傅柯的文學布置展示了二個對其哲學至為關鍵的概念：越界與摺曲。這二者是傅柯哲學中最獨特的思想運動，其分別對應了反式考古學與內在性系譜學的發展。本文主要延續先前已發表的研究成果，集中討論越界與界限在傅柯的文學布置中所怪異構成的雙生雙滅關係，並特性化其所代表的時間性：界限時刻。本文認為，越界，或特別是其所代表的另類時空，必需視為理解傅柯思想的零度，甚至是其一切問題藉以發軔、舖展的超驗場域。如果沒有由越界所代表的界限態度，傅柯著名的考古學與系譜學方法都將只是一種經驗的法則，喪失其哲學的意涵。

Michel Foucault's dispositif of literature contains two essential concepts: trespassing and folding. They are the most unique aspects of his thought and correlate with inverse archeology and inherent genealogy, respectively. This article builds on the foundation of previous research done on the topic, highlighting the strange relation between trespassing and boundaries, which characterizes its own temporality. Trespassing, and particularly the alternate space-time that it represents, is the basic most concept in understanding Foucault's thought. It could even be argued that it is the transcendent field where all problems originate and develop. Without the mindset of boundaries, as is shown through trespassing, Foucault's well-known archeology and genealogy would be stripped of their philosophical implications and be reduced to mere empirical laws.