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題名:論《西遊補》之寓意及其寫作藝術
書刊名:修平人文社會學報
作者:翁小芬 引用關係
作者(外文):Wen, Hsiao-fen
出版日期:2013
卷期:20
頁次:頁47-81
主題關鍵詞:西遊補寓意寫作藝術寓言小說Supplement to Journey to the WestImplied meaningArt of writingAllegorical novel
原始連結:連回原系統網址new window
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  • 共同引用共同引用:162
  • 點閱點閱:50
明末《西遊補》,共十六回,董說所著。書穿插於《西遊記》第六十一回與第六十二回之間。描寫鯖魚精獨迷孫行者,引孫行者進入腹內,孫行者在歷經「三界六夢」之後,被虛空主人喚醒,方知一切皆為幻境,是因自己迷了本性所致,遂出鯖魚精腹並殺害之,而後唐僧師徒繼續前往西天取經而去。整部小說歷經「三界六夢」,夢中有許多現實世界的縮影,變化倏忽,幻真莫辨,饒富趣味。 書中寓意濃厚,寫作藝術亦別具特色,故本文主要探討《西遊補》豐富之寓意及其寫作藝術,並分析該書具有「破情悟空」、「諷刺政治」、「諷世儒」之寓意。在寫作藝術方面,具有豐富的修辭寫作技法;內容創作上,則角色多樣,充滿奇幻想像超現實性及生動詼諧幽默之藝術效果。
“Supplement to Journey to the West” was written by Dong Shuo at the end of Ming Dynasty, and there are 16 chapters in total. The book inserts and interweaves between Chapter 61 and Chapter 61 of “Journey to the West,” describing that the Mackerel Demon had a crush on the Monkey King, and tempted him to enter her abdomen; after experiencing “three worlds and six dreams,” the Monkey King was awakened by Master Hollowness, and not until then did he know that everything was illusion, and that it was caused by his going astray and forgetting his real nature; therefore, he went out of the Mackerel Demon’s belly and killed her, and then the Tang Monk and his disciples went on the journey to the West. The entire fiction goes through “three worlds and six dreams;” there are many miniatures of the real world in the dreams that change swiftly, that people can’t tell its being real or unreal, and that are very interesting. There is deep implied meaning in the book, and its art of writing has special features. Hence, the research mainly explored the implied meaning of “Supplement to Journey to the West” and its art of writing, and analyzed the book’s implied meaning of “seeing through the affection and realizing emptiness,” “satirizing the politics,” “satirizing the common intellectuals.” In its writing art, it has profuse rhetorical and writing techniques; as for the literary creation in content, there are diversified roles, and it is full of fantasy, imagination, super-reality, and vivid, comical and humorous artistic effects.
期刊論文
1.陳惠琴(19880730)。善取善創,別開生面--《西遊記》續書略論。明清小說研究,1988(3)。  延伸查詢new window
2.曾永義(19790900)。董說的「鯖魚世界」--略論西遊補的結構、主題和技巧。中外文學,8(4),18-30。new window  延伸查詢new window
3.林佩芬(19770600)。董若雨的〈西遊補〉。幼獅文藝,45(6),215-219。  延伸查詢new window
4.高辛勇(19840100)。「西遊補」與敘述理論。中外文學,12(8)=140,5-23。new window  延伸查詢new window
5.童瓊(2001)。從「眞假猴王」到「鯖魚世界」--《西遊補》寓意淺論。中國文學研究,1,51-55。  延伸查詢new window
學位論文
1.張家仁(2001)。《西遊記》與三種續書之比較研究(碩士論文)。中國文化大學。  延伸查詢new window
2.黃芬絹(2005)。董說西遊補新論(碩士論文)。國立臺灣師範大學。  延伸查詢new window
3.葉有林(2000)。明代神魔小說中的法術研究(碩士論文)。中國文化大學。  延伸查詢new window
4.林景隆(2000)。西遊記續書審美敘事藝術研究(碩士論文)。國立中山大學。  延伸查詢new window
5.蔣建智(2001)。兒童故事中的隱喻框架和概念整合:哲學與認知的關係(碩士論文)。國立中正大學。  延伸查詢new window
圖書
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2.楊家駱(198312)。中國通俗小說名第一集。台北:世界書局。  延伸查詢new window
3.《幼獅月刊》編輯委員會(1988)。中國古典小說論集。台北:幼獅文化事業公司。  延伸查詢new window
4.劉大杰(19920620)。中國文學史。台北:漢京文化事業有限公司。  延伸查詢new window
5.(199406)。叢書集成續編。上海:上海書店。  延伸查詢new window
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7.新文豐編輯部(1999)。叢書集成三編。新文豐出版股份有限公司。  延伸查詢new window
8.朱一玄、劉毓忱(2002)。《西遊記》資料彙編。天津市:南開大學出版社。  延伸查詢new window
9.魯迅(2005)。中國小說史略。上海:上海文化出版社。  延伸查詢new window
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15.董說、楊家駱(1983)。西遊補。世界書局。  延伸查詢new window
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17.劉燕萍(2006)。古典小說論稿:神話‧心理‧怪誕。臺北:臺灣商務印書館。  延伸查詢new window
18.曾永義(1980)。說俗文學。聯經出版事業股份有限公司。  延伸查詢new window
19.黃慶萱(1975)。修辭學。臺北:三民書局。  延伸查詢new window
20.龔鵬程(20030000)。中國小說史論。臺北:臺灣學生。new window  延伸查詢new window
21.蔣瑞藻、江竹虛(1984)。小說考證。上海古籍出版社。  延伸查詢new window
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23.姚一葦(19780000)。美的範疇論。臺北:臺灣開明書店。new window  延伸查詢new window
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