一、 中文書目
史作檉，《塞尚藝術之哲學探測》，台北：書鄉文化出版社，1981。
沈清松，《現代哲學論衡》，台北：黎明文化事業公司，1989
尚新建，《重新發現直覺主義 - 柏格森哲學新探》，北京：北京大學出版社，2000
吳 康，《錫園哲學文集》，卷二，台北：華國出版社，1961
───.《柏格森哲學》，台北：商務印書館，1966。
柏格森，潘梓年譯，《時間與自由意志》，台北：先知出版社，1976。
───. 張東蓀譯，《物質與記憶》，台北：先知出版社，1976。
莫詒謀，《柏格森的理智與直覺》，台北：水牛出版社，2001。
曾仰如，《十大哲學問題之探微》，台北：輔仁大學出版社，1991張君勱，《中西印哲學文集》，台北：學生書局，1960
趙雅博，《中外藝術創作心理學》，台北：中央文物供應社，1983
二、西文書目
I. Works by C?zanne and Bergson
BERGSON, Henri, Essai sur les donn?es immediates de la conscience, (1889), in ?uvres, edition du centenaire, Paris: Presses Universitaires de France, 1963.
────. Essai sur les donn?es immediates de la conscience, (1889), authorized translation by F. L. Pogson, Time and Free Will, An Essay on the Immediate Data of Consciousness, 8th impression, London: George Allen & Unwin Ltd.; New York: Humanities Press., 1971.
────. Mati?re et m?moire (1896) in ?uvres, edition du centenaire, Paris: Presses Universitaires de France, 1963.
────. Matter and Memory, Authorized translation by Nancy Margaret Paul and W. Scott Palmer, 8th impression, London: George Allen & Unwin Ltd., New York: Humanities Press., 1970.
────. An Introduction to Metaphysics (1903), authorized translation by T. E. Hulme, London: Collier Macillan Pubishers; New York: Macmillan Publishing, 1913.
────. Creative Evolution (1907), Arthur Mitchell trans., New York: The Modern Library, 1943.
C?ZANNE, Paul, Paul C?zanne, Correspondance, John Rewald ed., Paris: Bernard Grasset, 1985.
────. Paul C?zanne, Letters, 3rd ed., John Rewald ed., Marguerite Kay trans., Oxford: Bruno Cassirer Publishers, 1946.
II. Related Reference
ANTLIFF, Mark, Inventing Bergson: Cultural Politics and The Parisian Avant-garde, Princeton: Princeton University Press,1993.
BADT, Kurt, Die Kunst C?zanne (1956) in English: The Art of C?zanne, Sheila Ann Ogilvie trans., New York: Hacker Art Books, 1985.
BALZAC, Honor? de, The Unknown Masterpiece (Le Chef-d’?uvre inconnu), in Art in Theory, 1815-1900, An Anthology of Changing Ideas, ed. by Charles Harrison, Paul Wood and Jason Gaiger, Malden, MA: Blackwell Publishers, 1998.
BARR, H. Alfred, Matisse, His Art and His Public, New York: The Museum of Modern Art, 1951.
────. Picasso: Fifty Years of His Art, New York: Museum of Modern Art, 1974.
BAUDELAIRE, Charles, “The Salon of 1846”, in Art in Paris, 1845-1862, Salons and Other Exhibitions Reviewed by Charles Baudelaire, trans. and ed. Jonathan MAYNE, Oxford: Phaidon Press, 1981.
────. ?uvres compl?tes, Paris: Gallimard, 1975.
BISTIS, Marguerite, Bergsonian in The Bell Epoque, Ann Arbor: UMI Researcher Press, 1989.
BRION-GUERRY, Lilliane, “The Elusive Goal”, in C?zanne: The Late Work, exh. cat. New York: Museum of Modern Art, 1977.
CACHIN, Fran?oise, C?zanne, New York: Harry N. Abrams, 1996.
DELACROIX, Eug?ne, The Journal of Eug?ne Delacroix, 2nd ed., trans. by Lucy Norton, Oxford: Phaidon Press, 1980.
DORAN, Michael, ed., Conversations with C?zanne, Los Angeles: University of California Press, 2001.
FECHNER, Gustave Theodor, “Aesthetics from Above and Below”, in Art in Theory, 1815-1900, ed. by Charles Harrison, Paul Wood and Jason Gaiger, Malden: Blackwell, 1998.
FLAM, Jack, Matisse, A Retrospective, New York: Park Lane, 1988.
────. Matisse on Art, rev. ed. Berkeley and Los Angeles: University of California Press, 1995.
FLEMING, William, Arts and Ideas, New York: Holt, Rinehart and Winston, 1980.
FRY, Roger, C?zanne, A Study of His Development, Chicago and London: The University of Chicago Press, 1962.
FRY, Edward F., Cubism, London: Thames and Hudson, 1966.
