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題名:紀錄片 : 歷史、美學、製作、倫理
作者:李道明 引用關係
出版日期:2013
出版項:臺北:三民
ISBN:9789571457987
主題關鍵詞:記錄片
學門:藝術學
資料類型:專書
相關次數:
  • 被引用次數被引用次數:期刊(17) 博士論文(2) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:17
  • 共同引用共同引用:0
  • 點閱點閱:100
期刊論文
1.(1980)。Campaign Book for Exhibitors。Studies in Visual Communicati,6(2),61-76。  new window
2.Feuer, Jane(1980)。Daughter Rite: Living with Out Pain, and Love23,12-13。  new window
3.Kilborn, Richard(1994)。How Real Can You Get: Recent Developments in ‘Reality’ Television。European Journal of Communication,9,421-439。  new window
4.Tetsuo, Kogawa(1995)。Toward a Reality of ‘Reference’: The Image and the Era of Virtual Reality。Documentary Box,8,1-5。  new window
5.Ludwig, Sean(2012)。Over 2.6 Million U.S. Subscribers Have Cut Out Cable Since 2008。Venture Beat,4。  new window
6.Nichols, Bill(2006)。What to Do About Documentary Distortion? Toward a Code of Ethics。Available also on httpi/Avww.documentaiy.org/content/what-do-about-documentary-distortion-toward-code-ethics-O,23。  new window
7.Nichols, Bill(2008)。Documentary Reenactment and the Fantasmatic Subject35(1),72-89。  new window
8.Pryluck, Calvin(1976)。Ultimately We Are All Outsiders: The Ethics of Documentary Filnling。Journal of the University Film Association,1,3-11。  new window
9.Rosenstone, Robert A.(1988)。History in Image/History in Words: Reflections on the Possibility of Really Putting History onto Film。The American Historical Riview,93,1173-1185。  new window
10.Rosenstone, Robert A.(2001)。Introduction to Experiments in NaiTative。Rethinking Histoty: The Journal ofTheoiy and Practice,5,255-274。  new window
11.Rub, Jay(1977)。The Image Mirrored: Reflexivity and the Documentary Film。Journal of the University Film Association,1,3-11。  new window
12.Sobchack, Vivian(1984)。Inscribing Ethical Space: Ten Propositions on Death, Representation, and DocumenUiry。Quarterly Review of Film Studies,9(4),283-300。  new window
13.0'Nicho.s, Bill、李道明、蔡迨君(1989)。紀錄片之意見。電影欣賞雜誌,7(3),54-63。  延伸查詢new window
14.Rouch,Jean、念初(19860500)。攝影機與人。電影欣賞,4(3)=21,21-28。  延伸查詢new window
15.Ruby,Jay、李道明、蔡逸君(19881100)。影像的鏡像--反映自我與紀錄影片。電影欣賞,6(6)=36,64-70。  延伸查詢new window
16.Young,Colin、李道明(19860500)。觀察的電影。電影欣賞,4(3)=21,29-35。  延伸查詢new window
17.李英明、陳華昇(2001)。本土陣營分裂程疽決定年底選舉勝負。財圃法人國家政策研究基金會,90-95。  延伸查詢new window
18.李道明(19851100)。什麼是紀錄片?。聯合月刊,52,76-81。  延伸查詢new window
19.李道明(2009)。從記錄片的定義思索紀錄片與劇情片的混血形式。戲劇學刊,10,79-109。new window  延伸查詢new window
20.劉毓雯(20050523)。國產紀錄片投資報酬率150%。商業周刊,913,44-46。  延伸查詢new window
21.(1988)。人間雜詁37。  延伸查詢new window
22.(198606)。電影評誚17。  延伸查詢new window
23.White, Hayden V.(19881212)。Historiography and Historiophoty。American Historical Review,93(5),1193-1199。  new window
24.李泳泉(20020600)。全景學派的誕生--臺灣紀錄片的趨勢觀察(1990-2000)。電影欣賞,20(3)=111,18-27。  延伸查詢new window
25.Tribe, Keith、翊憶、迷走(19900300)。歷史與記憶的生產。電影欣賞,8(2)=44,42-48。  延伸查詢new window
圖書
1.Aitken, Ian(1990)。Film and Reform: John Grierson and the Documentary Film Movement。London:Routledge。  new window
2.Anderson, Carolyn and Benson, Thomas W.(1988)。Direct Cinema and the Myth of Informed Consent: The Case of Titicut Follies。  new window
3.Armes, Roy(1978)。A Critical Histoty of British Cinema。New York:Oxford University Press。  new window
