In view of the forewords, notes, and viewpoints in research discourse of Ming-Ching historical fiction / novels and the theory on fact or fiction, understanding of these concepts and their content are often limited by ”common sense” definitions that demarcate based on the ”selection criteria” of ”phenomenon” or ”objectivity.” The consensus at which it arrives is based on whether the characters and events indeed happened in history as the standard for defining ”reality” and ”fiction.” However, using this angle to determine and orient standards for the ”fiction” genre can overlook the inspiration of aesthetics on the subjective spiritual level, and the conscious realization of pursuit of value judgments. Thus, this article want to by using the angle of subjective spiritual aspects to cut into, from the value judgments and the aesthetic sense of perspective to reflect on, interpret the meaning of fictional and real. So, the meaning of fictional and real is no longer just limited by the level of the fact and the form, but with breakthrough in the level of historical records, reveal the deep meaning of ”the truth” in ”Rational” and ”Emotional”.