期刊論文1. | Apter, Emily(1997)。Just Because You're a Man: Maternal Fetishism, Mike Kelley, Mary Kelly, and Sally Mann。The Magazine of Women’s Art,75,3-8。 |
2. | Armstrong, Carol(1994)。Florence Henri: A Photographic Series of 1928: Mirror, Mirror on the Wall。History of Photography,18(3),223-229。 |
3. | Bak, Robert(1974)。Distortions in the Concept of Fetishism。The Psychoanalytic Study of the Child,29,292。 |
4. | Bal, Mieke, and、Bryson, Norman(1991)。Semiotics and Art Histoiy。Art Bulletin,73(2),174-208。 |
5. | Ball, Edward(1989)。‘The Beautiful Language of My Century’: From the Situationists to the Simulationists。Arts Magazine,65,65-72。 |
6. | Blessing, Jennifer(1992)。Resisting Determination: An Introduction to the Work of Claude Cahun, Surrealist Artist and Writer。Found Object,1(1),68-78。 |
7. | Bonitzer, Pascal、Ziolkowski, Fabrice(1981)。Partial Vision: Film and Labyrinth。Wide Angle,4(4),56-64。 |
8. | Brittain, David(1991)。Cindy Sherman Interviewed: True Confessions。Creative Camera,308,34-38。 |
9. | Bruno, Giuliana(1989)。untitled entry。Camera Obscura,20/21,28-40。 |
10. | Caillois, Roger、Shepley, John(1984)。Mimicry and Legendary Psychasthenia。October,31,17-32。 |
11. | Cowie, Elizabeth(1989)。untitled entry。camera Obscura,20/21,127-32。 |
12. | Dawkins, Heather(1987)。The Diaries and Photographs of Hannah Cullwick。Art History,10(2),154-87。 |
13. | Dean, Carolyn J.(1996)。Claude Cahun's Double。Yale French Studies,90,71-92。 |
14. | Deepwell, Katy(1995)。Uncanny Resemblances。Women's Art Magazine,62,17-19。 |
15. | Foster, Hal(1986)。L’Amour faux。Art in America,74,116-29。 |
16. | Foster, Hal(1991)。Armor Fou。October,56,65-97。 |
17. | Frascella, Larry(1986)。Cindy Sherman’s Tales of Terror。Aperture,103,48-53。 |
18. | Freud, Sigmund、Rose, Louis(1988)。Freud and Fetishism: Previously Unpublished Minutes of the Vienna Psychoanalytic Society。Psychoanalytic Quarterly,57,159。 |
19. | Fuku, Noriko(1997)。A Woman of Parts。Art in America,85,74-81。 |
20. | Greenberg, Emily B.(1994)。Cindy Sherman and the Female Grotesque。Art Criticism,9(2),49-55。 |
21. | Holborn, Mark(1984)。Color Codes。Aperture,96,8-15。 |
22. | Howell, George(1995)。Anatomy of an Artist Artist。Art Papers,19(4),2-7。 |
23. | Iversen, Margaret(1988)。Fashioning Feminine Identity。Art International,2,52-57。 |
24. | Johnson, Ken(1987)。Cindy Sherman and the Anti-Self: An Interpretation of Her Imagery。Arts Magazine,62,47-53。 |
25. | Kissel, Howard(1987)。The Ego Has Landed。The Daily News,10,61。 |
26. | Koestenbaum, Wayne。Fall Gals。Artforum,39(1),148-151。 |
27. | Krauss, Rosalind E.(1985)。Corpus Delicti。October,33,31-72。 |
28. | Krauss, Rosalind E.(1993)。Cindy Sherman’s Gravity: A Critical Fable。Artforum International,32,162-164。 |
29. | Lasalle, Honor、Solomon-Godeau, Abigail(1992)。Surrealist Confession: Claude Cahun's Photomontages。Afterimage,19(8),10-13。 |
30. | Lichtenstein, Therese(1992)。A Mutable Mirror: Claude Cahun。Artforum,30(8),64-67。 |
31. | Lieberman, Rhonda(1993)。Glamorous Jewesses。Artforum,31,5-6。 |
32. | Liu, Jui-Ch’i(2004)。Francesca Woodman’s Self--Images: Transforming Bodies in the Space of Femininity。Woman's Art Journal,25(1),26-31。 |
33. | Lust, Herbert(1990)。For Women Are Endless Forms: Hans Bellmer's Dark Art。Sulfur,26,37。 |
34. | Menard, Andrew(1994)。Cindy Sherman: The Cyborg Disrobes。Art Criticism,9,38-48。 |
