This dissertation tackles the idea of Ren (Humanity,仁) in the perspective of creative creativity (生生) of Confucius . This dissertation exposits the topic of creative creativity in the perspective of Onto-Hermeneutic and reexamines the interpretation history of Ren. It reexamines the interpretation history of Ren as creative creativity in the different contemporary Chinese Confucius philosopher, sach as Tang Jungyi, Mou Tsung-san. The idea of creative creativity of Ren is not only a theory of subjectivity, but also an onto-hermeneutical understanding and praxis of human being. Ren as creative creativity is not only a theory of subjectivity, but also one kind of praxis. Therefore this dissertation includes two special chapter to exposit the idea of praxis: Ming (Destiny, Fate,命) and beautiful (美) that are related with . “Separation of Yi and Ming” (義命分立) and the onto-aesthetics of ren-personality.