本研究關注在台灣興起的一股真人實境節目還秀風潮，提出兩點作為研究考察：一、「真實」成了當 代電視影像的賣點。二、真實人生成為擬仿機器操作下的符號奇觀。此一弔詭性的發展，正驗證Debor 在1960年代提出奇觀社會的警語之後，「真實」神話與與仿機器正式結合，人們從奇觀社會進入了擬 像社會，突破空間的疆界，將整個世界吸進來。 因此，本研究以《超級星光大道》為例，結合深度訪談 與參與觀察法，從閱聽人角度出發，探討「過度的」意涵，亦即過度的「迷」與過度的「勞動」，並以 此關注《超級星光大道》的閱聽人收看真人實境節目的解讀與詮釋策略，試圖勾勒真人實境節目閱聽人 之面貌，並提出在影像中介的世界裡，「真人實境迷」如何可能成形。

This research focuses on the trend of reality programs which have been gaining popularity recently in Taiwan. And it brings up two points for research and observation. First, the reality programs become one of viewers’ favorite. Second, real life has become an unusual wonder controlled by simulacrum manipulation. This weird development just fit the phenomenon after Debord advocated the epigram of wonder society in 1960s: Truth-myth is combined with simulacrum ,and people enter the simulation society from the wonder society. They break through the boundaries between spaces and suck the whole world in. Therefore, this research is taking a reality program called "millionstar" for example. In-depth interviews and participating- observation method were used to collect data. It is also discussed excessive meanings which represent excessive "fans" and excessive "work".There search concentrates on how viewers read and interpret "millionstar" and demonstrates how the fans of reality programs are formed in the image-intermediary world.