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題名:論葛哈.利希特(Gerhard Richter)繪畫中的「模糊」美學洞察
書刊名:藝術學報
作者:譚力新
作者(外文):Tan, Li-hsin
出版日期:2009
卷期:85
頁次:頁21-39
主題關鍵詞:葛哈.利希特現代繪畫理論模糊美學異質性Gerhard RichterTheory of modern paintingBlur visionHeterogeneity
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:36
  • 點閱點閱:205
期刊論文
1.Danto, A.(2002)。History in a blur。Nation,274(18),31-34。  new window
2.Krauss, R. E.(2002)。Alien encounter。Artforum international,158。  new window
3.Kuspit, D.(1990)。All our yesterdays。Artforum international,129-132。  new window
4.Siegel, K.(2002)。Blurred visions。Artforum international,161-162。  new window
圖書
1.湯淺博雄(2001)。消盡--巴塔耶。石家庄市:河北教育出版社。  延伸查詢new window
2.沃林格、魏雅婷(1992)。抽象與移情。臺北:亞太圖書。  延伸查詢new window
3.Buchloh, Benjamin H. D.(2000)。Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975。Cambridge:MIT。  new window
4.Schapiro, Meyer(1994)。Theory and Philosophy of Art: Style, Artist, and Society: Selected Papers。New York:George Braziller。  new window
5.于奇智(2002)。凝視之愛:福柯醫學歷史哲學論稿。北京。  延伸查詢new window
6.Foucault, Michel(1994)。The Order of Things: An archaeology of the Human Science。The Order of Things: An archaeology of the Human Science。New York/London。  new window
7.Simpson, J.、Weiner, E.(1989)。Oxford English Dictionary。Oxford English Dictionary。New York。  new window
8.Bloom, Harold、朱立元、陳克明(1992)。比較文學影響論--誤讀圖式。臺北:駱駝出版社。  延伸查詢new window
9.James, W.(2005)。宗教經驗的種種:人性之研究。宗教經驗的種種:人性之研究。北京。  延伸查詢new window
10.Foucault, Michel(2003)。照相式繪畫。福科集。上海。  延伸查詢new window
11.Barthes, R.(1982)。The responsibility of forms。The responsibility of forms。Oxford。  new window
12.Belting, H.(1987)。The End of the History of Art? Reflections on Contemporary Art History。The End of the History of Art? Reflections on Contemporary Art History。Chicago。  new window
13.Buchloh, B.(1998)。Interview with Gerhard Richter。Gerhard Richter: paintings。Chicago。  new window
14.Crary, Jonathan(1998)。Techniques of the Observer: On Vision and Modernity in the Nineteenth Century。Techniques of the Observer: On Vision and Modernity in the Nineteenth Century。Cambridge。  new window
15.Danoff, M. I.(1998)。Heterogeneity: A introduction to the work of Gerhard Richard。Gerhard Richter paintings。Chicago。  new window
16.Nugent, J. A.(2006)。Gerhard Richter in Dresden, the early year。From Caspar David Friedrich to Gerhard Richter: German paintings from Dresden。Los Angeles。  new window
17.Fer, B.(1997)。On abstract art。On abstract art。New Haven and London。  new window
18.Gilmore, J.(2000)。The life of a Style-beginnings and endings in the narrative history of art。The life of a Style-beginnings and endings in the narrative history of art。Ithaca。  new window
19.Mcschine, K.(1989)。Andy Warhol: A retrospective。Andy Warhol: A retrospective。New York。  new window
20.Obrist, H. U(1995)。Gerhard Richter, The daily practice of painting: Writings and interviews 1962-1993。Gerhard Richter, The daily practice of painting: Writings and interviews 1962-1993。Cambridge, MA。  new window
21.Ryan, D.(2002)。Talking Painting: Dialogues with twelve contemporary abstract paintings。Talking Painting: Dialogues with twelve contemporary abstract paintings。London。  new window
22.Schapiro, C.(2003)。Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying。Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying。Chicago。  new window
23.Storr, R.(2002)。Gerhard Richter: Forty years of painting。Gerhard Richter: Forty years of painting。New York, NY。  new window
24.Storr, R.(2003)。Gerhand Richter: Doubt and belief in painting。Gerhand Richter: Doubt and belief in painting。New York, NY。  new window
 
 
 
 
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