35. | Mitchell, Dolores(1991)。The ‘New Woman’ as Prometheus: Women Artists Depict Women Smoking。Woman’s Art Journal,12(1),3-9。 |
36. | Mulvey, Laura(1991)。A Phantasmagoria of the Female Body: The Work of Cindy Sherman。New Left Review,188,136-150。 |
37. | Murray, Timothy(1976)。A Marvelous Guide to Anamorphosis: Cendrillon ou la petite pantoufle de verre。Modern Language Notes,91(6),1276-95。 |
38. | Muschamp, Herbert(1997)。Knowing Looks。Artforum International,35,106-111。 |
39. | Newton, Esther(1984)。The Mythic Mannish Lesbian: Radclyffe Hall and the New Woman。Journal of Women in Culture and Society,9(4),557-75。 |
40. | Pollack, Barbara(1999)。The 10 Best Living Artists。Art News,98,137-147。 |
41. | Schor, Mira(1989)。From Liberation to Lack。Heresies,24,15-21。 |
42. | Solomon-Godeau, Abigail(1991)。Suitable for Framing: The Critical Recasting of Cindy Sherman。Parkett,29,112-15。 |
43. | Taylor, Paul(1985)。Cindy Sherman。Flash Art,10/11,78-79。 |
44. | Williamson, Judith(1983)。Images of ‘Woman’: The Photographs of Cindy Sherman。Screen,24(6),102-116。 |
45. | 劉瑞琪(200209)。簡介女性主義視覺文化研究的新興領域--女性攝影家研究。婦女與性別研究通訊,64,42-43。 延伸查詢 |
46. | Buchloh, Benjamin(1982)。Allegorical Procedures: Appropriation and Montage in Contemporary Alt。Artforum,21,43-56。 |
47. | Phelan, Peggy(2002)。Francesca Woodman’s Photography: Death and the Image One More Time。Journal of Women in Culture and Society,27(4),979-1004。 |
48. | 劉瑞琪(20011100)。變幻不居的鏡像:猶太同女攝影家克勞德.卡恩的自拍像。臺大文史哲學報,55,165-212。 延伸查詢 |
49. | 劉瑞琪(20000600)。女性主義藝術史研究方法論。近代中國婦女史研究,8,195-235。 延伸查詢 |
50. | 王雅各(19980400)。身體:女性主義視覺藝術在再現上的終極矛盾。婦女與兩性學刊,9,1-54。 延伸查詢 |
51. | Doane, Mary Ann(1982)。Film and the Masquerade: Theorising the Female Spectator。Screen,23(3/4),74-88。 |
52. | 劉瑞琪(20031200)。扮裝、變體與假面:辛蒂.雪曼的詭態諧擬。中外文學,32(7)=379,65-99。 延伸查詢 |
53. | Hutcheon, Linda、沈富源(19950700)。後現代主義與諸女性主義。中外文學,24(2)=278,42-66。 延伸查詢 |
54. | 劉瑞琪(20030500)。迫切地追尋女性觀者:辛蒂.雪曼的《無題電影停格》系列。女學學誌:婦女與性別研究,15,153-194。 延伸查詢 |
圖書1. | Amelia Jones、Andrew Stephenson(1999)。Performing the Body-Performing the Text。New York:Routledge。 |
2. | Betterton, Rosemary(1996)。An Intimate Distance: Women,artists and the body。London:Routledge。 |
3. | Broude, Norma、Garrard, Mary D.(1994)。The Power of Feminist Art: The American Movement of the 1970s, History and Impact。New York:Harry N. Abrams。 |
4. | Doane, M. A.(1991)。Femme Fatales: Feminism, Film Theory, Psychoanalysis。New York:Routledge。 |
5. | De Man, P.、Warminski, Andrzej(1996)。Aesthetic ideology。Minneapolis:University of Minnesota Press。 |
6. | Debord, G.(1995)。The society of spectacle。New York, NY:Zone Books。 |
7. | Pollock, Griselda(1988)。Vision & Difference: Femininity, Feminism and the Histories of Art。New York:Routledge。 |
8. | Lavin, Maud(1993)。Cut with the kitchen knife: the Weimar photomontages of Hannah Höch。New Haven。 |
9. | Bergman, David(1993)。Camp Grounds: Style and Homosexuality。Amherst:University of Massachusetts Press。 |
10. | Broude, Norma、Garrard, Mary D.(1992)。The Expanding Discourse: Feminism and Art History。New York:HarperCollins。 |
11. | Owens, Craig、Bryson, Scott(1992)。Beyond Recognition: Representation, Power, and Culture。University of California Press。 |
12. | Adams, James Luther、Yates, Wilson(1997)。The Grotesque in Art & Literature。Grand Rapids, Michigan:Cambridge, U.K.:William B. Eerdmans。 |
