本篇論文試圖分析兩部華語女同志電影：《蝴蝶》及《今年夏天》。本文認爲一般的華語同志電影幾乎透過「家」的主題探究同志主體的身分認同，不過，始終無法重新思考「家」的意義。但是在《蝴蝶》及《今年夏天》中，導演試圖挑戰中國傳統文化的基礎價值－「家」的意義，且企圖顛覆「家」的固定價值。因此本文主要涵蓋兩個層面的討論，包括：異性戀機制的家及同志伴侶的居所進而引導至一種對於「家」的想像，最後賦予「家」的意義的多元可能性。

This article attempts to analyze Chinese-language lesbian cinema: Butterfly and Fish and Elephant. It points out that general Chinese-language lesbian cinemas explore self-identity through the idea of "home", but neglect the meaning of "home". However on Butterfly and Fish and Elephant, directors seek to challenge Chinese traditional value- the meaning of "home", and intend to subvert the intrinsic value of "home". Therefore, this research with two dimensions includes the heterosexual home and the homosexual couple dwelling, and then to picture the image of "home". Finally, endow with diversified the meaning of "home".