見知漢賦作者百分之九十九為男性，敘寫角度及有關的人物造型自然是按照他們的共通觀點而定。本文嘗試利用漢賦中三種涉及情欲敘寫的男女交際場景（眾男與眾女、一男與一女、一男與眾女），探索這些男性如何看待女性。據目前探索所及，女性在男性眼中具有傢私、食物、鏡子、信眾、道德人格的試探者等身份 。然而不論女性是以哪一種或哪幾種身份出現，男性關懷重點似乎都在同性間的自身形象，女性不過是檢視、塑構該形象的媒介。由於男性形象有不同層級，男性對女性這媒介物也就不時隨之出現相背反的雙重情緒。

Ninety-nine percent of the now known Han rhapsodists and their readers are men, thus to both women's pictures and the ways to picture women revealed in rhapsodies were based on men's criterion and perception of women. This paper attempts to explore male and female identities during this period by analyzing three types of male-female interaction expressed through Han rhapsodies that deal with the subject of sexual desires, i.e., that between a group of men interacting with a group of women, between one man interacting with one women, and between one man interacting with a group of women in presence of a group of men. The research finds that in these writings women are protrayed in the following images: pieces of properties to be shown off, covetable food to satisfy male sexual appetite, mirrors that reflect men's desire for power and strength, idolaters of manhood, and contamintors of male morality, etc. It appears that whatever kind of female identities are revealed in the text, men were primarily concerned about projecting and constructing their self-identities, using women merely as the media.