13. | Ades, Dawn(1978)。Dada and Surrealism Reviewed。London:Arts Council of Great Britain。 |
14. | Apraxine, Pierre(2000)。La Divine Comtesse。New Haven:London:Yale University Press。 |
15. | Apter, Emily(1991)。Feminizing the Fetish: Psychoanalysis and Narrative Obsession in Turn--of-the--Century France。Ithaca:London:Cornell University Press。 |
16. | Apter, Emily、Pietz, William(1993)。Fetishism as Cultural Discourse。Ithaca。 |
17. | Bailly, Jean Christophe、Howard, Richard、Morgan, Robert C.(1995)。Dorothea Tanning。New York:George Braziller。 |
18. | Bate, David、Leperlier, François。Mise en Scène。London:Crown Colour Print Ltd.。 |
19. | Battcock, Gregory(1968)。Minimal Art: A Critical Anthology。New York:E. P. Dutton & Co., Inc.。 |
20. | Benjamin, Walter、Zohn, Harry、Arendt, Hannah(1969)。Illumination: Essays and Reflections。New York:Schocken。 |
21. | Benjamin, Walter(1974)。Gesammelte Schriften。Frankfurt am Main:Suhrkamp。 |
22. | Benjamin, Walter、Osborne, John(1977)。The Origin of German Tragic Drama。London:New York:Verso。 |
23. | Intervention, Bi Academic(1997)。The Bisexual Imaginary: Representation, Identity, and Desire。London:Washington House。 |
24. | Blessing, Jennifer(1997)。Rrose Is a Rrose Is a Rrose: Gender Performance in Photography。New York:Guggenheim Museum。 |
25. | Blocker, Jane(1999)。Where Is Ana Mendieta?。Durham and London:Duke University Press。 |
26. | Borzello, Frances(1998)。Seeing Ourselves: Women’s Self--Portraits。London:Thames and Hudson。 |
27. | Boyarin, Daniel(1994)。A Radical Jew: Paul and the Politics of Identity。Berkeley:University of California Press。 |
28. | Boyarin, Jonathan、Boyarin, Daniel(1997)。Jews and Other Differences: The New Jewish Cultural Studies。Minneapolis and London:University of Minnesota Press。 |
29. | Breton, Andr、Howard, Richard(1960)。Nadja。New York:Grove Press。 |
30. | Bright, Deborah(1998)。The Passionate Camera: Photography and Bodies of Desire。New York:Routledge。 |
31. | Bryson, Norman(1990)。Looking at the Overlooked: Four Essays on Still Life Painting。Cambridge, MA:Harvard University Press。 |
32. | Cabanne, Pierre、Padgett, Ron(1971)。Dialogues with Marcel Duchamp。New York:Viking Press。 |
33. | Cahun, Claude(1930)。Aveux non avenus。Paris:Editions du Carrefour。 |
34. | Chadwick, Whitney(1985)。Women Artists and the Surrealist Movement。New York:Thames and Hudson。 |
35. | Chadwick, Whitney(1998)。Mirror Images: Women, Surrealism, and Self-Representation。The MIT Press。 |
36. | Chadwick, Whitney(2000)。Amazons in the Drawing Room: The Art of Romaine Brooks。Berkeley, Los Angeles:London:Chameleon Books Inc.。 |
37. | Chadwick, Whitney、de Courtivron, Isabelle(1993)。Significant Others: Creativity & Intimate Partnership。New York:Thames and Hudson。 |
38. | Chandes, Hervé(1998)。Francesca Woodman。Zurich, Berlin:New York:Scalo。 |
39. | Cruz, Amada、Smith, Elizabeth A. T.、Jones, Amelia(1997)。Cindy Sherman: Retrospective。London:Thames & Hudson。 |
40. | Danto, Arthur C.(1990)。Untitled Film Stills: Cindy Sherman。Munich:Schirmer Mosel New York: Rizzoli。 |
41. | Danto, Arthur C.(1991)。Cindy Sherman: History Portraits。New York:Rizzoli。 |
42. | Davidov, Judith Fryer(1998)。Women’s Camera Work: Self/ Body/ Other in American Visual Culture。Durham:Duke University Press。 |
