真(1998)。偶像文本的消費意義：迷與偶像關係之探討(碩士論文)。世新大學。  延伸查詢new window
21.紀明程(1998)。跨國公司與台灣唱片產業發展之研究(碩士論文)。國立臺灣大學。  延伸查詢new window
22.葉國隆(2002)。數位音樂格式對音樂產製的影響：以臺灣音樂網站為例(碩士論文)。淡江大學。  延伸查詢new window
23.葉淑明(1998)。全球與本土：台灣流行音樂工業的演變(碩士論文)。輔仁大學。  延伸查詢new window
24.王英裕(1999)。全球整編與本土共謀：台灣流行音樂工業轉變之政經分析(碩士論文)。國立中正大學。  延伸查詢new window
25.蘇振昇(1999)。台灣流行音樂中的愛情價值觀：1989-1998(碩士論文)。國立中山大學。  延伸查詢new window
26.于靜文(1995)。歌與時代：台灣流行訊息歌曲之語藝分析(碩士論文)。輔仁大學。  延伸查詢new window
27.池祥蓁(1996)。台灣唱片事業國際化之研究(碩士論文)。國立臺灣大學。  延伸查詢new window
28.鄭君仲(2001)。我迷，故我在--流行音樂樂迷和流行音樂文本互動關係之探索(碩士論文)。世新大學。  延伸查詢new window
29.洪宏元(2000)。臺灣閩南語流行歌謠語文研究(碩士論文)。國立新竹師範學院，新竹市。  延伸查詢new window
30.柯永輝(1994)。解讀台灣流行音樂中的女性意涵(碩士論文)。國立政治大學。  延伸查詢new window
31.徐雅娟(2002)。台灣地區跨國音樂集團之品牌策略研究--以影響因素為例(碩士論文)。淡江大學。  延伸查詢new window
32.楊蕙菁(1998)。從小虎隊」到「四大天王」--台灣流行音樂偶像崇拜現象(碩士論文)。國立臺灣大學。  延伸查詢new window
33.周幼明(2002)。核心資源與國際化策略對市場進入策略關係之研究--以全球五大唱片集團為實證(碩士論文)。中原大學。  延伸查詢new window
34.李蒲(2003)。全球化下的國家體系(碩士論文)。國立中山大學。  延伸查詢new window
35.王佩華(1999)。環境與組織因素對產品多樣性的影響：以台灣地區國語流行音樂市場為例(碩士論文)。國立交通大學。  延伸查詢new window
36.丁寶山(1998)。台灣流行音樂的全球化歷程與本土性轉變(碩士論文)。國立中正大學。  延伸查詢new window
37.朱珮瑛(1997)。台灣唱片業競爭策略之研究(碩士論文)。銘傳大學。  延伸查詢new window
38.江國豪(2004)。非主流音樂之台灣意識研究：以1980年代後之歌曲為例(碩士論文)。世新大學。  延伸查詢new window
39.何天立(1998)。說、聽、看MTV故事的方法：探索閱聽人與音樂錄影帶敘事觀點的互動(碩士論文)。世新大學。  延伸查詢new window
40.吳偉慈(1995)。音樂錄影帶中的女性角色與地位(碩士論文)。國立交通大學。  延伸查詢new window
41.吳肇展(2000)。國語歌曲唱片消費者利益區隔與消費行為之研究--以台北市國中以上學生為例(碩士論文)。國立交通大學。  延伸查詢new window
42.張孟華(2004)。台灣獨立唱片公司之整合行銷傳播策略研究--以風潮、金革為例(碩士論文)。國立政治大學。  延伸查詢new window
43.張維元(2003)。解析流行音樂夢工廠--一個實踐形構視角下的個案研究(碩士論文)。輔仁大學。  延伸查詢new window
44.曾詠絮(2002)。台灣唱片產業導入直效行銷應用之初探(碩士論文)。世新大學。  延伸查詢new window
45.蔡雅佩(2004)。流行音樂市場消費者抱怨滿意度之研究(碩士論文)。國立政治大學。  延伸查詢new window
46.鄧孔彰(2002)。台灣唱片公司甄選新藝人決策模式之研究(碩士論文)。銘傳大學。  延伸查詢new window
47.鄧晏如(1999)。MP3網站使用對唱片消費行為之影響(碩士論文)。國立中山大學。  延伸查詢new window
48.方巧如(1994)。國內熱門搖滾樂團歌詞所建構的夢幻世界(碩士論文)。輔仁大學。  延伸查詢new window
49.劉世鼎(1999)。A Historical Analysis of Transnational Recording Corporations in Taiwan: 1980-1998(碩士論文)。輔仁大學。  延伸查詢new window
50.林怡瑄(2003)。台灣獨立唱片研究(碩士論文)。國立政治大學。  延伸查詢new window
51.李至和(2000)。九○年代台灣流行音樂中之原住民歌手形象分析(碩士論文)。中國文化大學。  延伸查詢new window
52.曾湘雲(2004)。檢視台灣流行音樂市場結構與產品多樣性之關聯性：從歌曲內容及音樂產製面談起(碩士論文)。國立交通大學。  延伸查詢new window
53.簡妙如(2002)。流行文化，美學，現代性：以八、九○年代台灣流行音樂的歷史重構為例(博士論文)。國立政治大學。new window  延伸查詢new window
54.汪宜正(2001)。數位音樂對唱片公司與音樂產業影響之探索性研究(碩士論文)。國立臺灣大學。  延伸查詢new window
圖書
1.Frith, S.(1978)。The Sociology of Rock。London：Constable。  new window
2.Toynbee, J.(2000)。Making popular music : musicians, creativity and institutions。London：Arnold。  new window
3.Thornton, S.(1996)。Club Cultures: Music, Media, and Subcultural Capital。Wesleyan University Press。  new window
4.Wicke, Peter、郭政倫(2000)。搖滾樂的再思考。臺北：揚智。  延伸查詢new window
5.Shuker, Roy(2001)。Understanding Popular Music。Routledge。  new window
6.Bennett, Tony、Mercer, Colin、Woollacott, Janet(1986)。Popular Culture and Social Relations。Milton Keynes：Open University Press。  new window
7.Negus, Keith(1996)。Popular Music in Theory: An Introduction。University Press of New England。  new window
8.Merriden, Trevor、蔡文英(2001)。媒體新勢力：Peer to Peer商機與未來。台北：商智文化。  延伸查詢new window
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10.Kusek, David、Leonhard, Gerd(2005)。The Future of Music。Boston, MA：Berklee Press。  new window
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18.Fiske, John(1989)。Understanding Popular Culture。Unwin Hyman。  new window
19.Longhurst, Brian(1995)。Popular music and society。Cambridge：Polity Press。  new window
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其他
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2.林釆韻(20060219)。唱片業寄望：數位音樂、大陸市場。  延伸查詢new window
3.劉衛莉(20051121)。偶像我全包 否則沒搞頭：市場不景氣唱片與經紀公司漸漸合而為一。  延伸查詢new window
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