| 期刊論文1. | Ahmad, Shafiuddin、Gawel, Angela(1990)。The Politics of Money: Incomplete Feminism in A Doll's House。Dalhouse Review,70,170-190。 | 2. | Baruch, Elaine Hoffman(1980)。Ibsen's Doll House: A Myth of Our time。The Yale Review,68,375-387。 | 3. | Ditsky, John(1980)。He Lets You See the Thought Thereâ: The Theatre of David Mamet。Kansas Quarterly,12(4),234。 | 4. | Silverstein, Marc(1995)。We’re Just Human: Oleanna and Cultural Crisis。South Atlantic Review,60(2),104-120。 | 5. | Adler, Jerry(1990)。Taking Offense。Newsweek,24,48-54。 | 6. | Badenhausen, Richard(1998)。The Modern Academy Raging in the Dark: Misreading Mamet's Political Incorrectness in Oleanna。College Literature,25(3),1-19。 | 7. | Goggans, Thomas H.(1997)。Laying Blame: Gender and Subtext in David Mamet's Oleanna。Modern Drama,40(4),433-441。 | 8. | Mufson, Daniel(1993)。The Critical Eye: Sexual Perversity in Viragos。Theatre,24(1),111-113。 | 9. | Stimpson, Catharine(1993)。Dirty Minds, Dirty Bodies, Clean Speech。Michigan Quarterly Review,32,323-328。 | 10. | Templeton, Joan(1989)。The Doll House Backlash: Criticism, Feminism, and Ibsen。PMLA,104(1),28-40。 | 學位論文1. | Ryan, Steven D.(1988)。Mamet: Dramatic Craftsman(博士論文)。Fordham University。 | 圖書1. | Innes, Christopher(1993)。Avant Garde Theatre 1892-1992。Routledge。 | 2. | Rayfield, Donald(1999)。Understanding Chekhov: A Critical Study of Chekhov's Prose and Drama。Madison:U of Wisconsin P。 | 3. | Auslander, Philip(1992)。Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance。Ann Arbor:University of Michigan Press。 | 4. | Wilson, John K.(1995)。The myth of political correctness: The conservative attack on higher education。Durham, NC:Duke University Press。 | 5. | Bigsby, C. W. E.(1985)。A Critical Introduction to Twentieth-Century American Drama, Vol. 3, Beyond Broadway。New York:Cambridge:Cambridge University Press。 | 6. | Croyden, Margaret(1974)。Lunatics, Lovers and Poets: The Contemporary Experimental Theatre。New York:A Delta Book。 | 7. | 周慧玲(2002)。記憶相簿。周慧玲。 延伸查詢 | 8. | Mamet, David、曾偉禎(1993)。導演功課。台北:遠流。 延伸查詢 | 9. | 孫惠柱(1999)。戲劇的結構。台北:書林。 延伸查詢 | 10. | 羅伯特•蕭爾斯(1989)。結構主義--批評的理論與實踐。台北:結構。 延伸查詢 | 11. | Albee, Edward(1975)。Seascape。New York:Dramatists Play Service, Inc.。 | 12. | Alvares, A.(1973)。Samuel Beckett。New York:Viking Press。 | 13. | Belsey, Catherine(1981)。Critical Practice。London:Nethuen。 | 14. | Bitsilli, Peter M.、Clyman, Toby W.、Cruise, Edwina Jannie(1983)。Chekhov's Art: A Stylistic Analysis。Ann Arbor:Ardis Publishers。 | 15. | Boon, James A.(1972)。From Symbolism to Structuralism: Levi-Strauss in a Literary Tradition。New York:Harper and Row Publishers。 | 16. | Bottoms, Stephen J.(1998)。The Theatre of Sam Shepard: States of Crisis。Cambridge:Cambridge UP。 | 17. | Braun, Edward(1979)。The Theatre of Meyerhold。London:Methuen。 | 18. | Brennan, Teresa(1997)。Political Correctness: A Response from the Cultural Left。Minneapolis:U of Minnesota P。 | 19. | Bristol, Michael D.(1985)。Carnival and Theatre。Routledge。 | 20. | Brown, John Russell(1968)。Modern British Dramatists。New Jersey:Prentice-Hall。 | 21. | Brustein, Robert(1962)。The Theatre of Revolt。Boston:Little, Brown and Company。 | 22. | Bryden, Mary(1998)。Samuel Beckett and the Idea of God。London:MacMillan Press Ltd。 | 23. | Burkman, Katherine H.(1986)。The Arrival of Godot: Ritual Patterns in Modern Drama。London:Associated UP。 | 24. | Cavarero, Adriana、Kottman, Paul A.(1997)。Relating Narratives: Stofytelling and Selfhood。London:Routledge。 | 25. | Childers, Joseph、Hentzi, Gary(1995)。The Dictionary of Modern Literature and Cidtrual Criticism。New York:Columbia University Press。 | 26. | Chudakov, A. P.、Cruise, Edwina Jannie、Dragt, Donald(1983)。Chekhov's Poetics。Ann Arbor:Ardis Publishers。 | 27. | Connor, Steven(1990)。Postmodernist Culture: An Introduction to Theories of the Contemporary。Cambridge:Basil Blackwell Inc。 | 28. | Culler, Jonathan(1974)。Framing the Sign: Criticism and Its Institution。Norman:U of Oklahoma。 | 29. | Culler, Jonatha(1981)。The Pursuit of Sign。London:Routledge & Kegan Paul。 | 30. | Deak, Frontisek(1993)。Symbolist Theatre。Baltimore:John Hopkins University Press。 | 31. | Eagleton, Terry(1983)。Literary Theoty: An Introduction。Minneapolis:U of Minnesota Press。 | 32. | Essif, Les(2001)。Empty Figure on an Empty Stage: The Theatre of Smauel Beckett and His Generation。Blooming:Indiana UP。 | 33. | Esslin, Martin(1961)。Theatre of the Absurd。New York:Doubleday。 | 34. | Feldstein, Richard(1997)。Political Correctness: A Response from the Cultural Left。Minneaspolis:U of Minnesota P。 | 35. | Gaensbauer, Deborah B.(1991)。The French Theatre of the Absurd。Boston:Twayne Publishers。 | 36. | Hatcher, Jeffrey(1996)。The Art and Craft of Playwriting。Ohio:Story Press。 | 37. | Haugen, Einar(1979)。Ibsne s Drama: Author to Audience。Minneapolis:U of Minnesota P。 | 38. | Hofstadter, Douglas R.(1980)。Godel, Escher, Bach: An Eternal Golden Braid。New York:Vintage。 | 39. | Hornby, Richard(1981)。Patterns in Ibsen's Middle Plays。Lewisburg:Backnell UP。 | 40. | Bloom, Harold(1973)。The Anxiety of Influence。New York:Oxford University Press。 | 41. | Gardiner, Michael(1992)。The Dialogics of Critique: M. M. Bakhtin and the Theory of Ideology。London, UK:Routledge。 | 42. | Johnston, Brain(1975)。The Ibsen Cycle。Boston:G. K. Hall。 | 43. | Johnston, Brain(1989)。Supertext in Ibsen's Drama。University Park:Pennsylvania State UP。 | 44. | Johnston, Brain(1980)。To the Third Empire: Ibsen’s Early Drama。Minneapolis:U of Minnesota Press。 | 45. | Lacey, Stephen(1995)。British Realist Theatre: The New Wave in Its Context, 1956-1965。London:Routledge。 | 46. | Lakoff, Robin Tolmach(2001)。The Language War。California:U of California Press。 | 47. | Malkin, Jeanette R.(1992)。Verbal Violence in Contemporary Drama: From Handke to Shepard。Cambridge:Cambridge UP。 | 48. | Mamet, David(1976)。American Buffalo。New York:Grove Press。 | 49. | Mamet, David(1984)。Glengany Glenn Ross。New York:Grove Press。 | 50. | Mamet, David(1981)。Lakeboat。New York:Grove Press。 | 51. | Mamet, David(1978)。A Life in the Theatre。New York:Grove Press。 | 52. | Mamet, David(1993)。Oleanna。New York:Vintage。 | 53. | Mamet, David(1978)。