43. | De Zegher, M. Catherine(1996)。Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine。Cambridge, MA:London:The MIT Press。 |
44. | Derrida, Jacques、Harlow, Barbara(1979)。Spurs/ Éperons。Chicago:London:University of Chicago Press。 |
45. | Diamond, Elin(1996)。Performance and Cultural Politics。London:New York:Routledge。 |
46. | Douglas, Susan J.(1994)。Where the Girls Are: Growing Up Female with the Mass Media。New York:Times Books。 |
47. | Du Pont, Diana C.(1990)。Florence Henri: Artist--Photographer of the Avant--Garde。San Francisco:San Francisco Museum of Modern Art。 |
48. | Felski, Rita(1995)。The Gender of Modernity。Cambridge, MA:London:Harvard University Press。 |
49. | Fer, Briony、Batchelor, David、Wood, Paul(1993)。Realism, Rationalism, Surrealism: Art Between the Wars。Yale University Press。 |
50. | Fletcher, John、Benjamin, Andrew(1990)。Abjection, Melancholia, and Love: The Work of Julia Kristeva。Routledge。 |
51. | Foster, Hal(1993)。Compulsive Beauty。Cambridge, MA:London:The MIT Press。 |
52. | Freud, Sigmund(1955)。The Standard Edition of the Complete Psychological Works of Sigmund Freud。London:Hogarth Press。 |
53. | Frueh, Joanna、Langer, Cassandra L.、Raven, Arlene(1991)。New Feminist Criticism: Art, Identity, Action。New York:Icon Editions。 |
54. | Gabhart, Ann(1986)。Francesca Woodman: Photographic Work。Wellesley, MA:Wellesley College Museum。 |
55. | Gamman, Lorraine、Makinen, Merja(1994)。Female Fetishism: A New Look。London:Lawrence & Wishart Limited。 |
56. | Garber, Marjorie B.(1992)。Vested Interests: Cross--Dressing and Culture Anxiety。New York:London:Routledge。 |
57. | Gilbert, Sandra M.、Gubar, Susan(1989)。No Man's Land: The Place of the Woman Writer in the Twentieth Century。Yale University Press。 |
58. | Gover, Jane C.(1988)。The Positive Image: Women Photographers in Turn of the Century America。Albany:State University of New York Press。 |
59. | Hand, Seán(1989)。The Levinas Reader。Oxford。 |
60. | Heron, Liz、Williams, Val(1996)。Illuminations: Women Writing on Photography from the 1850s to the Present。Durham:Duke University Press。 |
61. | hooks, bell(1995)。Art on My Mind。New York:The New Press。 |
62. | Houser, Craig、Jones, Leslie C.、Taylor, Simon(1993)。Abject Art: Repulsion and Desire in American Art。New York:Whitney Museum of American Alt。 |
63. | Jacob, Mary Jane(1985)。Self--Portraits by Women Artists。Los Angeles:Security Pacific National Bank’s Gallery at the Plaza。 |
64. | Jay, Martin(1993)。Downcast Eyes: The Denigration of Vision in TwentiethCentury French Thought。Berkeley, Los Angeles:London:University and California Press。 |
65. | Jean, Marcel(1991)。Au galop dans le vent。Paris:Editions Jean-Pierre de Monza。 |
66. | Jones, Amelia(1994)。Postmodernism and the En--Gendering of Marcel Duchamp。Cambridge:Cambridge University Press。 |
67. | Jones, Amelia(1998)。Body Art/ Performing the Subject。Minneapolis:London:University of Minnesota Press。 |
68. | Jones, Amelia、Warr, Tracey(2000)。The Artist's Body。London:Phaidon Press Limited。 |
69. | Kaplan, E. Ann(1998)。Women in Film Noir: New Edition。London:British Film Institute。 |
70. | Kaplan, E. Ann(2000)。Feminism and Film。New York:Oxford University Press。 |
71. | Kaplan, Janet A.(1988)。Unexpected Journeys: The Art and Life of Remedios Varo。New York:Abbeville Press。 |