4.Aufderiieide, Patricia(2007)。Documentaty Film: A Vety Short Introduction。New York:Oxford University Press。  new window
5.Barnouw, Erik(1983)。Documentaty: A Histo/y of the Non-Fiction Film。Oxford:Oxford University Press。  new window
6.Barsani, Richard(1973)。Nonfiction Film: A Critical History。New York:E. P. Dutton and Co., Inc.。  new window
7.Barsani, Richard(1992)。Nonfiction Film: A Critical History, revised and expanded。Bloomington:Indiana University Press。  new window
8.Bazin, André(1971)。What is Cinema?。Berkeley, Los Angles:University of California Press。  new window
9.Beattie, Keith(2004)。Documentaty Screens: Nonfiction Film and Television。New York:Palgrave Macmillan。  new window
10.Berger, John(1972)。of Seeing。London:British Broadcasting Corporation and Penguin Books。  new window
11.Bernard, Sheila C.(2004)。Documentaiy Stoiytelling for Video and Filmmakers。Oxford:Focal Press。  new window
12.Bordwell, David、Thompson, Kristin(2010)。Film AN: An Introduction。New York:McGraw-Hill。  new window
13.Browne, Nick(1994)。American Television: New Directions in Histoiy and Theory。Langhorne:Harwood Academic Publishers。  new window
14.Chapman, Jane(2007)。Documentaty in Practice。Cambridge:Polity Press。  new window
15.Cheung, Esther M. K.、Chu, Yi-Wai(2004)。Between Home and World: A Reader in Hong Kong Cinema。Hong Kong:Oxford University Press。  new window
16.Corporation for Public Broadcasting(2000)。Report to Congress on Activities and Expenditures of the Independent Television Service (iTVS) in Fiscal Year 2000。  new window
17.Corporation for Public Broadcasting(2012)。Report to Congress on Activities and Expenditures of the Independent Television Setrice in Fiscal Year 2010。  new window
18.Cui, Shuqin(2004)。Stanley Kwan’s Center Stage: The (Ini)possible Engagement Between Feminism and Postmodernisnl。  new window
19.D’Antonio, Joanne(1997)。The Audience Representative。  new window
20.Davis, Natalie Z.(2000)。Slaves on Screen: Film and Historical Visio/i。Cambridge:Harvard University Press。  new window
21.Brigard, Emilie(1975)。The History of Ethnographic Film。  new window
22.Ellis, Jack C.、McLane, Betsy A.(2006)。A New History of Documentary Film。New York:Continuum。  new window
23.Elson, Robert T.(1968)。The Intimate History of a Publishing Enterprise, 1923-1941。New York:Atheneum。  new window
24.Fell, John L., ed.(1983)。Film Before Griffith。Berkeley:University of California Press。  new window
25.Fielding, Raymond(1972)。The American Newsreel 1911-1967。Norman:University of Oklahoma Press。  new window
26.Fielding, Raymond(1983)。Hale’s Tours: Ultrarealisin in the Pre-1910 Motion Picture。  new window
27.Gaines, Jane M.(2001)。Fire and Desire: Mixed-Race Movies in the Silent Era。Chicago:The University of Chicago Press。  new window
28.Ginsburg, Faye D.、Lila, Abu-Lughod、Larkin, Brian(2002)。Media Worlds: Anthropology on New Terrain。Berkeley:University of California Press。  new window
29.Gittings, Christopher E.(2002)。Canadian National Cinema: Ideology, Difference and Representation。London:Routledge。  new window
30.Gross, Lairy(1974)。Modes of Communication and the Acquisition of Symbolic Competence。  new window
