新感覺派作家外化肉眼不可視而潛藏在內心的感覺，通過具體形象的刻書，釋放出心靈的感知，此乃隱喻著心靈視網膜的「心之眼」。然而，當心之眼淪爲耍「心眼」時，便嫁接出城市心病的精神不適應症，使得心、眼、病形成了涉及城市空問與身體的辯證關係，進而勾勒出城市人的心靈圖譜。因此，本文試圖綰合上海象徵身體和小說主人公身體的反動，兩者的視覺、內心感覺共構爲三○年代上海城與人的感覺結構和精神圖像。

Shanghai new Sensibility writers showed the mental feelings which the naked eyes could not see by portraying specific images. Showing spiritual awareness was metaphor of mental vision. However, when mental vision degenerated into plays tricks with citizens, it was concerned about mental disorder in Shanghai. In this way, mentality, visual, illness formed dialectic of Shanghai space and the lead's body, sketching mental map of city people. Consequently, this paper combined symbolic body of Shanghai and the lead's body in order to construct structure of feeling about Shanghai city and people in the 30's.