| 期刊論文| 1. | Altman, Rick(1980)。Introduction。Yale French Studies，60，3-15。   | | 2. | Altman, Rick(1980)。Moving Lips: Cinema as Ventriloquism。Yale French Studies，60，66-79。 | | 3. | Bordwell, David(1980)。The Musical Analogy。Yale French Studies，60，141-156。 | | 4. | Browne, Nick(1980)。Film Form/Voice-Over: Bresson's The Diary of a Country Priest。Yale French Studies，60，233-240。 | | 5. | Chiao, Peggy(1993)。History's Subtle Shadows。Cinemaya，21，4。 | | 6. | Kawin, Bruce(1984-1985)。An Outline of Film Voices。Film Quarterly，38(2)，38-46。 | | 7. | Martin, Adrian(2008)。What's happening? Story, scene and sound in Hou Hsiao-Hsien。Inter-Asia Cultural Studies，9(2)，258-270。 | | 8. | Metz, Christian(1980)。Aural Object。Yale French Studies，60，29。 | | 9. | Percheron, Daniel、Butzel, Marcia(1980)。Sound in Cinema and its Relationship to Image and Diegesis。Yale French Studies，60，16-23。 | | 10. | Ropars-Wuilleumier、Marie-Claire、Smith, Kimberly(1980)。The Disembodied Voice: India Song。Yale French Studies，60，241-268。 | | 11. | Williams, Alan(1980)。Is Sound Recording Like a Language?。Yale French Studies，60，51-66。 | | 12. | Udden, James(2002)。Hou Hsiao-Hsien and the Question of a Chinese Style。Asian Cinema，13(2)，54-75。 | | 13. | Henderson, Brian(1983)。Tense, Mood, and Voice in Film (Notes after Genette)。Film Quarterly，36(4)，4-17。 | | 14. | Berry, Michael(2003)。Words and Images: A Conversation with Hou Hsiao-hsien and Chu T'ien-wen。Positions，11(3)，675-716。 | 學位論文| 1. | Ma, Jean(2003)。Time without measure, sadness without cure: Hou Hsiao-hsien's films of history(博士論文)。U of Chicago，Chicago。 | 圖書| 1. | Altman, Rick(1992)。Sound Theory, Sound Practice。New York：Routledge。 | | 2. | Balazs, Bela(1970)。Theory of the Film: Character and Growth of a New Art。New York：Dover。 | | 3. | Cavell, Stanley(1979)。The World Viewed。Cambridge：Harvard UP。 | | 4. | Chion, Michel、Claudia Gorbman(1994)。Audio-Vision: Sound in Screen。New York。 | | 5. | Chion, Michel(1991)。Echo and Narcissus: Women's Voices in Classical Hollywood Cinema。Amy Lawrence：U of California P。 | | 6. | Chion, Michel、Claudia Gorbman、C. Jon Delogu(2009)。Film, A Sound Art。New York：Columbia UP。 | | 7. | Chion, Michel、Claudia Gorbman(1999)。The Voice in Cinema。New York：Columbia UP。 | | 8. | Kozloff, Sarah(1988)。Invisible Storytellers: Voice-Over Narration in American Fiction Film。Berkeley：U of California P。 | | 9. | Lastra, James(2000)。Sound Technology and The American Cinema: Perception, Representation, Modernity。New York：Columbia UP。 | | 10. | 朱天文(2007)。最好的時光：侯孝賢電影記錄。濟南：山東畫報出版社。 延伸查詢 | | 11. | 葉月瑜(2001)。歌聲魅影：歌曲敘事與中文電影。臺北：遠流。 延伸查詢 | | 12. | Bordwell, David(2005)。Figures Traced in Light: On Cinematic Staging。Berkeley。 | | 13. | Berry, Chris、Feii Lu(2005)。Island On the Edge: Taiwan New Cinema and After。HK：Hong Kong University Press。 | | 14. | Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。 | | 15. | 焦雄屏(20020000)。臺灣電影90新新浪潮。臺北：麥田。 延伸查詢 | | 16. | 李天祿、曾郁雯(1991)。戲夢人生--李天祿回憶錄。台北：遠流出版公司。 延伸查詢 | | 17. | Silverman, Kaja(1988)。The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema。Indiana University Press。 | | 18. | Weis, Elisabeth、John Belton(1985)。Film Sound: Theory and Practice。New York, NY：Columbia University Press。 | | 19. | 林文淇、沈曉茵、李振亞(2000)。戲戀人生：侯孝賢電影研究。臺北：麥田。 延伸查詢 | | 20. | Yip, June.(2004)。Envisioning Taiwan: Fiction, Cinema and the Nation in the Cultural Imaginary。Duke University Press。 | 其他| 1. | Ng, Yvonne(1999)。Essence and Ellipsis in Hou Hsiao-hsien's The Puppetmaster，http://www.kinema.uwaterloo.ca/article.php?id=213&feature。 | 圖書論文| 1. | Chion, Michel(1992)。Wasted Words。Sound Theory, Sound Practice。New York：Routledge。 | | 2. | Lastra, James(1992)。Reading, Writing, and Representing Sound。Sound Theory, Sound Practice。New York：Routledge。 | |