72. | Kelly, Mary(1996)。Imaging Desire。Cambridge MA:London:The MIT Press。 |
73. | Krauss, Rosalind E.(1993)。Cindy Sherman, 1975-1993。New York:Rizzoli。 |
74. | Krauss, Rosalind E.(1998)。Bachelors。Cambridge, MA and London:The MIT Press。 |
75. | Krauss, Rosalind E.、Livingston, Jane(1985)。L’Amour fou。Washington D.C. and New York:The Corcoran Gallery of Art and Abbervill Press。 |
76. | Krauss, Rosalind E.、Bois, Yve-Alain(1997)。Formless: A User's Guide。New York:Zone Books。 |
77. | Leperlier, François(1992)。Claude Cahun, l’écart et la métamorphose。Paris:Jean-Michel Place。 |
78. | Leperlier, François(1995)。Claude Cahun, 1894-1954。Paris:Jean Michel Place。 |
79. | Levinas, Emmanuel(1987)。Autrement que savoir。Paris:Osiris。 |
80. | Makela, Maria、Boswell, Peter(1997)。The Photomontages of Hannah Höch。Minneapolis:Walker Art Center。 |
81. | Marks, Elaine、De Cortivron, Isabelle(1980)。New French Feminisms: An Anthology。Amherst:University of Massachusetts Press。 |
82. | Mavor, Carol(1995)。Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs。Durham:Duke University Press。 |
83. | Mavor, Carol(1999)。Becoming: The Photographs of Clementina, Viscountess Hawarden。Durham:London:Duke University Press。 |
84. | Mitchell, Juliet(1984)。Women, the Longest Revolution: Essays in Feminism, Literature, and Psycho--analysis。London:Virago。 |
85. | Mitchell, Juliet、Rose, Jacqueline、Lacan, Jacque(1985)。Feminine Sexuality。New York:W. W. Norton & Company。 |
86. | Modleski, Tania(1988)。The Women Who Knew Too Much: Hitchcock and Feminist Theory。New York:London:Routledge。 |
87. | Mora, Gilles(1996)。Photo Speak: A Guide to the Ideas, Movements, and Techniques of Photography, 1839 to the Present。New York:Paris:London:Abbeville Press。 |
88. | Nairne, Sandy(1987)。The State of the Art: Ideas and Images in the 1980s。London:Chatto & Windus。 |
89. | Naumann, Francis M.(1994)。New York Dada 1915-23。New York:Harry N. Abrams, Inc.。 |
90. | Naumann, Francis M.、Venn, Beth(1996)。Making Mischief: Dada Invades New York。New York:Harry N. Abrams, Inc.。 |
91. | Nead, Lynda(1992)。The Female Nude: Art, Obscenity, and Sexualityd Sexuality (London and。London:New York:Routledge。 |
92. | Newman, Robert(1996)。Pedagogy, Praxis, Ulysses: Using Joyce’s Text to Transform the Classroom。Ann Arbor:University of Michigan Press。 |
93. | Phelan, Peggy、Peckitt, Helena(2001)。Art and Feminism。London:Phaidon Press Limited。 |
94. | Phillips, Lisa、Schjeldahl, Peter(1987)。Cindy Sherman。New York:Whitney Museum of American Ait。 |
95. | Pierre, Jos(1990)。Archives du Surréalisme。Paris:Gallimard。 |
96. | Raaberg, Gwen、Caws, Mary Ann、Kuenzli, Rudolf(1990)。Mary Ann Caws, and Rudolf Kuenzli。Cambridge, MA:London:The MIT Press。 |
97. | Rice, Shelley(1999)。Inverted Odysseys, Claude Cahun, Maya Deren, and Cindy Sherman。Cambridge, MA:London:The MIT Press。 |
98. | Rieff, Philip(1963)。General Psychological Theory。New York:Collier。 |
99. | Rosen, Randy、Brawer, Catherine C.(1989)。Making Their Mark: Women Artists Move into the Mainstream, 1970-1985。New York:Abbeville Press。 |
100. | Rosenblum, Naomi(1994)。A History of Women Photographers。Paris:New York:London:Abbeville Press。 |
101. | Rosenzweig, Phyllis(1993)。Directions--Cindy Sherman: Film Stills。Washington D.C.:Hirshhorn Museum。 |
102. | Russo, Mary(1994)。The Female Grotesque: Risk, Excess, and Modernity。New York and London:Routledge。 |
