在駱香林詩中，與洄瀾相關之風土民情、山水景觀、創作活動、隱居生活， 彰顯的是「真淳」、「自然」、「脫俗」、「出世」的精神價值，這方面之精神價值， 較近於道家。甚至可藉由洄瀾山水、詩歌創作、隱居生活，以歸返於渾樸未分 的太樸之道。 「洄瀾」在駱香林詩中之意義，不僅代表著山光水色、風俗淳厚，尚為養 生之場域，及修道之場域。亦即，「洄瀾」在駱香林詩中，不僅具有「修養論」 上之精神價值，尚有「存有論」之形上價值，可使人從紛紜之萬象之中，經由 虛靜的方式，歸返於未分的太樸之道。閱讀《駱香林全集》，我們可以發現， 駱香林詩並非僅為描述洄瀾風光之美，以增美湖山而已，「洄瀾」在駱香林詩 中，顯現的最重要意義，是代表著養生之場域及修道之場域，也就是說，駱香 林描寫洄瀾的詩作，並非純寫景而已，實寓有養生及修道之重要意義，可使客 居者駱香林之生命發生超拔、昇進、轉化，此義甚為重要，也易為讀者所忽略， 本文特加以彰顯。

In the poetry of Luo Hsiang-lin, weights heavily on “simplicity”, “nature”, and “unworldliness” in his writings that related to customs, scenery, creative works, and lives in seclusion. In other words, he extracts Taoism from his writings on customs, scenery, creative works and lives in Hualien. That is, the spiritual level of his poems is close to Taoism. The significance of “Hui-lang” in Luo Hsiang-lin’s poems is not only a place for self-nourishment, but also for self-cultivation. That is, “Hui-lang” plays an important role in spiritualism and transcendentalism as well. As a result, one can return to the geniun Taosim. By reading “Anthology of Luo Hsiang-lin”, he does not focus on the scenes of Hualien, but suggests that Hualien be interpreted in physical and spiritual realms. Last but not least, his works bring life into the level of sublimation, transcendence and nirvana.