31.Gross, Larry、Katz, John S.、Ruby, Jay(1988)。Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television。Oxford:Oxford University Press。  new window
32.Gross, Larry、Katz, John S.、Ruby, Jay(1988)。Introduction。  new window
33.Gross, Larry、Katz, John S.、Ruby, Jay(2003)。Image Ethics in the Digital Age。Minneapolis:University of Minnesota Press。  new window
34.Hanipe, Bairy(1997)。Making Documentaty Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events。New York:Henry Holt and Company。  new window
35.Hardy, Forsyth(1971)。Grierson on Documentary。New York:Praeger Publishers。  new window
36.Heider, Karl G.(1976)。Ethnographic Film。Austin:University of Texas Press。  new window
37.Hicks, Jeremy(2007)。Dziga Vertov: Defining Documentaty Film。New York:I.B. Tauris。  new window
38.Hockings, Paul(1975)。Principles of Visual Anthropology。The Hague:Mouton Publishers。  new window
39.Hoffer, Tom W.、Nelson, Richard A.(1999)。Docudrama on American Television.in Alan Rosenthal。  new window
40.Howley, Kevin。Communication Technologies。Cambridge:Canibr'H University Press。  new window
41.Ali, Issari, M. and Paul, Doris A.(1979)。What Is Cinema Verite。Metuchen:The Scarecrow Press。  new window
42.Jennings, Mary-Lou(1982)。Humphrey Jennings: Film-Maker/Painler/Poet。London:British Film Institute。  new window
43.Kalz, John S. and Katz, Judith M.(1988)。Ethics and the Perception of Ethics in Autobiographical Film。  new window
44.Kilborn, Richard and Izod, John(1997)。An Introduction to Television DocumetUaty: Confronting Reality。Manchester:Manchester University Press。  new window
45.Konigsberg, Ira(1987)。The Complete Film Dictionaty。New York:New American Library。  new window
46.Kriger, Judith(2012)。Animated Realism: A Behind-the-Scene Look at the Animated Documentmy Genre。Waltham:Focal Press。  new window
47.Kriwaczek, Paul(1997)。Documenimy for the Small Screen。Oxford:Focal Press。  new window
48.Kuo, Li-Hsin(2012)。Sentimentalism and the Phenomenon of Collective 'Looking Inward5: A Critical Analysis of Mainstream Taiwanese Documentary。  new window
49.Lane, Jim(2002)。The Autobiographical Documenta/y in America。Madison:The University of Wisconsin Press。  new window
50.Levin, G. Roy(1971)。Documentaty Explorations: 15 Inten'iews with Film-Makers。New York:Anchor Press。  new window
51.Leyda, Jay(1964)。Film Beget Films: A Study of the Compilation Film。New York:Hill and Wang。  new window
52.Lin, Sylvia Li-Chun、Sang, Tze-lan D.(2012)。Documenting Taiwan on Film: Issues and Methods in New Documentaries。London:Routledge。  new window
53.Lipkin, Steven N.、Paget, Derek、Roscoe, Jane(2006)。Docudrama and Mock-Documentary: Defining Terms, Proposing Canons。  new window
54.Lovell, Alan and Hillier, Jim(1972)。Studies in Documentmy。New York:The Viking Press。  new window
55.Kevin, Macdonald and Cousins, Mark(1996)。Imagining Reality: The Faber Book of Documentary。London:Faber and Faber。  new window
56.MacDougall, David(1998)。Transculiurol Cinema (Edited and with an Introduction by Lucien Taylor。Princeton:Princeton University Press。  new window
57.Mamber, Stephen(1974)。Cinema Verite in America: Studies in Uncontrolled Documentary。Cambridge:MIT Press。  new window
