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題名：小說作為「革命」--重讀梁啟超《新中國未來記》
書刊名：中國現代文學
作者：王德威 引用關係／陳逢玥／王吉
作者(外文)：Wang, David Der-wei／Chen, Fengyue／Wang, Ji
出版日期：2014
卷期：26
頁次：頁1-22
主題關鍵詞：小說；革命；梁啟超；新中國未來記；Novel；Revolution；Liang Ch'i-ch'ao；New China in the Future
原始連結：連回原系統網址new window
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  • 共同引用共同引用:244
  • 點閱點閱:85
1899年後的五年時間，「革命」一詞在梁啟超的著作中頻繁出現，「詩界革命」、「文界革命」、「小說革命」等創造性用詞也經見於梁氏演講中。雖然1904年後，梁啟超的政治熱忱已然轉向，但「革命」一詞卻早已滲入中國社會各階層。本文主要討論梁氏小說《新中國未來記》，並著力於梁啟超在此一時期對「革命」理念的關注。首先嘗試檢視梁氏展開其革命話語的路徑，探討他將小說視為宣傳革命最有力工具的緣由。他認為小說與革命同等重要，政治想像與政治行動往往相互為用。其次細讀《新中國未來記》文本，聚焦於「革命」、「未來」兩個重要的關鍵詞。觀察梁啟超如何在一種「未來完成式」敘述中，啟動關於革命的種種理念及敘事策略。再者，在當代中國語境下重讀梁氏的革命方案，論述這部一個多世紀前的小說，在小說與革命的辯證關係上，對今天讀者的啟迪意義。最後以陳冠中小說《盛世》為本，審視後社會主義視角下的《新中國未來記》面貌。
In the five years after 1899, ＂revolution＂ frequently appeared in Liang Ch'i-ch'ao's works. Expressions like ＂revolution in poetry＂, ＂revolution in literature＂ and ＂revolution in novels＂ were creatively used in Liang's speeches. Though Liang's political passion was shifted to other subjects after 1904, the word ＂revolution＂ had been known to every class in China. This paper focuses on Liang's novel New ＂China in the Future＂ and his attention on the concept of ＂revolution＂. It first studies Liang's method in developing his revolutionary discourse and the reason for his choosing novel as the most powerful tool to publicize revolution. Liang considered novel and revolution equally important engagements, while regarding political imagination and political actions as mutually implicated. Secondly, it looks into the text of New ＂China in the Future＂, focusing on two key words-＂revolution＂ and ＂future＂. Thirdly, it rereads Liang's revolutionary novel in the context of contemporary China and argues for revealing power of fiction where historical accounts and testimonial voices are muted. Finally, taking Chen Guan-chung's novel ＂The Fat Yeas＂ as a point of reference, it investigates the political relevance of New China in the Future in the perspective of post-socialism.
