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題名：全球化的「更真實」狂熱：真人實境節目的心理技術
書刊名：新聞學研究
作者：簡妙如 引用關係
作者(外文)：Jian, Miao-ju
出版日期：2008
卷期：94
頁次：頁1-60
主題關鍵詞：心理技術；真人實境電視；媒體科技；觀眾研究；Psychotechnology；Reality TV；Media technology；Audience research
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(10) 博士論文(2) 專書(2) 專書論文(1)
  • 排除自我引用排除自我引用:9
  • 共同引用共同引用:191
  • 點閱點閱:343
真人實境節目（reality TV）的全球化崛起，展現出一股以追求「更真實」為核心的電視狂熱。本文由名為「心理技術」（psychotechnology）的論點出發，探究真人秀節目所追求的「真實」與觀眾之間所具有的科技與主體的互相形塑關係。一方面，真人秀節目追求的，其實是比真實有更多技術確認的，更可無中介地參與奇觀現場的更真實。而同時，真人秀觀眾也突顯出一種技術閱聽人的新主體性，是由媒體所中介的科技體現，以及結合媒體素養與集體智能等技術能力，來回應、介入真人秀節目的真實宣稱。另一方面，台灣觀眾對於外來真人秀節目的接收，也展現出電子媒體影像對於社會真實空間的反轉。原本更陌生的、不真實的異國真人秀，卻弔詭地在本地觀眾心中取得更為真實的地位。
Reality-based television has emerged as a global TV genre which represents a distinctive passion for ‘the more real’. Following an argument from McLuhanian theory names “psychotechnology” which means the co-constructive relationship between media technology and audiences, this article explores the new cultural politics on reality TV in the context of digital and global era. The conclusion indicates that the reality TV audiences are getting rather eager to see a more technologically confirmed and immediately live spectacle, which are considered to be more real. The audiences are also becoming a technologically skilled audience, who embodies the mediated sensibility and possesses all kinds of media literacy and collective intelligence to response and intervene into the reality claim of reality shows. Paradoxically, the local audiences believed that the imported reality shows are far more real than the local ones. This study pointed out that the passion for the more real has reversed the mental distance on the global and local TV reality.
期刊論文
1.唐士哲(20021200)。「現場直播」的美學觀：一個有關電視形式的個案探討。中華傳播學刊，2，111-143。new window  延伸查詢new window
2.Bratich, J. Z.(2006)。Nothing is left alone for too long: Reality programming and control society subjects。Journal of Communication Inquiry，30(1)，65-83。  new window
3.Scannell, P.(2002)。Big Brother as a Television Event。Television & New Media，3(3)，271-282。  new window
4.Corner, J.(2002)。Performing the Real: Documentary Diversions。Television & New Media，3(3)，255-269。  new window
5.Fetveit, A.(1999)。Reality TV in the Digital Era: A Paradox in Visual Culture?。Media, Culture and Society，21(6)，787-804。  new window
6.Hill, A.(2002)。Big brother: The real audience。Television and New Media，3(3)，323-340。  new window
7.Jones, J. M.(2003)。Show Your Real Face: A Fan Study of the UK Big Brother Transmissions (2000, 2001, 2002). Investigating the Boundaries between Notions of Consumers and Producers of Factual Television。New Media and Society，5(3)，400-421。  new window
8.Andrejevic, M.(2002)。The kinder, gentler gaze of Big Brother: Reality TV in the era of digital capitalism。New Media and Society，4(2)，251-270。  new window
9.王泰俐(20041000)。電視新聞節目「感官主義」之初探研究。新聞學研究，81，1-41。new window  延伸查詢new window
10.魏玓(19990700)。全球化脈絡下的閱聽人研究--理論的檢視與批判。新聞學研究，60，93-114。new window  延伸查詢new window
11.郭宏恬(2004)。臺灣綜藝節目現象談－訪問政大廣電系關尚仁副教授。媒體識讀教育月刊，33。  延伸查詢new window
12.Corner, J.(2000)。What Can We Say about "Documentary"?。Media, Culture and Society，22，681-668。  new window
13.Grossman, B.(2005)。Bad Boys = Big Money。Broadcasting & Cable，135。  new window
14.Alasuutari, P.(1992)。"I'm Ashamed to Admit It but I Have Watched Dallas": The Moral Hierarchy of TV Programmes。Media, Culture & Society，14(4)，561-582。  new window
15.Jimroglou, K. M.(1999)。A Camera with a View: JenniCAM, Visual Representation, and Cyborg Subjectivity。Information, Communication & Society，2(4)，439-453。  new window
16.Van Zoonen, L.(2001)。Desire and Rsistance: Big Brother and the Recognition of Everyday Life。Media, Culture and Society，23(1)，669-677。  new window
17.Pecora, V. P.(2002)。The Culture of Surveillance。Qualitative Sociology，25(3)，345-358。  new window
18.Chang, W. Y.(2005)。Online Civic Participation, and Political Empowerment: Online Media and Public Opinion Formation in Korea。Media, Culture & Society，27(6)，925-935。  new window
19.Couldry, N.(2002)。Playing for Celebrity: Big Brother as Ritual Event。Television & New Media，3(3)，283-293。  new window
20.Nabi, R. L.、Biely, E. N.、Morgan, S. J.、Stitt, C. R.(2003)。Reality-based Television Programming and the Psychology of Its Appeal。Media Psychology，5(4)，303-330。  new window
