Various strand of thought in contemporary Mainland China witness severe depletion of critical potentiality--thus lamented Wang Hui. Writing by candlelight, Wang's core concern is to redeem critique as norm and as method. This review essay attempts to explicate the Wang's critical "project" (though a Latent and incomplete one) is a thoroughly modernist one in the sense that it premises a "depth model" and emphasizes the key roles of ideological critique, opposition, history, totality, and intellectuals. Wang's project is therefore a head-on confrontation with the prevailing postmodern and neoliberal strands of thought (or, structure of feeling). While in many regards sympathizing with Wang's project, this review essay takes its theoretically insufficient attention to the social to task. Social theory, this essay contends, cannot afford the loing of the spectrum of the social, otherwise the entire project of critique and inquiry shall lose its ground to start with. In the end of this essay, C. Wright Mills' "sociological imagination" is juxtaposed to Wang's critical modernist project in an attempt to highlight the latter's critical democratic relevance and to further future discussion.