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題名：南宋金石收藏與中興情結
書刊名：國立臺灣大學美術史研究集刊
作者：許雅惠 引用關係
作者(外文)：Hsu, Ya-hwei
出版日期：2011
卷期：31
頁次：頁1-43+45-60+321
主題關鍵詞：全形拓；仿古；鐘鼎款識；隸續；Archaism；Antiquarianism；Composite rubbing；Zhongding kuanshi；Li shu
原始連結：連回原系統網址new window
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  • 被引用次數被引用次數:期刊(8) 博士論文(0) 專書(1) 專書論文(0)
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  • 共同引用共同引用:150
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北宋士大夫開創了金石收藏與研究的傳統，被後代視為金石學的典範，但北宋的典範地位在南宋是如何確立的，學界的討論並不多。本文將金石收藏放回兩宋之交的歷史變局來審視—尤其是「靖康之難」造成的文化浩劫，以偏安在南宋行在臨安一帶的皇帝與士大夫收藏家為主要對象，探討「靖康之難」與隨後的「中興」情結如何左右南宋時期古銅碑拓的收藏與研究、如何將北宋推向典範地位、又如何影響到南宋金石收藏與著錄的新發展。 靖康戰火之後，公私收藏流散，逃過戰爭摧殘的北宋金石圖錄不僅是古文物的著錄，也成為汴京文化盛世的象徵，更具體羅列出那些因戰亂而流離、需要恢復的文物清單。在趙宋王朝重建的過 程中，高品質的複製文物（包括拓片與仿古文物）出現，成為古物的「替身」，代替被戰火摧殘的原件而存在，以滿足朝野復興北宋文化的心理需求。在此特殊的歷史情境之下，在臨安及臨安附近出現的南宋仿古文物看似仿自商周古銅器，它們的典型實為宋徽宗的新成禮器與《宣和博古圖》，是意圖復興北宋文化藝術的結果。
One major branch of Chinese antiquarianism, the jinshixue (study of metal and stone), burgeoned and flourished with the efforts of the Northern Song scholar-officials to collect and study ancient bronzes and stone steles. Their works have been exalted as paradigmatic and their endeavors worth emulating, but how these assessments came into being is still open to debate. By taking into consideration the historical and cultural crisis of 1127, during which both the ancient capitals that had cradled the Chinese culture of high antiquity and the “national treasures” accumulated by pervious Song emperors were lost to the Jurchen, this study argues that the desire to recover that which was lost among imperial and elite collectors was predominant in the development of Southern Song antiquarianism, especially in areas around Hangzhou. Not only were Northern Song antiquarian works sought after, but likenesses of ancient bronzes were also reproduced in ink rubbing, ceramic, and bronze, driving the replication techniques to a new development. These replicas of antiquities served as substitutes for the lost originals to the nostalgic imperial and elite collectors. By recovering the “national treasures” they were able to rebuild the dynasty and to revive the glory of Kaifeng in Hangzhou. Seen in this light, the author contends, many Southern Song archaistic artifacts, although appearing to have been copied after Shang and Zhou bronzes, might in fact have been emulating emperor Huizong’s new ritual bronzes and the imperial antique bronze collections recorded in the catalogue Xuanhe bogu tu. Heavily charged with cultural and symbolic values, antiquities also played a significant part in the dynastic revival of the Southern Song.
