王粲〈登樓賦〉乃歷代傳頌名篇，前賢闡發論述之作亦甚多，勝義紛陳，蔚為可觀。筆者冀蹤前賢既有研究成果，針對其中未論及者，或已論及然尚有可商榷之處，予以補充、探索。本文預計從段落結構及創作技巧兩方面進行論述。首先，全文結構部分，不採一般依用韻情形分三段之說，認為當據其內容文義，分為四段，符合｢起－承－轉－合｣之模式。其次，創作技巧方面，前三段敘述模式均為｢情－景－情｣，然每段各自富有變化、段與段之間又見關連，非拘一格。末段更發揮特殊｢合｣之作用，使全賦特有之結構達到完美，並見其嚴謹。

Wang Can's "Deng Lou Fu" is all previous dynasties praise famous work, afterward studied this work the article to be also many, moreover the achievement was very high. The author acted according to already some research results, in view of has not discussed that or already discussed that but also had the place which might discuss, supplemented, the exploration. This article estimated that carries on the elaboration from the paragraph structure as well as the artistic technique two aspects. First, the full text structure division, does not pick that to divide three sections of views generally, according to its content and the meaning, should divide into four sections, conforms to "introduction-receives-transfers-gathers" pattern. Second, the artistic technique aspect. the first three section of narration pattern is "the sentiment-scenery-sentiment", but every section of each one also has the different change, between section and section also to have a correlation, is not only defines in one form. Last section plays special "gathers" the role, enables the text unique structure to achieve perfectly and unfolds its rigorous place.