Sexual Perversity in Chicago and The Duck Variations。New York:Grove Press。 | 54. | Mamet, David(1987)。Writing in Restaurants。New York:Penguin Books。 | 55. | Miller, J. Hillis(1985)。Reading Narrative。Oklahoma:U of Oklahoma Press。 | 56. | Morgan, Margety(1985)。August Strindberg。London:MacMillan。 | 57. | Morson, Gary Saul、Emerson, Cary(1990)。Mikhail Bakhtin: Creaion of a Prosaics。California:Stanford UP。 | 58. | O'Neill, Eugene(1955)。Long Day's Journey into Night。New Haven:Yale UP。 | 59. | Packard, William(1997)。The Art of the Playwright。New York:Thunder's Mouth Press。 | 60. | Phelan, James(1989)。Reading Narrative: Form, Ethics, Ideology。Columbus:Ohio Stat UP。 | 61. | Quigley, Austin E.(1975)。The Pinter Problem。Princeton UP。 | 62. | Rimbaud, Arthur、Fowlie, Wallace(1966)。Complete Works, Selected Letters。Chicago:U of Chicago Press。 | 63. | Rosen, Carol(1983)。Plays of Impasse: Contemporary Drama Set in Confining Institutions。Princeton:Princeton UP。 | 64. | Schechner, Richard(1981)。Between Theater and Anthropology。Philadelphia:U of Pennsylvania Press。 | 65. | Selden, Raman(2005)。A Reader's Guide to Contemporary Literary Theory。London:Pearson。 | 66. | Senelick, Laurence(1985)。Anton Chekhov。New York:Grove Press。 | 67. | Shellard, Dominic(1999)。British Theatre since the War。New Haven:Yale UP。 | 68. | Spirnchorn, Evert(1982)。Strindberg as Dramatist。New Haven:Yale UP。 | 69. | Styan, J. L.(1981)。Modern Drama in Theory and Practice (3): Expressionism and Epic Theatre。Cambridge:Cambridge UP。 | 70. | Torgovnick, Marianna(1981)。Closure in the Novel。Princeton:Princeton UP。 | 71. | Tornqvist, Egil(2000)。Strindberg's The Ghost Sonata: From Text to Performance。Amsterdam:Amsterdam UP。 | 72. | Tucker, Martin(1992)。Sam Shepard。New York:Frederick Ungar Book。 | 73. | Vanlency, Maurice(1966)。The Breaking String: The Plays of Anton Chekhov。New York:Schocken。 | 74. | Vanlency, Maurice(1982)。The Flower and the Castle: An Introduction to Modern Drama。New York:Schocken。 | 75. | Urban, Wilbur Marshall(1939)。Language and Reality。London:Muirhead。 | 76. | Ward, John(1980)。The Social and Religious Plays of Strindberg。London:The Athlone Press。 | 77. | Watt, Stephen(1998)。Postmodern/drama: Reading the Contemporary Stage。Ann Arbor:U of Michigan Press。 | 78. | Wellwarth, George E.(1964)。The Theatre of Portest and Paradox: Development in the Avant-Garde Drama。New York:New York UP。 | 79. | Williams, Raymond(1991)。Writing in Society。London:Verso。 | 80. | Wollstonecraft, Mary、Poston, Carol H.(1975)。A Vindication of the Rights of Woman。New York:W. W. Norton。 | 81. | Zucker, A. E.(1930)。Ibsen: The Master Builder。London:Thornton Butterworth Limited。 | 82. | Innes, Christopher(1992)。Modern British Drama 1890-1990。Cambridge:Cambridge University Press。 | 83. | Tong, Rosemarie(1992)。Feminist Thought: A Comprehensive Introduction。London:Routledge。 | 84. | Dentith, Simon(1995)。Bakhtinian Thought: An Introductory Reader。Routledge。 | 85. | De Man, Paul(1983)。Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism。Minneapolis:University of Minnesota Press。 | 86. | Williams, Raymond、Pinkney, Tony(1989)。The Politics of Modernism: Against the New Conformists。Verso。 | 87. | Holquist, Michael(1990)。Dialogism : Bakhtin and his Word。London:Routledge。 | 88. | Beckett, Samuel(1954)。Waiting for Godot。New York:Grove Press, Inc.。 | 89. | Benjamin, Walter、林志明(1998)。說故事的人。臺灣攝影工作室。 延伸查詢 | 90. | Vološhinov, V. N.、Matejka, Ladislav、Titunik, I. R.(1973)。Marxism and the Philosophy of Language。Harvard University Press。 | 91. | Barthes, Roland、Heath, Stephen(1977)。Image,Music,Text。New York:Noonday Press。 | 92. | 劉康(2005)。對話的喧聲:巴赫汀的文化理論述評。臺北:麥田出版社:城邦分公司。 延伸查詢 | 93. | Abel, Lionel(1963)。Metatheatre: A New View of Dramatic Form。New York:Hill and Wang。 | 94. | Habermas, J.、McCarthy, T.(1984)。The Theory of Communicative Action。Boston:Beacon Press。 | 95. | Hutcheon, Linda(1985)。A theory of parody : the teachings of twentieth-century art forms。New York。 | 96. | Turner, Victor(1982)。From Ritual to Theatre。New York:PAJ Publications。 | 97. | Rimmon-Kenan, Shlomith(1983)。Narrative Fiction: Contemporary Poetics。New York:Routledge。 | 98. | Brooks, Peter(1984)。Reading for the Plot : Design and Intention in Narrative。New York, NY:Vintage Books。 | 99. | Lyotard, Jean-François、Bennington, Geoff、Massumi, Brian、Jameson, Fredric(1984)。The Postmodern Condition: A Report on Knowledge。Manchester:Manchester University Press。 | 100. | Stallybrass, Peter、White, Allen(1986)。The Politics and Poetics of Transgression。London:New York:Ithaca:Methuen:Cornell University Press。 | 101. | Berger, Arthur Asa(1995)。Cultural Criticism: A Primer of Key Concepts。Sage。 | 102. | Bloom, Allan(1987)。The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students。New York:Simon and Schuster。 | 103. | Culler, Jonathan(1982)。On Deconstruction: Theory and Criticism after Structuralism。Ithaca, NY:Cornell University Press。 | 104. | Merritt, Susan Hollis(1990)。Pinter in Play: Critical Strategies and the Plays of Harold Pinter。Duke University Press。 | 105. | Chatman, Seymour B.(1978)。Story and Discourse: Narrative Structure in Fiction and Film。Cornell University Press。 | 106. | Fairclough, Norman(1989)。Language and power。Longman。 | 107. | Bakhtin, Mikhail、Emerson, Caryl(1984)。Problems of Dostoevsky's Poetics。University of Minnesota Press。 | 108. | Bakhtin, Mikhail M.、Iswolsky, Hélène(1984)。Rabelais and His World。Bloomington:Indiana University Press。 | 109. | Fiske, John(1989)。Understanding popular culture。Routledge。 | 110. | Coward, Rosalind、Ellis, John(1977)。Language and Materialism: Developments in semiology and the theory of the subject。Boston, MA:Henley, UK:London, UK:Routledge & Kegan Paul。 | 111. | Williams, R.(1987)。Drama from Ibsen to Brecht。London, UK:Hogarth。 | 112. | Rhodes, Norman(1995)。Ibsen and the Greeks: The Classical Greek Dimension in Selected Works of Henrik Ibsen as Mediated by German and Scandinavian Culture。London:Associated University Press。 | 113. | Fortier, Mark(1997)。Theory/Theatre: An Introduction。London:Routledge。 | 114. | Carlson, Marvin A.(1993)。Theories of the theatre: A Historical Survey, from the Greeks to the Present。