會議論文
1.簡妙如(2006)。觀看與被觀看：臺灣真人秀的慾望監控、螢幕機體與偽裝後現代。0。new window  延伸查詢new window
學位論文
1.鄭百雅(2007)。再探當代社會自戀意涵--從美妝部落格談起(碩士論文)。國立中正大學。  延伸查詢new window
2.鄭國威(2007)。閱聽人2.0--部落客來了(碩士論文)。國立中正大學。  延伸查詢new window
3.謝豫琦(2006)。真人實境節目的閱聽人解讀策略--以日本節目《戀愛巴士》的台灣閱聽人為例(碩士論文)。國立政治大學。  延伸查詢new window
4.何虹毅(2007)。We Are Superstar－音樂體感遊戲的地景、社群與閱聽人愉悅，0。  延伸查詢new window
圖書
1.Abercrombie, N.、Longhurst, B.(1998)。Audiences: A sociology theory of performance and imagination。Thousand Oaks, CA：Sage。  new window
2.Zizek, Slavoj、王文姿(2006)。歡迎光臨真實荒漠。臺北：麥田。  延伸查詢new window
3.Hill, A.(2005)。Reality TV: Audience and Popular Television。London, UK：Routledge。  new window
4.Dovey, Jon(2000)。Freakshow: First Person Media and Factual Television。Pluto Press。  new window
5.Friedman, J.(2002)。Reality Squared: Televisual Discourse on the Real。New Brunswick, NJ：Rutgers University Press。  new window
6.Andrejevic, M.(2004)。Reality TV: The Work of Being Watched。New York, NY：Rowman & Littlefield Publishers, INC.。  new window
7.Biressi, A.、Nunn, H.(2005)。Reality TV: Realism and Revelation。London, UK/ New York, NY：Wallflower Press。  new window
8.Morley, David(1992)。Television, Audience, and Cultural Studies。London：Routledge。  new window
9.克雷．卡佛特、林惠娸、陳雅汝(2003)。偷窺狂國家：媒體、隱私權及現代文化中的偷窺現象。臺北：商周。  延伸查詢new window
10.蘇蘅(1995)。開放天空下的文化衝擊：臺灣民眾收看外國節目研究報告。臺北：電視文化研究委員會。  延伸查詢new window
11.Jenkins, H.(2006)。Convergence culture: Here old and new media collide。New York：New York University Press。  new window
12.de Kerckhove, Derrick(1995)。The Skin of Culture: Investigating the New Electronic Reality。Toronto, Ontario：Somerville House。  new window
13.Bolter, Jay David、Grusin, Richard(2000)。Remediation: Understanding New Media。MIT Press。  new window
14.Ang, Ien(1985)。Watching Dallas: Soap Opera and the Melodramatic Imagination。Methuen。  new window
15.McLuhan, Marshall(1964)。Understanding Media: The Extensions of Man。Routledge & Kegan Paul。  new window
16.Giddens, Anthony(1991)。Modernity and Self-Identity: Self and Society in the Late Modern Age。Cambridge：Blackwell Publishers。  new window
17.Winston, Brian(1995)。Claiming the Real: The Documentary Film Revisited。London：British Film Institute Publishing。  new window
18.Leibes, Tamar、Katz, Elihu(1990)。The export of meaning: Cross-cultural readings of Dallas。New York：Oxford University Press。  new window
19.Appadurai, Arjun(1996)。Modernity At Large: Cultural Dimensions of Globalization。University of Minnesota Press。  new window
20.龔卓軍(20060000)。身體部署：梅洛龐蒂與現象學之後。臺北：心靈工坊。new window  延伸查詢new window
21.Ang, I.(1996)。Living room wars: Rethinking media audiences for a postmodern world。Sage。  new window
22.張小虹(20020000)。在百貨公司遇見狼。臺北：聯合文學。new window  延伸查詢new window
23.Mirzoeff, Nicholas(1999)。An Introduction to Visual Culture。Routledge。  new window
24.Baudrillard, J.(1998)。傳播的超脫。反美學。臺北縣新店市。  延伸查詢new window
25.Flitterman-Lewis, S.(1993)。心理分析、電影與電視。電視與當代批評理論。臺北市。  延伸查詢new window
26.Benjamin, W.(1998)。機械複製時代的藝術作品。邁向靈光消逝的年代。臺北。  延伸查詢new window
27.Debord, G.(1967)。Society of the Spectacle。Detroit, MI：Black & red。  new window
28.De Zengotita, T.(2005)。Mediated: How the Media Shapes Your World and the Way We Live in It。Mediated: How the Media Shapes Your World and the Way We Live in It。London, UK/ New York, NY。  new window
29.Corner, J.(1996)。The Art of the Record: A Critical Introduction to Documentary。The Art of the Record: A Critical Introduction to Documentary。Manchester, UK。  new window
30.Mulvey, L.(2003)。Visual Pleasure and Narrative Cinema。The Audience Studies Reader。London, UK。  new window
31.Chaney, D.(1994)。The Cultural Turn: Scene-setting Essays on Contemporary Cultural History。New York, NY：Routledge。  new window
32.Priest, P. J.(1996)。Gilt by Association': Talk Show Participants' Televisually Enhanced Status and Self-esteem。Constructing the Self in a Mediated World。London, UK。  new window
33.Winston, B.(2000)。Lies, Damn Lies and Documentaries。Lies, Damn Lies and Documentaries。Berkeley, CA。  new window
34.Frohne, U.(2002)。Screen Tests: Media Narcissism, Theatricality, and the Internalized Observer。CNTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother。Karlsruhe, Germany。  new window
圖書論文
1.陳世敏(2005)。媒介素養的基本概念。媒介素養概論。臺北市：五南。  延伸查詢new window
 
 
 
 
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