58.Marcorelles, Louis(1970)。Living Cinema: New Directions in Contempormy Film-making (Translated by Isabel Quigly。New York:Praeger Publishers。  new window
59.Nichols, Bill(1985)。The Voice of Documentary。  new window
60.Nichols, Bill(1985)。Movies and Methods。Berkeley:University of California Press。  new window
61.Nichols, Bill(1991)。Representing Reality: Issues and Concepts in Docitnientaty。Bloomington:Indiana University Press。  new window
62.Nichols, Bill(1994)。Blurred Boundaries: Questions of Meaning in Contemporaty Culture。Bloomington:Indiana University Press。  new window
63.Nichols, Bill(2001)。Introduction to Docume/Uoty。Bloomington:Indiana University Press。  new window
64.Nichols, Bill(2010)。Introduction to Documentmy。Bloomington:Indiana University Press。  new window
65.Orbanz, Eva(1977)。Journey to a Legend and Back: The British Realistic Film。Berlin:Edition Volker Spiess。  new window
66.Rabiger, Michael(1998)。Directing Documentaiy。Boston:Focal Press。  new window
67.Rascaroli, Laura(2009)。The Personal Camera: Subjective Cinema and the Essay Film。London:Wallflower Press。  new window
68.Renov, Michael(1993)。Theorizing Documentmy。New York:Routledge。  new window
69.Rhodes, Gary D. and Springer, John P.(2006)。Introduction。  new window
70.Rhodes, Gary D. and Springer, John P.(2006)。Docufictions: Essays on the Intersection of Documentcny and Fictional Filmmaking。North Carolina:McFarland and Company。  new window
71.Riefenstahl, Leni(1987)。A Memoir。New York:St. Martin's Press。  new window
72.Roscoe, Jane and Hight, Craig(2001)。Faking It: Mock-documentmy and the Subversion of Factuality。New York:Manchester University Press。  new window
73.Rosen, Philip(1993)。Document and Documentary: On the Persistence of Historical Concepts。  new window
74.Rosenstone, Robert A.(1995)。Visions of the Past: The Challenge of Film to Our Idea of Histoiy。Cambridge:Harvard University Press。  new window
75.Rosenstone, Robert A.(2006)。Histoiy on Film/Film on Histoiy。Harlow:Pearson Education。  new window
76.Rosenthal, Alan(1971)。The New Documentmy in Action: A Casebook in Film Making。Berkeley:University .f California Press。  new window
77.Rosenthal, Alan(1980)。The Documentmy Conscience: A Casebook in Film Making。Berkeley:University .f California Press。  new window
78.Rosenthal, Alan(1988)。New Challenges for Documentafy。Berkeley:University .f California Press。  new window
79.Rosenthal, Alan(1999)。Why Docudmma?: Fact-Fiction on Film and TV。Carbondale:Southern Illinois University Press。  new window
80.Rosenthal, Alan(1999)。Taking the Stage: Developments and Challenges。  new window
81.Rosenthal, Alan(2002)。Why Docudrania--and If So, How?。  new window
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86.Sobchack, Vivian(1988)。No Lies: Direct Cinema as Rape。  new window
87.Sontag, Susan(1980)。Fascinating Fascism。New York:Straus and Giroux。  new window
88.Stein, Wayne(2006)。Stanley Kwai’s Centre Stage (1992): Postmadern Reflections of the Mirror Within the Mirror。  new window
89.Sussex, Elizabeth(1975)。The Rise and Fall of British Documentcuy: The Stoty of the Film Movement Founded by John Grierson。Berkeley:University of California Press。  new window
