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題名:藝術畫vs.女性服飾之跨領域服裝設計過程研究
書刊名:習慣領域期刊
作者:張翠園 引用關係盧希鵬 引用關係羅天一
作者(外文):Chang, Tsui-yuanLu, Hsi-pengLuor, Tain-yi
出版日期:2017
卷期:8:2
頁次:頁83-108
主題關鍵詞:服裝設計習慣領域跨界藝術畫Fashion designHabitual domainsCross-fieldArt painting
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:36
  • 點閱點閱:9
女性服飾風格隨著時代改變趨向於多元發展,現今社會中女性因職場的參與,社會地位也逐漸提升,女性服飾穿著不再只有強調柔美或浪漫氛圍,相對地簡潔有力的陽剛中性風格服飾也以時尚主流之姿搶攻市場。服裝是一種具有創作性、藝術性與感性的商品,亦是人類表達自身美感與喜好的藝術展現。「國際、跨域、創新」儼然已成為時尚新顯學。本研究運用習慣領域理論,藉由「八擴」與「九深」方式進行服飾創作,以藝術畫與流行女裝的「跨領域」整合設計進行創作。設計者以亞斯伯格藝術家羅得嘉《紅運花》油畫之生動筆觸,與男士襯衫之剛硬線條作為本創作之設計靈感,嘗試設計出具現代感之時尚服裝;素材上,則運用科技數位印花技術,將《紅運花》油畫完美地展現於雪紡及提花布料上。跨領域藝術服裝創作,以藝術、數位科技、設計等領域的融合,勾勒出另一股藝術風潮。研究顯示,服裝設計是一種多層面的互動行為,領域涵蓋創意發想、布花設計、色彩計畫、素材應用及款式設計等,每種領域之間的互動與關聯性密不可分。設計者可運用習慣領域之「八擴」與「九深」創作方式,達到完美的創意交換與發想、國際接軌、知識越界之跨域整合服裝整體展現。
The female costume style tends to the diversified development along with the times change. Women's social status has been raised gradually because they are more occupationally involved nowadays. Female costume now competes in the market by focusing not only on soft or romantic atmosphere but also on masculine neutral style in the sense of simplicity and power. Costume is a product with sense of creation, art and sensibility as well as an expression of human sense of beauty and preferences. "International, cross-field, innovation" has simply become the new showroom of fashion. This research applies the "eight basic methods" and "nine principles" on the base of habitual domains to get on the cross-field costume design and creation combining art painting and fashion female costume. The designer tries to design the modern fashion costume with the inspiration from the vivid strokes of the oil painting— "Red Flower" by the Asperger Artist Lo, Techia and the hard lines of men's shirt. The digital printing technology is applied to display the "Red Flower" perfectly on the chiffon yarn and jacquard fabric. The cross-field artistic costume creation combines art, digital technology and design and outlines another artistic tide. According to the research, fashion design is a cross-field multi-level interactive behavior combining creative thinking, surface design, color plan, material application and style design. The interaction and relevance among all the fields is inseparable. The designer applies the "eight basic methods" and "nine principles methods" to achieve the cross-field overall image of the fashion with the perfect creation exchange, international standards, and knowledge trans-boundary.
期刊論文
1.張翠園(20100600)。服裝設計創意與習慣領域--以「八擴」、「九深」為例。習慣領域期刊,1(2),49-76。new window  延伸查詢new window
2.張翠園、陳建雄、陳高生、吳文芸(20110500)。服裝設計創新教學應用研究--以習慣領域之「八擴」與「九深」為例。習慣領域期刊,2(2),55-86。new window  延伸查詢new window
3.單承剛、何明泉(20030600)。設計經理人與跨領域設計團隊之傳達研究。設計學報,8(1),1-15。new window  延伸查詢new window
4.鄧成連(19990600)。企業體之設計專案組織型態分析。設計學報,4(1),19-29。new window  延伸查詢new window
5.黃傳永(2012)。藝術治療運用在失落悲傷調適之探討。臺灣心理諮商季刊,4(2),22-41。  延伸查詢new window
6.Goldschmidt, G.(1995)。The designer as a team of one。Design Studies,16(2),189-209。  new window
7.Jason, M. A.(2000)。Improving Teamwork: The Effect of Self-assessment on Construction Design Teams。Design Studies,21(3),223-238。  new window
8.Lloyd, P.、Scott, P.(1994)。Discovering the design problem。Design Studies,15(2),125-140。  new window
學位論文
1.顏寧志(2014)。沒有身體的器官--從藝術創作到品牌創立(碩士論文)。實踐大學。  延伸查詢new window
2.古又文(2005)。柔軟雕塑概念應用於服裝創作之研究(碩士論文)。輔仁大學。  延伸查詢new window
3.尤偉哲(2011)。論「能量靈動」之繪畫色彩表徵(碩士論文)。中國文化大學。  延伸查詢new window
4.張翠園(2007)。台灣服裝設計師的時尚密碼--服裝設計模式之研究(碩士論文)。國立臺灣科技大學。  延伸查詢new window
圖書
1.游伯龍、洪建全(1992)。智慧新境。臺北市:財團法人洪健全教育文化基金會。  延伸查詢new window
2.蔣勳(2005)。天地有大美。台北:遠流。  延伸查詢new window
3.Travers-Spencer, S.、Zaman, Z.(2008)。The fashion designer's directory of shape and style: Over 500 mix-and-match elements for creative clothing design。New York, NY:Barron's Educational Series。  new window
4.Picardie, J.(2011)。Coco Chanel: The legend and the life。London:HarperCollins。  new window
5.Parker, G. M.(1996)。Team players and teamwork: The new competitive business strategy。San Francisco, CA:Jossey-Bass。  new window
6.Boyett, J. H.、Boyett, J. T.、劉清彥(1999)。管理大師聖經。臺北市:商周。  延伸查詢new window
7.游伯龍(1998)。HD:習慣領域--IQ和EQ沒談的人性軟體。臺北市:時報文化出版企業股份有限公司。  延伸查詢new window
8.彭宇薰(1999)。音樂與繪畫類比性之探索--談表現主義之荀白克與孟克。臺北市:國立臺灣藝術教育館。  延伸查詢new window
9.楊惠君(2013)。黑色,是我永恆的姿態:香奈兒的傳奇。臺北市:馬可孛羅。  延伸查詢new window
10.段慧敏(2010)。我沒時間討厭你:香奈兒的孤傲與顛世。臺北市:麥田。  延伸查詢new window
11.石靈慧(2008)。品牌魔咒:打造奢華名牌Branding工程。臺北市:華滋。new window  延伸查詢new window
其他
1.洪綾襄(2011)。聚集全球頂尖設計精英 展現台灣競爭力,https://www.gvm.com.tw/article.html?id=15924。  延伸查詢new window
2.(20170320)。柳暗花明又一村:截癱書法家常俊新VS.自閉達人羅得嘉兩岸傳愛聯展,http://www.cna.com.tw/postwrite/Detail/210315.aspx#.WfAxvVuCzct。  延伸查詢new window
圖書論文
1.Przeclawski, K.(1993)。Tourism as the subject of interdisciplinary research。Tourism Research: Critiques and Challenges。Routledge。  new window
 
 
 
 
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