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題名:墾丁社頂部落文化之符號意象探討與創意產品設計研究
書刊名:人文暨社會科學期刊
作者:林勤敏 引用關係陳純恩董又慈
作者(外文):Lin, Chin-minChen, Chun-enTung, Yu-tzu
出版日期:2011
卷期:7:1
頁次:頁25-40
主題關鍵詞:墾丁社頂部落符號意象創意產品敘述性設計文化創意產業KentingSheding tribeSymbol imageCreative productNarrative designCultural and creative industry
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:204
  • 點閱點閱:100
近年來台灣「文化創意產業」在產、官、學的合作推動下,許多以深耕地區型文化,並將創意手法加值在文化產品上的案例,逐漸在文化創意領域中嶄露頭角,其中不乏有結合了地方傳統產業,朝向文化觀光發展邁進的成功實例,「墾丁社頂部落」即是當中較特殊的案例之一。墾丁國家公園管理處從 2005年起,將社頂部落及其周邊區域規劃為生態旅遊的試辦地;結合保育、文化、生計的社頂部落,透過生態旅遊、導覽解說、文化創意產業 …等活動重新詮釋出一個排灣族部落的奇蹟。社頂部落將生態資源結合文化創意產業的方式是國內少見的特色案例,但是在文化創意設計方面尚處於萌芽階段,所開發的商品不論是在文化的符號運用、創意概念的發展、消費需求的考量、行銷策略的經營…等面向,都還有很大的發展空間。因此,本研究首先利用文獻探討,分析出社頂部落的歷史文化與自然生態特色,以及歸納文化創意產品設計相關理論;其次透過觀察法、訪談法進行實地調查,一方面觀察社頂部落目前文化創意產品的現況,另一方面訪談對象包括( 1)社頂部落文化促進會代表;( 2)當地居民;( 3)文史工作者;( 4)旅遊消費者,以便探討如何利用當地文化特有的「符號意象」作為設計元素。接著採用「敘述性設計」的創作方法,將社頂部落在地的傳說、事件、生活方式 …等代表符號,與當地天然的素材結合,應用於文化創意產品的設計與創作。最後依據本研究結果,設計「照亮社頂」頸掛式手電筒、「藏寶‧寶藏」八寶公主的藏寶盒、「毛視鏡」毛柿造型望遠鏡等三件創意商品設計圖,並實施問卷調查,分析評估消費者對產品之看法,提供墾丁社頂部落推展文化創意商品之參考,並期藉此開創當地文化創意產業發展的新契機。
In recent years, cultural and creative industries have aggressively developed creative products with cultural meanings. The cooperation between industries, government, and academia has promoted regional cultures, which have developed significantly as a consequence, and numerous successful examples of the integration of creative ideas with cultural products have emerged. Because creative ideas have been integrated with the local traditional industries, the successful development of culture and tourism has become more commonplace. The Kenting Shirding tribe is a unique example. Since 2005, the headquarters of Kenting National Park planned to develop the Shirding tribe and the surrounding area as a trial site for ecotourism. In the Shirding tribe, conservation, culture, and residential livelihood have been integrated with activities such as ecotourism, guided tours, and cultural and creative industry to redevelop a new miracle for the Paiwan tribe. The Shirding tribe integrated biological recourses with the cultural and creative industry; however, the development of cultural and creative design is still in its early stages. Regarding the development of merchandise, further improvement is required, for instance, regarding the application of cultural symbols, the development of creative concepts, the consideration of consumer demand, and the operation of marketing strategies. Therefore, this study analyzes the historical culture and characteristics of natural ecology, and presents the summarized theories concerning cultural and creative product design based on the literature review. In addition, this paper utilized observational methods and interviews to conduct the field survey. This comprised observing the current status of cultural and creative products developed in the Shirding tribe and conducting interviews of: (1) representatives of the Shirding Tribe Culture Promotion Association; (2) local residents; (3) cultural and historical workers; and (4) tourism consumers, to investigate how the unique symbolic image of local culture can be used as design elements. The narrative design method was employed to combine the natural materials, such as the representative symbols of local legends, events, and lifestyle of the Shirding tribe, with the design and creation of cultural and creative products. Based on the results, the design charts of three creative merchandises were conceived: the pendant flashlight called, “Brightening Shirding,” the treasure box of Princess Ba-bao called, “Treasure Hidden & Hidden Treasure,” and the persimmon-shaped telescope called, “Persimmon Scope.” In addition to surveys, consumers were developed as references for the promotion of cultural and creative products of the Shirding tribe. These products can create opportunities for the development of the local, cultural, and creative industry.