103. | Saslow, James M.(1999)。Pictures and Passions: A History of Homosexuality in the Visual Arts。New York:Viking。 |
104. | Sayre, Henry M.(1970)。The Object of Performance: The American Avant--Garde Since 1970。Chicago:London:The University of Chicago Press。 |
105. | Sinfield, Alan(1994)。The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment。New York:Columbia University Press。 |
106. | Smith-Rosenberg, Carroll(1985)。Disorderly Conduct: Visions of Gender in Victorian America。Oxford University Press。 |
107. | Sontag, Susan(1966)。Against Interpretation and Other Essays。New York:Farrar, Strans & Giroux。 |
108. | Sprengnether, Madelon(1990)。Spectral Mother: Freud, Feminism and Psychoanalysis。Ithaca:Cornell University Press。 |
109. | Srajek, Martin C.(1998)。In the Margins of Deconstruction: Jewish Conceptions of Ethics in Emmanuel Levinas and Jacques Derrida。Dordrecht, Boston:London:Kluwer Academic Publishers。 |
110. | Suleiman, Susan R.(1986)。The Female Body in Western Culture: Contemporary Perspectives。Cambridge, MA:Harvard University Press。 |
111. | Taylor, Paul(1989)。Post--Pop。Cambridge:The MIT Press。 |
112. | Vance, Carol(1989)。Pleasure and Danger: Exploring Female Sexuality。London:Pandora Press。 |
113. | Wallis, Brian(1984)。Art after Modernism: Rethinking Representation。New York:New Museum of Contemporary Art。 |
114. | Williamson, Judith(1986)。Consuming Passions。London:New York:Marion Boyars Publishers。 |
115. | Wood, Robin、Lippe, Richard(1979)。American Nightmare: Essays on the Horror Film。Toronto:Festival of Festivals。 |
116. | Woolf, Virginia(1929)。A Room of One's Own。Harcourt and Brace。 |
117. | Pultz, John、李文吉(1997)。攝影與人體。臺北:遠流出版公司。 延伸查詢 |
118. | Copjec, Joan(1993)。Shades of Noir: A Reader。London:New York:Verso。 |
119. | Irigaray, Luce、Porter, Catherine、Burke, Carolyn(1985)。This Sex Which is Not One。Cornell University Press。 |
120. | Doane, Mary Ann(1987)。The Desire to Desire: The Woman's Film of the 1940s。Indiana University Press。 |
121. | De Man, Paul(1983)。Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism。Minneapolis:University of Minnesota Press。 |
122. | Cleto, Fabio(1999)。Camp: Queer Aesthetics and the Performing Subject, A Reader。Ann Arbor:The University of Michigan Press。 |
123. | Stacey, Jackie(1994)。Star Gazing: Hollywood Cinema and Female Spectatorship。London:New York:Routledge。 |
124. | Crimp, Douglas(1993)。On the Museum's Ruins。Cambridge:The MIT Press。 |
125. | Isaak, Jo Anna、陳淑珍、吳介禎(2000)。女性笑聲的革命性力量--女性主義與當代藝術。臺北:遠流。 延伸查詢 |
126. | Jardine, Alice A.(1985)。Gynesis-Configurations of Woman, and Modernity。Ithaca。 |
127. | Barthes, Roland、Heath, Stephen(1977)。Image,Music,Text。New York:Noonday Press。 |
128. | Muecke, Douglas C.(1969)。The Compass of Irony。London:Methuen & Co.。 |
129. | Silverman, Kaja(1996)。The Threshold of the Visible World。New York:Routledge。 |
130. | Burgin, Victor、Donald, James、Kaplan, Cora(1986)。Formations of Fantasy。London:Methuen。 |
131. | Handelman, Susan A.(1991)。Fragments of Redemption: Jewish Thought and Literary Theory in Benjamin, Scholem, and Levinas。Bloomington, Indiana:Indiana University Press。 |
132. | De Lauretis, Teresa(1994)。The Practice of Love: Lesbian Sexuality and Perverse Desire。Bloomington, Indiana:Indiana University Press。 |