Ithaca:Cornell University Press。 | 115. | Billington, Michael(1996)。The Life and Works of Harold Pinter。London:Faber and Faber。 | 116. | Burkman, Katherine H.、Kundert-Gibbs, John L.(1993)。Pinter at Sixty。Bloomington:Indiana UP。 | 117. | Templeton, Joan(1997)。Ibsen's Women。Cambridge:Cambndge University Press。 | 118. | Gray, Ronald(1977)。Ibsen--A Dissenting View: A study of the Last Twelve Plays。Cambridge:Cambridge University Press。 | 119. | D'Souza, Dinesh(1992)。Illibral Education: The Politics of Race and Sex on Campus。New York:Vintage Books。 | 120. | Carrol, Dennis(1987)。David Mamet。London。 | 121. | Uhlmann, Anthony(1999)。Beckett and Poststructuralism。New York:Cambridge UP。 | 122. | Peace, Richard(1983)。Chekhov: A Study of the Four Major Plays。London:Yale University Press。 | 123. | Hayman, Ronald(1979)。Theatre and Anti-Theatre: New Movements since Beckett。New York。 | 其他1. | Riedel, Michael(2000)。Charlie Brown and the Great Nonwhite Way,http://members.tripod.com/Dianaland/rent/yagmcb/htm, 2000/02/10。 | 圖書論文1. | 陳榮華(1996)。《走向語言之途》導讀。走向語言之途。台北:時報文化。 延伸查詢 | 2. | Abbott, H. Porter(2004)。Narrative。Samuel Beckett Studies。London:Palgrave MacMillan。 | 3. | Almansi, Guido(1981)。Harold Pinter's Idioms of Lies。Contemporaiy English Drama。London:Edward Arnold。 | 4. | Bakhtin, M. M.(1987)。Discourse in the Novel。The Dialogic Imagination: Four Essays.。Austin:U of Texas Press。 | 5. | Bakhtin, M. M.(1986)。Toward a Methodology for Human Sciences。Speech Genres and Other Late Essays。Austin:U of Texas Press。 | 6. | Blumberg, Marcia(1988)。Eloquent Stammering in the Frog: O'Neill's Heritage in Mamet。Perspectives on O'Neill: New Essays。U of Victoria。 | 7. | Brookhouse, Christopher(1988)。Story Itself。Sam Shepard: A Casebook。New York:Garland Publishing, Inc.。 | 8. | Bryant-Beitail, Sarah(1988)。The Tower of Babel: Space and Movement in The Ghost Sonata。Strindbergs Dramaturgy。Minneapolis:U of Minnesota。 | 9. | Chekhov, Anton(1979)。The Cherry Orchard。Chekhov Plays。London:Penguin Books。 | 10. | Chekhov, Anton(1979)。Sea Gull。Chekhov Plays。London:Penguin Books。 | 11. | Cohn, Ruby(1990)。Introduction。Around the absurd。Ann Arbor:U of Michigan Press。 | 12. | Combs, James E.、Mansfield, Michael W.(1976)。Preface。Drama in Life: The Uses of Communication in Society。New York:Hastings House。 | 13. | Esslin, Martin(1991)。A Hole Tom in a Paper Sky。A Companion to Pirandello Studies。New York:Greenwood Press。 | 14. | Freytag, Gustav(1974)。Technique of the Drama。Dramatic Theories and Criticism: Greeks to Grotowski。New York:Holt, Rinehart and Winston。 | 15. | Frye, Joanne S.(1996)。Literary Form, and a Feminist Poetics of the Novel。Essentials of the Theory of Fiction。Durham:Duke University Press。 | 16. | Fuchs, Elinor(1988)。Strindberg ‘Our Contemporary': Constructing and Deconstructing To Damascus。Strindberg s Dramaturgy。Minneapolis:U of Minnesota P。 | 17. | Harbennas, Jurgen(1991)。Is Universal Pragmatics?"。Communication and the Evolution of Society。Cambridge:Polity Press。 | 18. | Derrida, Jacques(1978)。