漢代代表《毛詩》學派之重要著作有《毛傳》與《鄭箋》。至唐代，孔穎達人據劉焯、劉炫之《毛詩》義疏撰成《毛詩正義》。《正義》原本單行，至南宋時始將《毛詩》之經文、《序》、《傳》、《箋》、《正義》等加以合刻，乃稱《毛詩注疏》。 由於《毛詩注疏》由數種不同時代詮解《毛詩》之著作所構成，故觀察《毛詩注疏》中各著作間之關係，可看出由漢至唐《毛詩》詮釋之傳承與演變。 本文乃以《毛詩注疏》作為研究之對象，以探討其對《詩經》詮釋之內容、演變等問題，並檢討其得失。全文分為以下數節： 一、前言 二、《毛詩注疏》之形式結構 三、《毛詩注疏》對《詩經》詮釋之重要內容 四、《毛詩注疏》中所見由漢至唐《毛詩》詮釋之傳承與演變 五、《毛詩注疏》詮釋方法之檢討 六、結論 經由本文之探討，或可對《毛詩注疏》之《詩經》詮釋及其優缺點有較清楚之認識。

　　　　　The most important works of the Mao Poetry School in the Han Dynasty include Mao Zhuan and Zheng Jian. During the Tang Dynasty, Kong Yingda and others wrote the Maoshi Zhengyi on the basis of Maoshi yishu by Liu Zhuo and Liu Xuan. Zhengyi was originally a single piece of article. In the Southern Sung, the shu, zhuan, jian, and zhengyi of the Mao School were all put together along with the original scriptures (jingwen), resulting inthe complete edition called Maoshi Zhushu. Since the Maoshi Zhushu include interpretations of Mao School from different periods of times, an investigation of all these interpretations as well as their inter-relationships will yield significant insights into the continuity and evolution of the hermeneutic tradition of the Mao School. This paper is dedicated to such investigation. Other than exploring the essential contents as well as the continuity and evolution of the Mao School interpretations, we also intend to shed some critical lights on the advantages and disadvantages of the school's hermeneutic methodology. The paper is divided into the following sections: (1)Introduction (2)The Structure of the Maoshi Zhushu (3)The Essentials of the Maoshi Zhushu Interpretations (4)The Contiunity and Evolution of the maoshi Zhushu Interpretations (5)The Hermeneuti Methodolgy of the Maoshi Zhushu: A Critical Perspective (6)Conclusion By way of this investigation, we hope to reach a better understanding of the advantages and disadvantages of the hermeneutic legacy of Maoshi Zhushu.