期刊論文
1.Murray, Julia K.(1986)。The Role of Art in the Southern Sung Dynastic Revival。Bulletin of Sung Yüan Studies，18，41-59。  new window
2.陳芳妹(2005)。追三代於鼎彝之間--宋代從「考古」到「玩古」的轉變。故宮學術季刊，23(1)，267-332+636。new window  延伸查詢new window
3.許雅惠(20030300)。「宣和博古圖」的「間接」流傳--以元代賽因赤答忽墓出土的陶器與「紹熙州縣釋奠儀圖」為例。國立臺灣大學美術史研究集刊，14，1-26+243。new window  延伸查詢new window
4.徐中舒(19300800)。宋拓石本歷代鐘鼎彝器款識法帖殘葉跋。中央研究院歷史語言研究所集刊，2(2)，160_1-160_3+161-170。new window  延伸查詢new window
5.金中樞(19660800)。論北宋末年之崇尚道教。新亞學報，7(2)，323-414+左10。new window  延伸查詢new window
6.金中樞(19670200)。論北宋末年之崇尚道教。新亞學報，8(1)，187-257+左8。new window  延伸查詢new window
7.陳芳妹(20010300)。宋古器物學的興起與宋仿古銅器。國立臺灣大學美術史研究集刊，10，37-160+293。new window  延伸查詢new window
8.李玉奇(2000)。歷代鐘鼎彝器款識薛尚功手寫本及其刊本考。南開學報，3，60-66。  延伸查詢new window
9.周錚(1995)。貫鉶鼎考。中國歷史博物館館刊，1，129-134。  延伸查詢new window
10.許雅惠(2008)。至大重修宣和博古圖錄的版印特點與流傳--從中研院史語所藏品談起。古今論衡，18，76-96。  延伸查詢new window
11.陳芳妹(2008)。金學、石刻與法帖傳統的交會。國立臺灣大學美術史研究集刊，24，67-146。  延伸查詢new window
12.盧淑珍(2010)。東陽郭宅塘頭窖藏出土青銅器。東方博物，37，14-16。  延伸查詢new window
13.Kerr, Rose(1986)。Metalwork and Song Design: A Bronze Vase Inscribed in 1171。Oriental Art，32(2)，161-176。  new window
14.Lawton, Thomas(1995)。Rubbings of Chinese Bronzes。Bulletin of the Museum of Far Eastern Antiquities，67，7-48。  new window
15.Ledderose, Lothar(1978)。Some Observations on the Imperial Collection in China。Transactions of the Oriental Ceramic Society，43，33-46。  new window
16.Louis, François(2008)。Cauldrons and Mirrors of Yore: Tang Perceptions of Archaic Bronzes。Georges-Bloch- Jahrbuch der Universität Zürich，13，203-235。  new window
17.Murray, Julia K.(1992)。The Hangzhou Portraits of Confucius and Seventy-Two Disciples (Sheng xian tu): Art in the Service of Politics。The Art Bulletin，74(1)，7-18。  new window
18.Bai, Qianshen(2007)。From Composite Rubbing to Pictures of Antiques and Flowers (Bogu huahui): The Case of Wu Yun。Orientations，38(3)，52-60。  new window
19.Barnard, Noel(1973)。Records of Discoveries of Bronze Vessels in Literary Sources and Some Pertinent Remarks on Aspects of Chinese Historiography。The Journal of the Institute of Chinese Studies of the Chinese University of Hong Kong 6，6(3)，455-546。  new window
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1.葉國良(1982)。宋代金石學研究(博士論文)。國立臺灣大學。new window  延伸查詢new window
2.Hsu, Ya-hwei(2010)。Reshaping Chinese Material Culture: Revival of Antiquity in the Era of Print, 960-1279。  new window
圖書
1.Kerr, Rose(1990)。Later Chinese Bronzes。London：V&A Far Eastern Series：Bamboo Publishing Ltd.。  new window
2.高文、高成剛(1990)。四川歷代碑刻。四川大學出版社。  延伸查詢new window
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5.翟汝文(1983)。忠惠集。臺北：臺灣商務印書館。  延伸查詢new window
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7.Mang, Qi(1985)。歷代名畫記。臺北：臺灣商務印書館。  延伸查詢new window
8.呂大臨、趙九成(1987)。考古圖、續考古圖、考古圖釋文。北京：中華書局。  延伸查詢new window
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23.李玉珉(2003)。古色：十六至十八世紀藝術的仿古風。臺北：國立故宮博物院。  延伸查詢new window
24.邵博、劉德權、李劍雄(1983)。邵氏聞見後錄。北京：中華書局。  延伸查詢new window
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29.劉子健(19871100)。兩宋史研究彙編。臺北：聯經。new window  延伸查詢new window
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47.孫詒讓(1989)。古籀拾遺、古籀餘論。北京：中華書局。  延伸查詢new window
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49.湖州市博物館(1999)。湖州市博物館藏品集。杭州。  延伸查詢new window
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51.Egan, Ronald(1984)。Literary Works of Ou-yang Xiu (1007-72)。Cambridge。  new window
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其他
1.（清）梁國志(1983)。欽定國子監志，臺北。  延伸查詢new window
圖書論文
1.Murray, Julia K.(1989)。Sung Kao-Tsung as Artist and Patron: the Theme of Dynastic Revival。Artists and Patrons: Some Social and Economic Aspects of Chinese Painting。Kansas：University of Washington press。  new window
2.Benjamin, Walter、Zohn, Harry(1978)。The Work Of Art In The Age Of Mechanical Reproduction。Illuminations。New York：Schocken Books。  new window
3.Ledderose, Lothar(1981)。Rubbings in Art History。Catalogue of Chinese Rubbings from Field Museum。Chicago：Field Museum of Natural History。  new window
 
 
 
 
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