The Theatre of Cruelty and the Closure of Representation。Writing and Difference。London, Henley。 | 19. | Faucault, M.(1980)。Body/ Power。Power/Knowledge: Selected Interviews and Other Writings, 1972-1977。New York, NY:Pantheon Books。 | 20. | Ibsen, Henrik(1989)。A Doll’s House。Henrik Ibsen Plays。London:Methuen Drama。 | 21. | Ionesco, Eugene(1958)。The Bald Soprano。Eugene Ionesco: Four Plays。New York:Grove Press。 | 22. | Ionesco, Eugene(1964)。Experience of the Theatre。Notes and Counter Notes: Writings on the Theatre。New York:Grove Press。 | 23. | Ionesco, Eugene(1964)。The Playwright's Role。Notes and Counter Notes: Writings on the Theatre。New York:Grove Press。 | 24. | Ionesco, Eugene(1964)。Tragedy of Language。Notes and Counter Notes: Writings On the Theatre。New York:Grove Press。 | 25. | Karnick, Manfred(1988)。Strindberg and the Tradition of Modernity: Structure of Drama and Experience。Strindberg's Dramaturgy。Minneapolis:U of Minnesota Press。 | 26. | Lyons, Charles R.(1990)。Beckett, Shakespeare, and the Making of Theory。The Absurd: Essays on Modern and Postmodern Drama。Ann Arbor:U of Michigan Press。 | 27. | Maeterlink, Maurice、Block, Haskell M.(1985)。The Intruder。Masters of Modern Drama。New York:Random House。 | 28. | Maeterlink, Maurice(1974)。Tragical in Daily Life。Dramatic Theory and Criticism: Greeks to Grotowski。New York:Holt, Rinehart and Winston, Inc.。 | 29. | McFarlane, James(1979)。Ronald Gray’s Ibsen-A Dissenting View。Drama and Society。Cambridge:Cambridge UP。 | 30. | Miller, Arthur(1981)。Death of a Salesman。Arthur Miller: Eight Plays。New York:Nelson Doubleday。 | 31. | Narveson, Jan(1995)。Politics, Ethics, and Political Correctness。Political Correctness: For and Against。Maryland:Rowman and Littlefield。 | 32. | Natanson, Maurice(1976)。Man As Actor。Drama in Life: The Uses of Comnnmication in Society。New York:Hastings House。 | 33. | Nightingale, Benedict(1990)。Harold Pinter/Politics。Around the Absurd: Essays on Modern and Postmodern Drama。Ann Arbor:U of Michigan Press。 | 34. | O'Neill, Eugene(1972)。Anna Christie。Eugene O'Neil。New York:Vintage Books。 | 35. | O'Neill, Eugene(1972)。Hairy Ape。Eugene O'Neil。New York:Vintage Books。 | 36. | Pechey, Graham(1991)。On the Borders of Bakhtin: Dialogisation, Decolonization。Bakhtin and Cultural Theory。Manchester:Manchester UP。 | 37. | Perry, Ruth(1992)。A Short History of the Term Politically Correct。Beyond PC: Toward a Politics of Understanding。St. Paul:Garywolf。 | 38. | Piette, Alain(1995)。The Devil’s Advocate: David Mamet’s Oleanna and Political Correctness。Staging Difference: Cultural Plutalism in American Theatre and Drama。New York:Peter Lang。 | 39. | Pinter, Harold(1976)。The Birthday Party。Complete Works。New York:Grove Press。 | 40. | Pinter, Harold(1978)。The Houmecoming。Harold Pinter Plays。London:The Master Playwrights。 | 41. | Pinter, Harold(1976)。Introduction。Complete Works。New York:Grove Press。 | 42. | Pirandello, Luigi(1952)。Six Characters in Search of an Author。Five Plays by Luigi Pirandello。New York:E. P. Dutton and Co.。 | 43. | Rabillard, Sheila(1993)。