| 期刊論文| 1. | Fong, Wen(1959)。Sparrow on an Apple Branch' by Ch'ien Hsuan。Record of the Art Museum，19，17-20。   | | 2. | Cahill, James(1958)。Ch'ien Hsuan and His Figure Paintings。Archives of the Chinese Art Society of America，12，16。 | | 3. | Fong, Wen(196009)。The Problem of Ch'ien Hsuan。The Art Bulletin，42(3)，173-189。 | | 4. | Fong, Wen(1963)。Chinese Painting: A Statement of Method。Oriental Art，9(2)，75。 | | 5. | Rowland, Benjamin Jr.(1951)。The Problem of Hui Tsung。Archives of Chinese Art Society of America，5，6。 | | 6. | Fong, Wen(1969)。Toward a Structural Analysis of Chinese Landscape Painting。Art Journal，28(4)，388-397。 | | 7. | Fong, Wen(197108)。How to Understand Chinese Painting?。Proceedings of the American Philosophical Society，4，282-292。 | | 8. | 方聞(19681000)。王翬之集大成。故宮季刊，3(2)，27-30。 延伸查詢 | | 9. | 方聞(1970)。Orthdoxy and Change in Early-Ch'ing Landscape Painting。Oriental Art，16(1)，2-8。 | | 10. | Fong, Wen、Hearn, Maxwell K.(1980)。Silent Poetry: Chinese Paintings in the Douglas Dillon Galleries。Bulletin of the Metropolitan Museum of Art，39(3)，7。 | | 11. | 方聞、邱琳婷。中國繪畫何以是歷史。當代，192，50-96。 延伸查詢 | | 12. | 方聞(19680100)。董其昌與正宗派繪畫理論。故宮季刊，2(3)，1-18+左1-左26+左26_1-左26_9。 延伸查詢 | 會議論文| 1. | Yu, Ying-shih(1991)。Clio's New Cultural Turn and the Rediscovery of Tradition in Asia。Keynote Address, International Association of Historians of Asia, Twelfth Conference，(會議日期: 1991/06/24-06/28)。University of Hong Kong。 | 圖書| 1. | Fong, Wen、Fu, Marilyn(1973)。Sung and Yuan Painting。New York：The Metropolitan Museum of Art。 | | 2. | Fong, Wen(1975)。Summer Mountains。 | | 3. | Fong, Wen(1976)。Returning Home: Tao-chi's Album of Flowers and Landscapes。New York：George Braziller。 | | 4. | Fong, Wen C.(2001)。Between Two Cultures。New York：The Metropolitan Museum of Art。 | | 5. | 鄭拙廬。石濤研究。 延伸查詢 | | 6. | Lee, Sherman E.、Fong, Wen(1967)。Streams and Mountains Without End。Ascona：Artibus Asiae Supplementum。 | | 7. | Rowland, Benjamin Jr.(1951)。Masterpieces of Chinese Bird and Flower Painting。Fogg Art Museum。 | | 8. | Kubler, George(1962)。The Shape of Time。London：New Haven：Yale University Press。 | | 9. | Foster, Hal(1988)。Vision and Visuality。New York：The New Press。 | | 10. | Needham, Joseph、Ling, Wang(1956)。History of Scientific Thought。Cambridge：Cambridge University Press。 | | 11. | Hall, David L.、Ames, Roger T.。Anticipating China : thinking through the narratives of Chinese and Western culture。 | | 12. | Gombrich, E. H.。Art and Illusion。 | | 13. | Fairbank, John F.(1987)。The People's Republic, 1949-1965。Cambridge：Cambridge University Press。 | | 14. | Skinner, Quentin(1978)。Foundations of Modern Political Thought。New York：Cambridge：Cambridge University Press。 | | 15. | Yu, Ying-shih(1996)。Xiandai Ruxuelun: On Contemporary Philosophy of Confucianism。River Edge, NJ：Global Publishing Co.。 | | 16. | 方聞。超越再現。 延伸查詢 | | 17. | Foucault, Michel、Howard, R.(1973)。The Order of Things: An Archaeology of the Human Sciences。New York：Vintage/Random House。 | | 18. | 余英時(2003)。朱熹的歷史世界：宋代士大夫政治文化的研究。允晨文化實業股份有限公司。 延伸查詢 | | 19. | 余英時(1996)。現代儒學論。八方文化企業公司。 延伸查詢 | | 20. | Graham, Angus Charles(1989)。Disputers of the Tao: Philosophical Argument in Ancient China。Open Court Publishing Company。 | 其他| 1. | Thomas, Keith(20050526)。Politics: Looking for Liberty。 | 圖書論文| 1. | Schapiro, Meyer(1953)。Style。A Modern Book of Esthetics。University of Washington。 | | 2. | Fong, Wen(1976)。Archaism as a 'Primitive Style'。Artists and Traditions: Uses of the Past in Chinese Culture。Princeton：Princeton University Press。 | | 3. | 方聞(1969)。Addendum: Wang Hui, Wang Yuan-ch'i, and Wu Li。In Pursuit of Antiquity: Chinese Paintings of the Ming and Ch'ing Dynasties from the Collection of Mr. and Mrs. Earl Morse。Princeton, NJ：Art Museum, Princeton University。 | | 4. | Fong, Wen(1996)。Chinese Art and Cross-Cultural Understanding。Possessing the Past。New York：The Metropolitan Museum of Art。 | | 5. | Fong, Wen(1999)。Chinese Calligraphy: Theory and History。The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection。Princeton, NJ：Art Museum, Princeton University。 | |