期刊論文
1.Wang, Ban(2012)。Geopolitics, Moral Reform, and Poetic Internationalism: The Future of New China。Frontiers of Literary Studies in China，6，2-18。  new window
2.Wang, David D. W.(1985)。Fictional History and Historical Fiction。Studies in Language and Literature，1，64-76。  new window
圖書
1.林明德(1988)。晚清小説研究。臺北：聯經出版事業公司。  延伸查詢new window
2.丁文江、趙豐田(2010)。梁任公先生年譜長編。北京：中華書局。  延伸查詢new window
3.陳獨秀(1922)。獨秀文存。上海：亞東圖書館。  延伸查詢new window
4.Arendt, Hannah、陳周旺(2011)。論革命。譯林出版社。  延伸查詢new window
5.Yeh, Catherine。Migration of a World Genre: The Political Novel in Late Qing China。Cambridge, Mass：Harvard Asia Center。  new window
6.Wang, David D. W.(1992)。Mao Dun, Lao She, Sheng Congwen, Fictional Realism in 20th Century China。New York：Columbia University Press。  new window
7.Levenson, Joseph(1967)。Liang Ch'i-chao and the Ming of Modern China。Berkeley：The University of California Press。  new window
8.Kumar, Krishna(1991)。Utopia and Dystopia in Modern Times。Cambridge, Mass：Basil Blackwell。  new window
9.Cohen, Paul A.、Goldman, Merle(1990)。Ideas across cultures: essays on Chinese thought in honor of Benjamin I. Schwartz。Cambridge, Mass：Harvard University, council on East Asian Studies。  new window
10.Goldman, Merle(1967)。Literary Dissent in Communist China。Harvard University Press。  new window
11.王斑(1997)。The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China。Stanford, CA：Stanford University Press。  new window
12.Jameson, Fredric(2007)。Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions。Verso。  new window
13.胡適(1986)。胡適作品集。臺北：遠流出版社。  延伸查詢new window
14.狭間直樹(2001)。梁啟超．明治日本．西方︰日本京都大學人文科學研究所共同研究報告。北京：社會科學文獻出版社。  延伸查詢new window
15.Wang, David D. W.(2004)。The Monster That is History: History, Violence, and Fictional Writing in 20th Century China。Berkeley：University of California Press。  new window
16.康來新(1986)。晚清小說理論研究。臺北：大安出版社。new window  延伸查詢new window
17.梁啟超、吳松、盧雪昆、王文光、段炳昌(2001)。飲冰室文集點校。昆明：雲南教育出版社。  延伸查詢new window
18.Duara, Prasenjit(1988)。Culture, Power and State: rural North China, 1990-1942。Standford：Stanford University Press。  new window
19.Geertz, Clifford(1963)。Agricultural involution: the process of ecological change in Indonesia。Berkeley：University of California Press。  new window
20.Lee, Leo Ou-Fan(1987)。Voices From the Iron House: A Study of Lu Xun。Indiana University Press。  new window
21.夏曉虹(2006)。覺世與傳世：梁啟超的文學道路。北京：中華書局。  延伸查詢new window
22.Arendt, Hannah、竺乾威、王世雄(1999)。人的條件。上海：上海人民出版社。  延伸查詢new window
23.陳平原、夏曉虹(1997)。二十世紀中國小說理論資料。北京：北京大學出版社。  延伸查詢new window
24.Chang, Hao(1971)。Liang Ch'i-Ch'ao and Intellectual Transition in China, 1890-1907。Harvard University Press。  new window
25.Žižek, Slavoj(1989)。The Sublime Object of Ideology。London：Verso。  new window
26.Tang, Xiaobing(1996)。Global Space and the Nationalist Discourse of Modernity: The Historical Thinking of Liang Qichao。Stanford University Press。  new window
27.陳建華(2000)。「革命」的現代性：中國革命話語考論。上海古籍出版社。  延伸查詢new window
28.魯迅(1981)。魯迅全集。人民文學出版社。  延伸查詢new window
29.王德威、宋偉杰(2005)。被壓抑的現代性：晚清小說新論。北京大學出版社。new window  延伸查詢new window
圖書論文
1.Hsia, C. f.(1978)。Yen Fu and Liang Ch'i- ch'ao as advocates of new fiction。Chinese Approaches to Literature from Confucius to Liang Ch'i-ch'ao。Princeton：Princeton University Press。  new window
2.Fang, Gilbert C. F.(1980)。Time in Nine Murders: Western Influence and Domestic Tradition。The Chinese Novel at the Turn of the Twentieth Century。Toronto：University of Toronto Press。  new window
3.Derrida, Jacques(1981)。Plato’s Pharmacy。Dissemination。Chicago：University or Chicago Press。  new window
4.Miller, James(1979)。The Pathos of Novelty: Hannah Arendt’s Image of Freedom in the Modern World。Hannah Arendt: The Recovery of the Public World。New York：St. Martin's Press。  new window
 
 
 
 
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