133. | Huyssen, Andreas(1986)。After the Great Divide: Modernism, Mass Culture, Postmodernism。Bloomington, Indianapolis:Indiana University Press。 |
134. | Freud, Sigmund、Strachey, James、Gay, Peter(1989)。Civilization and Its Discontents。New York。 |
135. | Hutcheon, Linda(1985)。A theory of parody : the teachings of twentieth-century art forms。New York。 |
136. | Levinas, Emmanuel、Lévinas, Emmanuel(1981)。Otherwise than Being or Beyond Essence。Pittsburgh, PA:Duquesne University Press。 |
137. | Kristeva, J.、Waller, Margaret(1984)。Revolution in Poetic Langauge。New York:Columbia University Press。 |
138. | Lacan, Jacques、Sheridan, Alan(1997)。Ecrits: A Selection。New York:W. W. Norton。 |
139. | Mulvey, Laura(1989)。Visual and other Pleasures。Indiana University Press。 |
140. | Phelan, Peggy(1993)。Unmarked: The Politics of Performance。Routledge。 |
141. | Barthes, Roland、Lavers, Annette(1972)。Mythologies。New York:Hill and Wang。 |
142. | Nietzsche, Friedrich、Kaufmann, Walter(1974)。The Gay Science: With a Prelude in Rhymes and an Appendix of Songs。New York:Vintage Books。 |
143. | Derrida, Jacques、Bass, Alan(1982)。Difference, in Margins of Philosophy。Chicago:University of Chicago Press。 |
144. | Stallybrass, Peter、White, Allen(1986)。The Politics and Poetics of Transgression。London:New York:Ithaca:Methuen:Cornell University Press。 |
145. | Foster, Hal(1996)。The Return of the Real: The Avant-Garde at the End of the Century。Cambridge, MA:London:The MIT Press。 |
146. | Derrida, Jacques、Bass, Alan(1978)。Writing and Difference。London:Routledge。 |
147. | Solomon-Godeau, Abigail(1991)。Photography at the Dock: Essays on Photographic History, Institutions, and Practices。Minneapolis, MN:University of Minnesota Press。 |
148. | Barthes, Roland、Howard, Richard(1981)。Camera Lucida: Reflections on Photography。New York:Farrar, Strauss & Giroux。 |
149. | Irigaray, Luce、Gill, Gillian C.(1985)。Speculum of the Other Woman。Ithaca, NY:Cornell University Press。 |
150. | Culler, Jonathan(1982)。On Deconstruction: Theory and Criticism after Structuralism。Ithaca, NY:Cornell University Press。 |
151. | Derrida, Jacques、Spivak, Gayatri Chakravorty(1976)。Of Grammatology。Baltimore:Johns Hopkins University Press。 |
152. | Butler, Judith(1993)。Bodies that Matter: On the Discursive Limits of "Sex"。Routledge。 |
153. | Caws, Mary Ann(1997)。The Surrealist Look: An Erotics of Encounter。The MIT Press。 |
154. | Kristeva, Julia、Roudiez, Leon S.(1982)。Powers of Horror: An Essay on Abjection。Columbia University Press。 |
155. | Creed, Barbara(1993)。The Monstrous-Feminine: Film, Feminism, Psychoanalysis。Routledge。 |
156. | Krauss, Rosalind E.(1985)。The Originality of the Avant-Garde and Other Modernist Myths。Cambridge, Mass:MIT Press。 |
157. | Butler, Judith P.(1990)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。 |
158. | Kristeva, Julia、Gora, Thomas、Jardine, Alice、Roudiez, Leon S.、Roudiez, Leon S.(1980)。Desire in Language: A Semiotic Approach to Literature and Art。Columbia University Press。 |
159. | Baudrillard, Jean、Leven, Charles(1981)。For a Critique of the Political Economy of the Sign。Telos Press。 |
160. | Meyer, Moe(1994)。The Politics and Poetics of Camp。Routledge。 |
161. | Bakhtin, Mikhail M.、Iswolsky, Hélène(1984)。Rabelais and His World。Bloomington:Indiana University Press。 |