The yonghuai shi詠懷詩(“Poems From My Heart”) of Ruan Ji (210-263), an outstanding poet of the Wei-Jin Periods, have been well received by his contemporaries. Zhong Rong 鍾嶸,however, in his critical work Shih Pin詩品(A Criticsim of Poetry) points out that Ruan Ji’s “’Poems From My Heart’ have profound meaning in it, yet are hard to pin down.” Shen Deqian沈德潛of the Qng Dynasty also criticizes Ruan Ji’s “Poem From My Heart” as bulky and repetitive, their meanings are ambiguous. The concept of “Indeterminacy” has recently become one of the important issues in criticism. Even though the main themes of Ruan Ji’s poems hae been notoriously ambiguous, using the idea of “indeterminacy,” we might be able to see his poems from another perspective. In this article, the author attempts to combine the traditional historical methodology and modern concepts of metaphor to unveil how Ruan Ji uses the metaphor of bird in his poems to achieve his poetical effects. First, the author will introduce the traditional concept of metaphor as rhetoric device; then use the image of “birds” as example to illustrate how image and metaphor work. Ruan Ji’s “Poems From My Heart” might be ambiguous; they, however, will not obstruct our aesthetic activity. When the meaning of a poem becomes ambiguous, the reader might be able to reach its meaning of a poem becomes ambiguous, the reader might be able to reach its meaning from the thoughts, the epoch, as well as other methods. However, since indeterminacy exists in the poems, readers in later times are provided with diverse angles to understand and appreciate the poems.