文化的視覺系統 (2) : 日常生活與大眾文化__臺灣人文及社會科學引文索引資料庫

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題名：	文化的視覺系統 (2) : 日常生活與大眾文化-
作者：	劉紀蕙
出版日期：	2006
出版項：	臺北:麥田
集叢：	麥田講堂;2
ISBN：	9861730915
主題關鍵詞：	日常生活；大眾文化
學門：	藝術學
資料類型：	專書
相關次數：	被引用次數:期刊(8) 博士論文(3) 專書(2) 專書論文(1) 排除自我引用:8 共同引用:0 點閱:33

期刊論文
1.	Andrew, Dudley(2000)。The Three Ages' of Cinema Studies and the Age to Come。PMLA，115(3)，341-351。
2.	Armstrong, Nancy(2001)。Who's Afraid of the Cultural Turn?。Differences，12(1)，17-49。
3.	Balibar, Etienne(1994)。Althusser’s object。Social Text，39，157-188。
4.	Carter, David(1996)。Crocs in Frocks: Landscape and Nation in the 1990s'。Journal of Australian Studies，49，89-96。
5.	Chow, Key(1993)。A Sourvenir of Love。Modern Chinese Literature，7(2)，59-78。
6.	Chow, Key(199801)。The Seductions of Homecoming: Place, Authenticity, and Chen Kaige's "Temptress Moon"。Narrative，6(1)，3-17。
7.	Chow, Key(1999)。Nostalgia of the New Wave: Structure and Wong Kar-wai’s Happy Together。Camera Obscura，42，31-48。
8.	Chow, Rey(2002)。Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai。New Literary History，33(4)，639-654。
9.	Duara, Prasenjit(200104)。Left Criticism and the Political Impasse: Response to Arif Dirliks ‘How the Grinch Hijacked Radicalism: Further Thoughts on the Postcolonial’。Postcolonial Studies，4(1)，81-88。
10.	During, Simon(1992)。Postcolonialism and Globalization。Meanjin，51(2)，339-353。
11.	Falconer, Delia(1994)。We Don't Need To Know the Way Home: Selling Australian Space in the Mad Max Trilogy。Southern Review，27(1)，28-44。
12.	Freadman, Anne(1986)。Le Genre Humain (A Classification)。Australian Journal of French Studies，23(2)，309-374。
13.	Gubar, Susan(1998)。What Ails Feminist Criticism?。Critical Inquiry，24(4)，878-902。
14.	Hage, Ghassan Joseph(1994)。Anglo-Celtics Today: Cosmo-Multiculturalism and the Phase of the Fading Phallus。Communal/Plural，4，41-77。
15.	Heath, Stephen(1976)。Narrative Space。Screen，17(3)，68-112。
16.	Mishra, Vijay(1989)。'The Centre Cannot Hold': Bailey, Indian Culture and the Sublime。South Asia，12(1)，103-114。
17.	Morris, Meaghan(2000)。Globalisation and its Discontents。Meridian，17(2)，17-29。
18.	Morris, Meaghan(2000)。'Please explain?': Ignorance, Poverty and the Past。Inter-Asia Cultural Studies，1(2)，219-232。
19.	Morris, Meaghan(2001)。Globalisation and its Discontents。Sekai，686，266-278。
20.	Morris, Meaghan(200408)。Transnational Imagination in Action Cinema: Hong Kong and the Making of a Global Popular Culture。Inter-Asia Cultural Studies，5(2)，181-199。
21.	Nobus, Dany(2004)。The Punning of Reason: On the Strange Case of Dr Jacques L...。Angelaki: Journal of the Theoretical Humanities，9(1)，189-201。
22.	Otto, Peter(1993)。Forgetting Colonialism(David Malouf, Remembering Babylon)。Meanjin，52(3)，545-558。
23.	Penley, Constance(1986)。Time Travel, Primal Scene, and the Critical Dystopia。Camera Obscura，15，67-84。
24.	Pringle, Rosemary(1973)。Octavius Beale and the Ideology of the Birthrate: The Royal Commissions of 1904 and 1905。Refractory Girl，3，19-27。
25.	Rayns, Tony(2000)。In the Mood for Edinburgh: Wong Kar-Wai Talks about His Most Difficult Film-Making Experience with Tony Rayns。Sight and Sound，10(8)，14-19。
26.	Rose, Jacqueline(1976)。Paranoia and the Film System。Screen: The Journal of the Society for Education in Film and Television，17(4)，85-104。
27.	Silverman, Kaja(1992)。The Lacanian Phallus。Differences，4(1)，84-115。
28.	Stratton, Jon(1983)。What Made Mad Max Popular?。Art & Text，9，37-56。
29.	Tesson, Charles(2001)。L' Asie majeure。Cahiers du cinema，553，5。
30.	Thompson, Christina(1987)。Romance Australia: Love in Australian Literature of Exploration。Australian Literary Studies，13(2)，161-171。
31.	Vidler, Anthony(1990)。Notes on The Sublime: From Neoclassicism to Postmodernism。Canon: The Princeton Architectural Journal，3，165-191。