期刊論文
1.陳殿禮、洪珮芬(20090600)。工藝家具參觀者生活型態與造形意象偏好之研究。設計學報,14(2),19-36。new window  延伸查詢new window
2.林東龍、余佳芳(2005)。符號意象在產品造形上之探討─以義大利設計風格為例。大葉大學學報:人文暨社會科學期刊,1(1)。new window  延伸查詢new window
3.林榮泰(20050700)。文化創意.設計加值。藝術欣賞,1(7),26-32。  延伸查詢new window
4.黃元清、林榮泰(2006)。跨文化設計--臺灣原住民文化的設計元素與應用。工業設計,34(2),105-106。new window  延伸查詢new window
會議論文
1.蔡登傳(1996)。以群體決策技法評價設計作品的探討。第二屆設計與管理學術暨實務研討會。臺北市:臺北市實踐設計管理學院。  延伸查詢new window
2.王銘顯(2009)。生活文化發展模式與地域性之探討。臺北。  延伸查詢new window
3.周伶娥、陳文印(2009)。應用敘述性設計於產品功能認知。臺北。  延伸查詢new window
4.林東龍、葉皓宇(2009)。以臺南安平文化符號探討紀念品之設計。臺北。  延伸查詢new window
5.林勤敏、陳純恩(2009)。邵族文化創意飾品行銷上海市場之可行性探討。臺北。  延伸查詢new window
6.林勤敏、陳純恩、董又慈(2009)。墾丁社頂部落文化應用於創意商品設計之研究。臺北。283-298。  延伸查詢new window
7.謝羽宸、羅致遠(2009)。仿舊材質應用於產品設計之意象探討。臺北。  延伸查詢new window
學位論文
1.陳純恩(2011)。日月潭邵族傳統生活文化應用於創意產品設計之研究(碩士論文)。明道大學。  延伸查詢new window
2.李侑芳(2004)。社區文化商品的符號運用--以湖本村文化創意產業為例。國立雲林科技大學。  延伸查詢new window
圖書
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2.楊裕富(2000)。創意活力--產品設計方法論。田園城市文化事業有限公司。  延伸查詢new window
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7.高淑清(2008)。質性研究的18堂課:揚帆再航之旅。高雄:麗文文化。  延伸查詢new window
8.彭聃齡、張必隱(2000)。認知心理學。臺北市:東華書局股份有限公司。  延伸查詢new window
9.李幼蒸(1997)。哲學符號學:記號的普遍理論。臺北:唐山出版社。  延伸查詢new window
10.童春發(20010000)。臺灣原住民史:排灣族史篇。南投:臺灣省文獻委員會。new window  延伸查詢new window
11.楊裕富(19980000)。設計的文化基礎:設計、符號、溝通。臺北市:亞太圖書。new window  延伸查詢new window
12.吳昭道(1990)。工業設計。臺北:明志工專。  延伸查詢new window
13.楊政川(1995)。民俗植物--恆春社頂部落。臺北。  延伸查詢new window
14.趙康伶(2002)。我的家鄉--屏東。屏東縣。  延伸查詢new window
15.陳文山、周明雄、李可(2000)。恆春半島深度旅遊。臺北。  延伸查詢new window
16.江海(2002)。悠悠蒼天:荷蘭公主玉殞墾丁記。屏東。  延伸查詢new window
17.阮綠茵(2007)。觀察法。設計研究方法。臺北市。  延伸查詢new window
其他
1.宋耀光(2007)。屏東社頂賞毛柿林生態訪塵封的秘境,http://travel.udn.com/mag/travel/storypage.jsp?f_MAIN_ID=119&f_SUB_ID=590&f_ART_ID=19451$d20100127。  new window
2.潘建志(2007)。毛柿林生態之旅--與鹿共舞,http://www.backpackers.com.tw/, 20100201。  延伸查詢new window
 
 
 
 
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