二00一年，各縣市爲了帶動地方的觀光與繁榮，結合了地方的特色，發展文化性的活動。澎湖縣因爲擁有得天獨厚的地質、地形與地貌，因此發展「澎湖國際地景藝術節」，藉此行銷澎湖，走向國際，並引領藝術家及澎湖在地民衆對這塊島嶼做思考。自二00一至二00九年，「澎湖國際地景藝術節」總共辦了九年七屆，共產生四十七件作品，期間，吸引不少在地藝術家、臺灣本島創作者及世界各地的地景藝術工作愛好者的參與及投入，成果豐碩。然而，這些作品表達了何種意念與思維？本論文試著對這些展出的地景藝術作品做一總體的分析與回顧，研究者採文本分析法，探討作品呈現出何種表層與深層的文化意涵，創作者的思維是什麼？又期待民眾如何去觀看？研究結果發現，這些作品呈現出豐富多元的面貌，深化了全球化與在地化的思考，作品除了對澎湖特有的地理、文化、歷史有不同層面的精彩切入與剖析之外，亦帶動民眾對島嶼的思考，提昇藝術融入生活空間的質感，主辦單位及創作者的努力值得被肯定，但在藝術節的行銷、作品的規格及民眾參與的普及性方面，則陷入了待脫困的難題。

Numerous cultural events that integrate with the local characters have been organized in each county and city since 2001, aiming to promote local tourism industry and to boost local economy. The unique geology, topography and landscape in Penghu has prompted the development of the Penghu International Earth Art Festival, using it as an opportunity to market Penghu to the world, as well as to lead artists and local residence to think about this island. Between 2001 and 2009, a total of 47 exhibits were shown in 7 Penghu International Earth Art Festivals. During this period, it has attracted the involvement of numerous local artists, Taiwanese creative artists and the Earth Art enthusiasts. However, what kind of thinking and concepts are those art works have tried to express? This thesis attempts to provide an overall analysis and recap on the art works presented at the Earth Art Festival, using textual analysis to investigate both subsurface and deep rooted cultural meaning of those art works, and the concepts of the artists, as well as what view point is expected of the audience. The research has found that those art works are rich and dynamic, consists of globalized and localized thinking, thus led the audience to think about the island. They enriched the artistic quality of integrating art into living space. The hard works of the organizers and the artists are worth to be acknowledged, but the marketing, specification of the art works and the public involvement of the festival remains to be difficult issues.