In the face of the dramatic changes in the political situation inside and outside Taiwan in the 1970s boosted critical reflections of the poets in the post war. The former generation poets were obviously not without emotions. Lo Fu (1928-), Yu Guangzhong (1928-) and Zheng Chouyu (1933-) are representatives of the pre-stage of modernism impact. They were not satisfied with simply ＂to reflect the reality of poetry＂, and didn’t want to fall into the obscure, surreal and the temptation of automatic writing. Therefore, the three people to copy and reflect on the 50’s ＂horizontal transplant＂ is to reduce the limitations. The writing is not antique but rather more non-retro. From the Chinese classical literature of allusions, images, genre, title, skills, Rhythm, rhyme, vocabulary and even lyrical ways help draw resources, and then casting a new poem-that is, three modern poetry in the ＂classical awareness＂ write consciously or lead the ancient books ancient poetry, or the ancients. Thinking and emotion were full of ＂modern＂, and can be described as the creation of poetry at the time. This opened up a new way to the modern world, the western into the east, the Luo, Yu, Zheng three modern poets wrote classical consciousness through the writing practice of eloquently responded to the Taiwan post war generation poet and emerging poetry / poetry challenges. The three former poets who had become generous must find context through the 1970s with Taiwanese post-war poets. Reflecting back at tradition and ancient poetry help created new content, so that modern poetry is more ＂Oriental＂ and ＂Chinese＂, thus becoming these poets common choice.