32.	Walker, David(199509)。White Peril。Australian Book Review，33。
33.	陳其南(1999)。台灣地理空間想像的變貌與後現代人文地理學--一個初步探索。師大地理研究報告，30，175-219。延伸查詢
34.	周蕾(2001)。A Phantom Discipline。PMLA，116(5)，1386-1395。
35.	Jameson, Fredric(1986)。Third-World Literature in the Era of Multinational Capitalism。Social Text，15，65-88。
36.	Lacan, Jacques、Hulbert, James(1977)。Desire and the Interpretation of Desire in Hamlet。Yale French Studies，55/56，11-52。

會議論文
1.	Lacan, Jacques、Porter, Dennis(1992)。The Seminar of Jacques Lacan: Book VII, The Ethics of Psychoanalysis 1959-1960。New York：W. W. Norton & Company。

圖書
1.	Althusser, Louis(1996)。Writings on Psychoanalysis: Freud and Lacan。New York：Columbia University Press。
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10.	Bordwell, David、Noël, Carroll(1996)。Post-theory: Reconstructing Film Studies。Madison：University of Wisconsin Press。
11.	Brawley, Sean(1995)。The White Peril: Foreign Relations and Asian Immigration to Australasia and North America 1919-78。Sydney：University of New South Wales Press。
12.	Broinowski, Alison(1992)。The Yellow Lady: Australian Impressions of Asia。Melbourne：Oxford University Press。
13.	Carroll, John(1982)。Intruders in the Bush: The Australian Quest for Identity。Melbourne：Oxford University Press。
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21.	Peter, De Bolla(1989)。The Discourse of the Sublime: Readings in History, Aesthetics, and the Subject。Oxford：Basic Blackwell。
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24.	Dermody, Susan、Elizabeth, Jacka(1988)。The Screening of Australia: Anatomy of a National Cinema。Sydney：Currency Press。
25.	Derrida, Jacques(1998)。Resistances of Psychoanalysis。Stanford, Calif.：Stanford University Press。
26.	Diehl, Joanne Feit(1990)。Women Poets and the American Sublime。Bloomington：Indiana University Press。
27.	Dixon, Robert(1986)。The Course of Empire: Neo-Classical Culture in New South Wales 1788-1860。Melbourne：Oxford University Press。
28.	Docker, John(1991)。The Nervous Nineties: Australian Cultural Life in the 1890s。Melbourne：Oxford University Press。
29.	Edwards, Coral、Peter, Read(1989)。The Lost Children: Thirteen Australians taken from Their Aboriginal Families Tell of the Struggle to Find Their Natural Parents。Sydney：New York：London：Doubleday：Doubleday：Doubleday。
30.	Ferguson, Frances(1992)。Solitude and the Sublime: Romanticism and the Aesthetics of Individuation。New York：Routledge。
31.	Finch, Lynette(1993)。The Classing Gaze: Sexuality, Class and Surveillance。Sydney：Allen & Unwin。
32.	Forrester, John(1980)。Language and the Origins of Psychoanalysis。New York：Columbia University Press。
33.	Freud, Sigmund、Joseph, Breuer(1950)。Aus den Anfangen der Psychoanalyse: Briefe an Wilhelm Fliess, Abhandlungen undNotizen aus den Jahren 1887-1902。London：Imago Pub. Co.。
34.	Freud, Sigmund、Joseph, Breuer(1940)。Gesammelte Werke。London：Imago。
35.	Freud, Sigmund、Joseph, Breuer(1953)。The Standard Edition of the Complete Psychological Works of Sigmund Frued。London：Hogarth Press and the Institute of Psycho-Analysis。
36.	Frow, John(1995)。Cultural Studies and Cultural Value。Oxford：Oxford University Press。
37.	Gibson, Ross(1992)。South of the West: Postcolonialism and the Narrative Construction of Australia。Bloomington：Indiana University Press。
38.	Jeremy, Gilbert-Rolfe(1996)。Das Schdne und das Erhabene von Heute。Berlin：Merve Verlag。
39.	Gregory, John Walter(1906)。The Dead Heart of Australia. A Journey Around Lake Eyre in the Summer of 1901-1902, with Some Account of the Lake Eyre Basin and the Flowing Wells of Central Australia。London：John Murray。
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42.	Haebich, Anna(1992)。For Their Own Good: Aborigines and Government in the South West of Western Australia 1900-1940。Nedlands：University of Western Australia Press。
