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題名:古典詩詞選評與典律化
書刊名:興大中文學報
作者:王萬象 引用關係
作者(外文):Wang, Wan-hsiang
出版日期:2008
卷期:23
頁次:頁263-309
主題關鍵詞:選本批評典律化讀者反應唐人選唐詩唐宋詞選評The anthologist as criticCanonizationReader's responseThe anthologies of T'ang poetry by the T'ang peopleThe anthologizing and criticism of T'ang and Sung lyrics余寶琳Pauline Yu
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古典詩詞選集的功能是網羅眾作薈萃菁華,在編纂的過程中選家藉以判定優劣,因此具有文學批評的價值。選家如欲求「平理若衡,照辭如鏡」,當然得博觀典籍英華,超越個人的愛憎輕重,在編選的過程當中,以個人宏觀的眼力、理論的素養和史家的氣魄,來綜輯詞藻。當然,在選本中讀者可見選家的美學主張,而選本的存在價值、作者在選本中的地位和讀者所受選本之影響,也往往繫於選家之手。選家操選政不易,他們為何而選、又選些什麼,與如何來選就成為關鍵所在。選家之文學圖繪容或各有所偏,但畢竟也曾為其時代造像,直接參與文學典律的對話,而難以數計的各種文學選集,其實也就是這種典律化過程中的主要媒介和表達方式。 余寶琳認為中國文學選集有助於經典之形成,尤其是詩歌選評與典律化的密切關係,她注意到選評者如何為詩歌定位,亦指出其歷史現象與問題癥結。余氏的幾篇英文論文深入分析此一議題,特別是古代文士怎樣編選詩歌要籍,除了分析古典詩詞的品第和編集,她還曾經過研究詩歌如何典律化,例如文學選評與經典觀,和毛詩注之寓意探討等相關問題。此外,余氏亦撰寫專文探討歷來詞集綜輯編選的諸多問題,特別強調在詞之典律化的過程中,除了注意詞評、詞籍保存與詞作的接受,我們也應當注意詞人怎樣填詞,以及不同的讀者如何讀解詞作。綜上所述,本文旨在探討中國選本批評原理、古典詩詞的選評、中國詩詞「典律化」與讀者反應,以及余寶琳對中國詩詞典律化的相關研究。
The function of many anthologies of classical Chinese poetry is to collect numerous works and gather together essentials. In the process of compilation, anthologists can evaluate poetic texts and thus proclaim their aesthetic standards. To judge impartially, anthologists must have broad experience and learning, and be free from individual preconceived evaluations and prejudices. Certainly, readers may understand each anthologist's aesthetic assertions, the position of poet in the anthology, the influences of anthology on readers, and the reason why particular anthology can last forever. It is difficult to anthologize classical Chinese poetry, especially concerning the issues such as why these anthologists collect poetic works, what they usually pick up for their blooms, and how they gather together different texts. Therefore, many anthologists had already dialogued with each other about tremendous poetic oeuvre through varied times. In fact, uncountable poetic anthologies in pre-modern China had shown the canon formation and recapitulate the literary value of different milieu. Pauline Yu, a leading scholar in North-American Sinological circle, believes that Chinese literary anthologies may help canon formation, particularly the collection and criticism of poetry relates to its canonization. She has written several articles about the problems of anthologizing and evaluating Chinese poetic works, and also presents to us a balanced and mature idea of poetic canon. In this paper, I will discuss the following issues: (1) the principle of Chinese compiler's anthologizing as critique; (2) the anthologizing and criticism of classical Chinese poetry; (3) canon formation in traditional Chinese poetry and reader's response; (4) Pauline Yu's study of collections and canon in classical Chinese poetry.
期刊論文
1.侯雅文(20060600)。論朱祖謀《宋詞三百首》所建構的「宋詞史」及其在清代宋詞典律史上的意義。國文學誌,12,311-345。new window  延伸查詢new window
2.余寶琳(1990)。Poems in Their Place: Collections and Canons in Early Chinese Literature。Harvard Journal of Asiatic Studies,50(1),163-196。  new window
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4.余寶琳(1998)。Charting the Landscape of Chinese Poetry。Chinese Literature : Essays , Articles, Reviews(CLEAR),20,71-97。  new window
5.余寶琳(1994)。Critical Theory and the Rethinking of Chinese Literary Studies。Chinese/International Comparative Literature Bulletin,6-7,1-11。  new window
6.Fokkema, Douwe(1996)。Comparative Literature and the Problem of Canon Formation。Canadian Review of Comparative Literature,51-66。  new window
7.Rickett, Adele Austin(1975)。The Anthologist as Literary Critic in China。Literature East and West,19,146-165。  new window
8.李珍華、傅璇琮(1988)。唐人選唐詩與《河嶽英靈集》。中國韻文學刊,1988(2/3),1-18。  延伸查詢new window
9.吳明益(1999)。從詩史觀到理想典律─王漁洋擇定選集所映現的詩歌觀點與意涵。中國古典文學研究,1999(1),311-345。  延伸查詢new window
10.徐秀菁(2006)。由選詞與評點的角度看張惠言《詞選》的中興寄託說的實踐。彰化師大國文學誌,12,283-310。new window  延伸查詢new window
11.楊淑華。中國傳統詩選集的「典律」交替─以《古詩選》為探討核心。臺中師院學報,147-165。new window  延伸查詢new window
學位論文
1.Ricci, Roslyn Joy(2006)。Changing Approaches to Interpretation: Twentieth Century Re-creations of Classical Chinese Poetry。  new window
2.杜治國(2004)。確立詩歌的正典--李攀龍詩論、選本及創作研究(博士論文)。香港科技大學,香港。  延伸查詢new window
圖書
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9.王運熙、顧易生(1996)。中國文學批評通史:隋唐五代卷。上海:上海古籍出版社。  延伸查詢new window
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43.余寶琳。Introduction。Voice of the Song Lyric in China。Berkeley。  new window
44.余寶琳。Song Lyrics and the Canon: A Look at Anthologies of Tz'u。Voice of the Song Lyric in China。Berkeley。  new window
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49.Abrams, Meyer Howard、Greenblatt, Stephen(2000)。The Norton Anthology of English Literature。The Norton Anthology of English Literature。New York/London。  new window
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52.Francis, Mark E.(1998)。Canon Formation in Traditional Chinese Poetry: Chinese Canons, Sacred and Profane。Chine in Polycentric World: Essays in Chinese Comparative Literature。Stanford。  new window
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59.吳明賢、李天道(2006)。唐人的詩歌理論。唐人的詩歌理論。成都:巴蜀書社。  延伸查詢new window
60.金開誠、葛兆光(2005)。古詩文要籍敘錄。古詩文要籍敘錄。北京。  延伸查詢new window
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62.馬承五(2006)。唐代詩文的編集與傳播。唐詩論集。上海。  延伸查詢new window
63.倪進(2002)。唐人選唐詩。中國詩學史:隋唐五代卷。廈門。  延伸查詢new window
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其他
1.余寶琳。Poems for the Emperor: Imperial Tastes in the Early Ninth Century。  new window
圖書論文
1.余寶琳、何鯉(1996)。詩歌的定位--早期中國文學的選集與經典。北美中國古典文學研究名家十年文選。南京:江蘇人民出版社。  延伸查詢new window
2.余寶琳(2000)。Ways with Words: Writing about Reading Texts from Early China。Ways with Words: Writing about Reading Texts from Early China。Berkeley/LA。  new window
 
 
 
 
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