Shepard’s Challenge to the Modernist Myths of Origin and Originality: Angel City and True West。Rereading Shepard: Contemporary Critical Essays on the Plays of Sam Shepard。London:MacMillan Press。 | 44. | Rabinowitz, Peter J.(1989)。End Sinister。Reading Narrative: Form, Ethics, Ideology。Columbus:Ohio Stage UP。 | 45. | Rokem, Freddie(1988)。The Camera and the Aesthetics of Repetition。Strindbergs Dramaturgy。Minneapolis:U of Minnesota Press。 | 46. | Senelick, Laurence(1997)。Chekhov and the Bubble Reputation。Chekhov Then and Now: The Peception of Chekhov in World Culture。New York:Peter Lang Publishing。 | 47. | Shepard, Sam(1981)。True West。Sam Shepard: Seven Plays。New York:Bantam。 | 48. | Strindberg, August(1955)。Author’s Forward。Six Plays of Strindberg。New York:Doubleday Anchor Books。 | 49. | Strindberg, August(1955)。The Ghost Sonata。Six Plays of Strindberg。New York:Doubleday Anchor Books。 | 50. | Strindberg, August(1955)。Miss Julie。Six Plays of Strindberg。New York:Doubleday Anchor Books。 | 51. | Wasserman, Julian N.(1987)。The Idea of Language in the Plays of Eadward Albee。Edward Albee。New York:Chelsea House Publishers。 | 52. | Wills, Clair(1989)。Upsetting the Public: Carnival, Hysteria and Women’s Texts。Bakhtin and Cultural Theory。Manchester:Manchester UP。 | 53. | Zola, Émile(1974)。Naturalism on the Stage。Dramatic Theory and Criticism: Greeks to Grotowski。New York:Holt, Rinehart andWinston, Inc.。 | 54. | Benjamin, Walter、Zohn, Harry(1968)。The Storyteller: Reflectons on the Works on Nikolai Leskov。Illuminations。New York:Schocken Books。 | 55. | Jameson, Fredric(1993)。Postmodernism, or The Cultural Logic of Late Capitalism。Postmodernism: A Reader。New York:Harvester。 | 56. | Owens, C.(1984)。The Allegorical Impulse: Toward a Theory of Postmodernism。Art after Modernism: Rethinking Representation。New York, NY:New Museum of Contemporary Art。 | 57. | Bentley, Eric(1991)。Interview with John DiGaetani。A Search for a Postmodern Theatre。New York:Greenwood Press。 | 58. | Culler, Jonathan D.(1992)。In Defence of Interpretation。Interpretation and Overinterpretation。New York:Cambridge University Press。 | 59. | Hardy, Barbara(1977)。An Approach through Narrative。Toeards a Poetics of Fiction。Bloomington:Indiana UP。 | 60. | Esslin, Martin(1987)。Language and Silence。Harold Pinter。New York:Chelsea House Publishers。 | 61. | Kojeve, Alexandre(1986)。Introduction to the Reading of Hegel。Deconstruction in Context。Chicago:U of Chicago Press。 | 62. | Esslin, Martin(1980)。Ibsen and Modern Drama。Ibsen and the Theatre: The Dramatist in Production。New York:New York UP。 | 63. | Hirshckop, Ken(1989)。[Bakhtin and Cultural Theory]Introduction。Bakhtin and Cultural Theory。Manchester:Manchester University Press。 | 64. | Friedman, Marilyn(1995)。Codes, Canons, Correctness, and Feminism。Political Correctness: For and Against。Maryland:Rowan and Littlefield Publishers。 | 65. | 張小虹(2000)。女同志理論:性/別與性慾取向。女性主義理論與流派。臺北:女書文化。 延伸查詢 | 66. | Kleb, William(1981)。Worse Than Being Homeless: True West and the Divided Self。American Dreams: The Imagination of Sam Shepard。New York:PAJ Publications。 | |