GASQUET, Joachim, Joachim Gasquet’s C?zanne, A Memoir with Conversation, London: Thames and Hudson, 1991.
GILLIES, Mary Ann, Henri Bergson and British Modernism, Montreal: McGill-Queen’s University Press, 1996.
GOMBRICH, E. H., Art and Illusion, A Study in the Psychology of Pictorial Representation, Princeton, NJ.: Princeton University Press, 1989.
────. The Story of Art, 16th ed. Englewood Cliffs: Prentice-Hall, 1995.
GOWING, Lawrence, “The Logic of Organized Sensations” in C?zanne, The Late Work, New York: The Museum of Modern Art, 1977.
GROGIN, Robert Charles, The Bergsonian Controversy in France, 1900-1914, Calgary: The University of Calgary Press, 1988.
GSELL, Paul, Rodin on Art and Artist Conversation with Paul Gsell, trans. by Romilly Fedden, New York: Dover Publication, 1923.
GUNTER, Pete A. Y., Henri Bergson: A Bibliography, 2nd ed., Bowling Green, OH: Bowling Green State University, 1986.
HABERMAS, J?rgen, “Modernity - An Incomplete Project” in Hal Foster ed. Postmodern Culture, London & Sydney: Pluto Press, 1985.
HAMILTON, George Heard, “C?zanne, Bergson and The Image of Time”, College Art Journal, 16, no.1, (Fall 1956).
HAGSTRUM, Jean H., The Sister Arts, Chicago: University of Chicago Press, 1980.
HAMLYM, D. W., Metaphysics, New York: Cambridge University Press, 1984.
HARRIES, Karsten, The Meaning of Modern Art — A Philosophical Interpretation, Evanson: Northwestern University Press, 1968.
HARRISON, Charles, WOOD, Paul; GAIGER, Jason ed., Art in Theory, 1815-1900, an Anthology of Changing Ideas, Malden: Blackwell Publishers, 1998.
JANSON, H. W., History of Art, 4th ed., New York: H. N. Abrams, 1991.
JOHNSON, Lee Mckay, The Metaphors of Painting — Essays on Baudelaire, Ruskin, Proust and Pater, Ann Arbor: UMI Research Press, 1980.
KANT, Immanuel, Critique of Pure Reason, trans. by N. K. Smith, London: Macmillan, 1929.
LORAN, Erle, C?zanne’s Composition, Berkeley: University of California Press, 1943.
LOSCH, Michael, The Sacred and he Profane: Mont Sainte-Victoire and Other Notions of Duality in The Paintings of Paul C?zanne, Ann Arbor: UMI Research Press, 1990.
MERLEAU-PONTY, Maurice, “C?zanne’s Doubt”(1945) in Sense and Non-sense, trans. by Hubert L. Drrefus and Patricia Allen Dreyfus, Northwestern University Press, 1964.
────.“Eye and Mind” in The Primacy of Perception, ed. James M. Edie, Northwestern University Press, 1964.
NORTON, Lucy ed., The Journal of Eug?ne Delacroix, 2nd ed., Oxford: Phaidon Press, 1980.
REWALD, John, The History of Impressionism, rev. and enlarged ed., New York: The Museum of Modern Art, 1961.
────. C?zanne, A Biography, New York: Harry N. Abrams, 1986
────. Paul C?zanne, The Watercolors, A Catalogue Raisonn?, Boston: Little, Brown , 1983.
────. The Paintings of Paul C?zanne: A Catalogue Raisonn?, New York: Harry N. Abrams, 1996.
REFF, Theodore, “Painting and Theory in the Final Decade”, in C?zanne: The late Work, exh. cat., New York: Museum of Modern Art, 1977.
────. “C?zanne and Poussin”, Journal of the Warburg and Courtauld Institute, 23, nos. 1-2 (Jan. — Jun. 1960)
RUSSELL, Stella Pandell, Art in the World, Chicago: Holt, Rinehart and Winston, 1989.
SCHAPIRO, Meyer, “The Apples of C?zanne: An Essay on The Meaning of Still-Life”, Art News Annual, 34(1968), in Modern Art, 19th and 20th Centuries, New York: George Braziller, 1979.
SHIFF, Richard, C?zanne and The End of Impressionism, Chicago: The University of Chicago, 1987.
STENDHAL (Marie Henri Beyle), De l’amour, English ed., On Love, London: Penguin Books, 1977.
TATARKIEWICZ, Wtadystaw, History of Aesthetics, trans. by Christopher Kasparek, Hingham: Kluwer Boston, 1980.
────. The History of Six Ideas, trans. by R. M. Montgomery, Paris: Mouton, 1974.
VENTURI, Lionello, C?zanne, Son Art — Son ?uvre, 2 vols., Paris: Editions Paul Rosenberg, 1936.
VOLLARD, Ambroise, C?zanne, trans. Harold L. van Doren, New York: Dover Publications, 1984
WINDELBAND, William, A History of Philosophy, New York: H