許多原來在體制內被視為畏途、列作禁忌的題材，在臺灣百花齊放的當代文學領域中，已然可以登堂入室成為學術提問。本論文將探討紀大偉在《成官世界》一書的顛覆性格，以〈美人魚的喜劇〉、〈色情錄影帶殺人事件〉與〈蝕〉為例，從敘述設定、慾望操弄，以及性別批判等方面進行論述，試國探究紀大偉如何以「酷兒」(Queer)性格作為立基精神，表達對傳統的、霸權的及僵化的文學體制與性別論調，提出質疑、鬆動，甚至是嘲諷及顛覆。

In contemporary Taiwan literature, themes that were avoided and banned as taboos are now becoming a distinct domain in academic studies. This article aims to discuss the subversive features in Chi's book Queer Senses: A Story Cycle of Sexuality, in which we focus on stories "A Mermaid's Tale", " I Am Killed With One SM Porno Videotape" and "L' Eclipses." We analyze the discourse of narratives, manipulations of desire, and gender criticism to demonstrate how Chi employs Queer disposition as a basis to challenge, undermine, taunt, and even overthrow the hegemony and rigidity of traditional literary system and gender issues.