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44.	Hertz, Neil(1985)。The End of the Line: Essays on Psychoanalysis and the Sublime。Columbia University Press。
45.	Hickey, Dave(1993)。The Invisible Dragon: Four Essays on Beauty。Los Angeles：Art issues Press。
46.	Hicks, Neville(1978)。This Sin and Scandalâ: Australiaâs Population Debate 1891-1911。Canberra：ANU Press。
47.	Hill, Ernestine(1937)。The Great Australian Loneliness。Sydney：Angus and Robertson。
48.	Hill, John、Pamela, Church Gibson(1998)。The Oxford Guide to Film Studies。Oxford：Oxford University Press。
49.	Holt, Stephen(1982)。Manning Clark and Australian History 1915-1963。St. Lucia：University of Queensland Press。
50.	Humm, Maggie(1997)。Feminism and Film。Bloomington：Indiana University Press。
51.	Jay, Martin(1984)。Marxism and Totality: The Adventures of a Concept from Lukdcs to Habermas。Berkeley：University of California Press。
52.	Jay, Martin(1993)。Downcast Eyes: The Denigration of Vision in Modern French Thought。Berkeley：University of California Press。
53.	Kant, Immanuel(1763)。Observations on the Feeling of the Beautiful and Sublime。Berkeley：University of California Press。
54.	Kant, Immanuel(1992)。Critique of Pure Reason。London：Macmillan。
55.	Lacan, Jacques(1978)。Four Fundamental Concepts of Psycho-Analysis。New York：W. W. Norton。
56.	Lacan, Jacques(1956)。Le Seminaire de Jacques Lacan, Livre IV: La relation d'objet, 1956-1957。Paris：Seuil。
57.	Lacan, Jacques(1964)。The Seminar of Jacques Lacan, Book X I: The Four Fundamental Concepts of Psycho-Analysis。New York：W. W. Norton。
58.	Lacan, Jacques(1964)。The Seminar of Jacques Lacan, Book X I: The Four Fundamental Concepts of Psycho-Analysis。Paris：Seuil。
59.	Langton, Marcia(1993)。Well, I heard it on the radio and I saw it on the television...': An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things。North Sydney：Australian Film Commission。
60.	Lawrence, D. H.(1923)。Kangaroo。Harmondsworth：Penguin。
61.	Lichtheim, George(1967)。The Concept of Ideology and Other Essays。New York：Vintage Books。
62.	Lyons, Arthur(2000)。Death on the Cheap: The Lost B Movies of Film Noir。New York：Da Capo Press。
63.	MacCabe, Colin(1981)。The Talking Cure: Essays in Psychoanalysis and Language。New York：St. Martins。
64.	Malouf, David(1993)。Remembering Babylon。London：Chatto and Windus。
65.	Marini, Marcelle(1992)。Jacques Lacan: The French Context。New Brunswick, N. J.：Rutgers University Press。
66.	Markus, Andrew(1979)。Fear and Hatred: Purifying Australia and California 1850-1901。Sydney：Hale & Iremonger。
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73.	Morris, Meaghan(2004)。Cultural Studies, Critical Theory and the Question of Genre: History in Action Cinema。
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78.	Reynolds, Henry(1982)。The Other Side of the Frontier: Aboriginal Resistance to the European Invasion of Australia。Ringwood。
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81.	Sartre, Jean-Paul(1956)。Being and Nothingness: A Phenomenological Essay on Ontology。New York：Philosophical Library。
82.	Sen, Krishna(1994)。Indonesian Cinema。London and New Jersey：Zed Books。
83.	Shohat, Ella、Robert, Stam(1994)。Unthinking Eurocentrism: Multiculturalism and the Media。New York：Routledge。
84.	Sobchack, Vivian(1996)。The Persistence of History: Cinema, Television, and the Modern Event。New York：Routledge。
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87.	Vidler, Anthony(1992)。The Architectural Uncanny: Essays in the Modern Unhomely。MIT Press。
88.	Yau, Esther C. M.(2001)。At Full Speed: Hong Kong Cinema in a Borderless World。Minneapolis：University of Minnesota Press。
89.	Yoshimoto, Mitsuhiro(2000)。Kurosawa: Film Studies and Japanese Cinema。Durham：Duke University Press。
90.	(2000)。香港電影回顧專題：跨界的香港電影。香港：康樂及文化事務署。延伸查詢