90.Swann, Paul(1989)。The British Documentaty Movement 1926-1946。Cambridge:Cambridge University Press。  new window
91.Tobias, Michael(1997)。The Search for Reality: The Art of Documentaty Filmmaking。Studio:Michael Wiese Productions。  new window
92.Turner, Terence(2002)。Representation, Politics, and Cultural Imagination in Indigenous Video: General Points and Kayapo Examples。  new window
93.Vauglian, Dai(1988)。Television Documentary Usage。  new window
94.Vauglian, Dai(1999)。For Documentaty: Twelve Essays。Berkeley:University of California Press。  new window
95.Vianello, Robert(1994)。The Rise of the Telefilm and the Networks1 Hegemony Over。  new window
96.Viera, John D.(1988)。Images as Property。  new window
97.Warren, Charles(1996)。Introduction, with a Brief History of Nonfiction Film。  new window
98.Warren, Charles(1996)。Beyond Document: Essays on Nonfiction Film。Hanover:University Press of New EnglandAVesleyan University Press。  new window
99.Waugh, Thomas(1984)。Show Us Life”: Toward a History and Aesthetics of the Committed Documentor。Metuchen:The Scarecrow Press。  new window
100.Webster's Third New International Dictionaty(2008)。New International Dictionaty。Springfield:Merriam-Webster Inc.。  new window
101.Winston, Brian(1988)。Tradition of the Victim in Griersonian Documentary。  new window
102.Winston, Brian(1988)。The Tradition of the Victim in Griersonian Documentary。  new window
103.Winston, Brian。Damn Lies and Documentaries。London:BFI Publishing。  new window
104.Winston, Brian(2002)。The DV Agenda v. Showing Life Agenda。  new window
105.Worth, Sol(1981)。Studying Visual Communication。Philadelphia:University of Pennsylvania Press。  new window
106.Worth, Sol and Adair, John(1972)。Through Navajo Eyes: An Exploration in Film Communication and Anthropology。Bloomington:Indiana University Press。  new window
107.Young, Colin(1975)。Observarional Cinema。  new window
108.Barsani, Richard、王亞維(1996)。紀錄與真宵:世界非劇情片批評史。臺北:逍流。  延伸查詢new window
109.Bordwell, David and Kris.in Thompson、曾偉梢(2008)。電影藝術:型式與風格。臺北:麥格羅希爾。  延伸查詢new window
110.Davis, Natalie Z.、陳榮彬(2002)。奴隸、電影、歷史--遛原歷史真相的影像寅驗。臺北:左岸文化。  延伸查詢new window
111.MacDougal, David、李惠芳、黃燕祺(2006)。迤向跨文化電影:大衛‧馬杜格的影像窗踐。臺北:麥田。  延伸查詢new window
112.王清華、李天礢(2010)。2008-2009年中外影片市埸總覽。  延伸查詢new window
113.王清華、張靚蓓(2011)。2010年中外電影市場總覽。  延伸查詢new window
114.王慰慈(2006)。臺灣當代影像--從紀實到寊驗。臺北:同喜文化出版工作室。  延伸查詢new window
115.李天礢(2010)。2010年臺灣電影年鑑。臺北:國家電影資料館。  延伸查詢new window
116.張靚蓓(2011)。2011年臺灣電影年鑑。臺北:國家電影資料館。  延伸查詢new window
117.李道明(2002)。真實與再現:紀錄片美學國際學術研討會論文集。臺北:行政院文化建設委員會。  延伸查詢new window
118.李道明、王慰慈(2000)。臺灣紀錄片與新聞片影人口述。臺北:國家電影資料館。  延伸查詢new window
119.李道明、王慰慈(2000)。臺灣紀錄片與新間片影人口述。臺北:國家電影資料館。  延伸查詢new window
120.林木材、李天礢(2010)。屏息以待--2009臺灣紀錄片觀察。  延伸查詢new window
121.財團法人公共電視文化事業基金會(2007)。打拼:台灣人民的歷史幕後記實。臺北:玉山社。  延伸查詢new window
122.張同道、胡智鋒(2011)。中國紀錄片發展研究報告:中國紀錄片藍皮書。北京:科學出版社。  延伸查詢new window
123.貧翰荻(1987)。前衛電影。臺北:電影圖會館出版部。  延伸查詢new window
124.劉藝(1986)。紀錄影片誚集。臺北:中華民國電影事業發展基金會。  延伸查詢new window
125.Michelson, Annette、O'Brien, Kevin、Vertov, Dziga(1984)。Kino-Eye: The Writings of Dziga Vertov。Berkeley, California:University of California Press。  new window
126.Holmes, Su、Jcrmyn, Deborah(2004)。Understanding Reality Television。London:Routledge。  new window
