Gou Songfen, who was born in 1938 in Taipei, and Li Yu, who was born in 1944 in Zhongqing, both belonged to the second generation intellectuals in postwar Taiwan. Having been educated under the anti-communism and the U.S Aids atmospheres, Gou, being a Taiwanese born and lived during the Japanese colonial Taiwan period and Li, an expatriated Chinese, were eventually to become one of the most famous couples in the literature history of Taiwan. Having grown up during such an historic transition of the history, Gou and Li were being influenced by all kinds of intellectual resources including existentialism, psychoanalysis and modernism during their attendance at National Taiwan University. Both of them had internalized these variegated influences into their writing styles. As modernists of sorts trained in this prestigious academy, as mentors of the student activists involving in Protecting Diaoyutai movement, and above all as the writers attempting to search for a new national identity, as they had abandoned or had been simultaneously rejected by, their own respective countries of origin. The purpose of this essay is to investigate the position of Gou Songfen and Li Yu in the 1960s literature world of Taiwan and how their poetic styles of existential modernist sort are embedded in their early writings, and finally, how their poetic styles were being developed into their specific writing characteristics.