91.	劉以鬯(2000)。對倒。香港：獲益。延伸查詢
92.	Doane, Mary Ann(1987)。The Desire to Desire: The Woman's Film of the 1940s。Indiana University Press。
93.	Bazin, Andre(1967)。What Is Cinema?。Berkeley：University of California Press。
94.	Smith, Bernard(1960)。European Vision and the South Pacific 1768-1850 - A Study in the History of Art and Ideas。London：Oxford University Press。
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96.	Gallop, Jane(1985)。Reading Lacan。Cornell University Press。
97.	de Saussure Course, Ferdinand、Baskin, Wade、Culler, Jonathan(1974)。General Linguistics。Glasgow：Fontana/Collins。
98.	Bloch, Ernst、Plaice, Neville、Plaice, Stephen、Knight, Paul(1986)。The Principle of Hope。MIT Press。
99.	Kracauer, Siegfried(1960)。Theory of Film: The Redemption of Physical Reality。Oxford University Press。
100.	Teo, Stephen(1997)。Hong Kong Cinema: the extra dimensions。British Film Institute。
101.	Burke, Edmund(1968)。A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful。University of Notre Dame Press。
102.	Gilroy, Paul(1993)。The Black Atlantic: Modernity and Double Consciousness。Harvard University Press。
103.	Weiskel, Thomas(1976)。The Romantic Sublime: Studies in the Structure and Psychology of Transcendence。Baltimore。
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111.	Lacan, Jacques(1993)。The Seminar of Jacques Lacan, Book III: The Psychoses, 1955-56。New York：W. W. Norton。
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131.	Bordwell, David(2000)。Planet Hong Kong: Popular Cinema and the Art of Entertainment。Cambridge, Mass：Harvard University Press。
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134.	周蕾、孫紹誼(20010000)。原初的激情：視覺、性慾、民族誌與中國當代電影。臺北：遠流。延伸查詢
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147.	Chow, Rey(1995)。Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema。Columbia University Press。

其他
1.	Holden, Stephen(20010525)。Two Lives in China, With Mao Lurking。
2.	Kehr, Dave(20010114)。In Theaters Now: The Asian Alternative。
3.	Sek, Kei。Achievement and Crisis in the ‘80s’，http://www.brightlightsfilm.com/31/hk_achievement3.html。
4.	陶傑(20010108)。大團圓的張藝謀。延伸查詢
5.	潘國良(20001028)。《花樣年華》與《對倒》。延伸查詢

圖書論文
1.	Adams, Parveen(1996)。Father, Can’t You See I’m Filming?。The Emptiness of the Image: Psychoanalysis and Sexual Differences。New York：Routledge。
2.	Altman, Rick(1996)。The Musical。The Oxford History of World Cinema。Oxford：Oxford University Press。
3.	Barthes, Roland(1970)。To Write: An Intransitive Verb?。The Structuralist Controversy: The Languages of Criticism and the Sciences of Man。Baltimore：Johns Hopkins University Press。
4.	Baudry, Jean-Louis(1986)。The Apparatus。Narrative, Apparatus, Ideology: A Film Theory Reader。New York：Columbia University Press。
5.	Baynton, Barbara(1902)。The Chosen Vessel。Portable Australian Authors: Barbara Baynton。St. Lucia：University of Queensland Press。
6.	Bazin, Andre(1985)。The Stalin Myth in Soviet Cinema。Movies and Methods。Berkeley：University of California Press。
7.	Benjamin, Walter(1969)。On Some Motifs in Baudelaire。Illuminations。New York：Schocken。
8.	Benjamin, Walter(1969)。What Is Epic Theatre。Illuminations。New York：Schocken。
9.	Broderick, Mick(1993)。Heroic Apocalypse: Mad Max, Mythology, and the Millenium。Crisis Cinema: The Apocalyptic Idea in Postmodern Narrative Film。Washington, D. C.：Maisonneuve Press。
10.	Bryson, Norman(2001)。Introduction: Art and Intersubjectivity。Looking In: The Art of Viewing。Amsterdam：G+B Arts International。
11.	Buccino, Daniel L.(2001)。Homosexuality and Psychosis in the Clinic: Symptom or Structure?。Homosexuality and Psychoanalysis。Chicago, Ill：University of Chicago Press。
12.	Buscombe, Edward(1976)。Auteur Criticism。Movies and Methods。Berkeley：University of California Press。
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