127.Bordwell, David、Thompson, Kristin(1989)。Film Art: An Introduction。New York:McGraw-Hill。  new window
128.Teo, Stephen(1997)。Hong Kong Cinema: The Extra Dimensions。London:British Film Institute。  new window
129.Winston, Brian(1995)。Claiming the Real: The Documentary Film Revisited。London:British Film Institute Publishing。  new window
130.Ferro, Marc、張淑娃(1998)。電影與歷史。麥田。  延伸查詢new window
131.陳益源(20060000)。蔡廷蘭及其《海南雜著》。臺北:里仁。new window  延伸查詢new window
其他
1.Aufderheide, Patricia,Jaszi, Peter,Chandra, Mridu(2009)。Honest Truths: Documentaty Filmmakers on Ethical Challenges in Their Work,http://centerforsocialmedia.org/ethics。  new window
2.Boyacioglu, Beyza(2011)。Animated Documentary: Representing Reality Through Imaginary,http://beyzaboyacioglu.com/ index.php?/writings/animated-documentary-representing-reality-througli/。  new window
3.CAB/ACR(2009)。Canadian Television Program Financing,2012(20)。,http://www.cab-acr.ca/eng]isli/keyissiie/financing.shtm。  new window
4.The Documentary Organization of Canada(2007)。Getting Real: An Economic Profile of the Canadian Documentor Production Indushyy Volume,http://www.oniclc.on.ca/AssetFactory.aspx?did=6161。  new window
5.The Documentary Organization of Canada(2012)。Getting Real: An Economic Profile of the Canadian Documentmy Product ion Industtyy Volume,http://www.omdc.on.ca/AssetFactory.aspx?did=7139。  new window
6.許世潁(2011)。牽阮的手熱賣,榮登年度紀錄片票房冠軍,http://www.nownews.com/2011/12/06/37-2763903.htni。  延伸查詢new window
7.鄭緯筌(2011)。Nelflix進軍加拿大10月有成,吸引百萬付費會員,http:"www.bnext.com.tw/article/view/tag/Netflix/19628。  延伸查詢new window
8.(20090519)。臺灣網路電視IPTV產業,http://globalmcdia.wikia.com/wiki/臺灣網路電視IPTV產業。  延伸查詢new window
圖書論文
1.Donovan, Kay(2006)。Tagged: A Case Study in Docume/Uaty Ethics. Ph.D. Thesis, University of Technology Sydney。Film and Ethics: Foreclosed Encounters。London:Routledge。  new window
2.Gentleman, Amelia(2004)。Film’s Fallen Hero Fights on for His Class: Teacher Star of Hit French Documentary Speaks Out for First Time after Court Defeat.J, Guardian。  new window
3.Heath, Stephen(1977)。Contexts。Edinburgh 77 Magazine。  new window
4.Krishna, R.(2012)。More Real Than Reality?。http:/Avww.dnaindia.com/lifestyle/reporMnore-real-than-reality_1691156-all。  new window
5.MacCabe, Colin(1977)。Memory. Phantasy, Identy: Days of Hope and the Politics of the Past。55 Edinburgh 77 Magazine。  new window
6.Olson, D. R.(1974)。Media and Symbols: The Forms of Expression, Communication, and Education。Seventy-third Yearbook of the National Society for the Study of Education。Chicago:University of Chicago Press。  new window
7.Rosenstone, Robert A.(1999)。Reflections on Reflections on History in Images/History in Words。http://www.latrobe.edu.au/screeningthepast/firstrelease/fi'0499/rrfr6c.htm, accessed。  new window
8.Rolha, Paul(1952)。DocumetUmy Film: The Use of the Film Medium to Interpret Creatively and in Social Terms the Life of the People as It Exists in Reality。in collaboration with Road, Sinclair and Griffith, Richard。London:Faber and Faber。  new window
9.Starowicz, Mark(2006)。Whose Story? Storytelling as Nation-building。http://www.cbc.raclio-canada.ca/specches/20061212。  new window
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