In Blue sky White Sun Flag and The Man from ShanTou, Long Ing-Jhong reflected the joyful scenes of Taiwan society liberated from the colonial rules, and depicts the emotions of Taiwanese people at the retrocession. The joy of retrocession described in the novel coincides with the ecstasy prevailed island wide at that time. However, due to Taiwan's special historical background, the novel also conceals loss and bewilderment at the political transition while the fictional characters tried desperately to shed the colonial past. Reviewing Long's novels from pre-war to post-war, we can also sense the difficulty in seeking the social approval as well as the problems in identity itself. The author unfolds the chaotic psychological conditions in the novel at the end of war. This emotional turmoil helps us understand the mindset of intellectuals in Taiwan as they ushered in a new epoch from the Japanese colonial era.