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題名:現代藝術課程對全人教育的啟發--以野獸派與表現派繪畫為例
書刊名:全人教育學報
作者:李孟玲
作者(外文):Lee, Meng-ling
出版日期:2009
卷期:5
頁次:頁147-165
主題關鍵詞:現代藝術全人教育藝術教育教學策略Modern artHolistic educationArt educationInstructional strategies
原始連結:連回原系統網址new window
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從多元的面向進行藝術作品欣賞與脈絡詮釋,兼具習作體驗的課程安排,使學生對該藝術風格特徵與源由產生深刻印象,並拓展其藝術的視野、終生學習的興趣、鑑賞力與人文素養,是筆者在全人教育通識課程中的教學策略。西洋現代藝術中的野獸派,忽略造形的準確性並強調以強烈簡單的色彩抒發情感,相當適合各種程度的學生進行習作體驗;表現主義繪畫則無懼物象的強烈扭曲變形,充滿人文關懷與自身思想情感的表達,讓學生領會到:藝術除了愉悅感官之外的另一個更崇高的境界。進而引發更深一層的社會與自身關係的省思,培養接納不同思維的胸襟與悲憫他人的同情心。學生經由習作體驗與師生對話,抒發出內心各種情感,其中有部分學生在畫中反映出焦慮的心聲,不僅獲得創造的樂趣,也打開了紓解壓力的窗口。課程中所設計的開放性問卷調查,以質性研究法進行分析,結果顯示:學生對於藝術的認知、審美的角度、欣賞藝術品引發的所思所感,在該單元授課前後有相當大的變化,對於人格陶養與人文關懷的啟發具有實質意義。
My teaching strategies in the course of Modern Art in Holistic education include diversified approaches to introduce and interpret modern art. The purpose of this course is to enable students to understand the styles of Modern Art, broaden their view of art, arouse their interests in life-long learning, and enhance their appreciation of Fine Arts and humanities.Fauvism is suitable for any level of students by omitting the accuracy from shapes, and expressing feeling in vivid colors. The paintings of Expressionism which filled with humanity care and personal expression of thought and emotions despite warping the shapes, enable the students to understand that there are more sublime ideal than beauty in art, then touch off the deep introspection between society and oneself, bring up broad mind to admit different thinking, and have sympathy for others.By way of creating art work and interacting with the teacher, students may express their feelings or worries, enjoy the pleasure in creation, and release their pressure. According to the results of survey from open-ended questionnaires and qualitative analysis, there are significant differences in positive attitude of students in recognition of art, view points of aesthetic and appreciation of art works after they taking the course. It shows the curriculum design and teaching strategies truly have great influence on student’s personality development and concept of humanities.
期刊論文
1.Blandy, Doug(2008)。The Arts and cultural Sector Research, and Art Education。Studies in Art Education,49(3),163-165。  new window
2.Stankiewicz, Mary Ann(2003)。Readings in Discipline-based Art Education: A Literature of Educational Reform。Stuies in Art Education,45(1),88-96。  new window
3.Porte, Angela M La、Peg Speirs、Bernard Young(2008)。Art Curriculum Influences: A National Survey. Studies in Art Education。Studies in Art Education,49(4),358-370。  new window
會議論文
1.林衍均、羅美蘭(2008)。從視覺認知邁向審美關懷之視覺藝術教育研究。2008年文化資源經典講座暨研究生學術研討會--創意、多元、可能性。新北市:國立臺北藝術大學。  延伸查詢new window
學位論文
1.游君如(2001)。多元文化與藝術教育--以藝術品中的文化多元議題為例(碩士論文)。彰化師範大學。  延伸查詢new window
2.倪明和(2003)。國民中學視覺藝術課程實施現況研究─以中部五縣市為例(碩士論文)。國立彰化師範大學。  延伸查詢new window
圖書
1.劉千美(20010000)。差異與實踐:當代藝術哲學研究。臺北:立緖文化。new window  延伸查詢new window
2.郭禎祥(2001)。藝術教育多媒體教學研究與設計。台北市:田園城市文化事業。  延伸查詢new window
其他
1.陳慶隆(2006)。領域藝術通識教育課程分享--以「圖像、藝術與神話」為例,http://163.26.4.5/~yuhsiulan/20060506nckuart/share006.htm, 2009/02/22。  延伸查詢new window
2.馮朝霖(20090104)。後現代陶養與通識教育,http://www.chinesege.org.tw/geonline/html/uploads/choiceness/CV19_4.htm, 2009/02/22。  new window
 
 
 
 
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