扮仙戲是臺灣民俗信仰活動中常見的外臺戲演出，舉凡神明聖誕之時，為了酬神、謝神還願，往往都在神誕時於廟口前方演出外臺戲。演出正戲前必先來段扮仙戲謝神，當今扮仙戲演出常見有大醉八仙、三仙會與天官賜福；然而昀常見的則是八仙戲的演出。大醉八仙與道教信仰息息相關，尤其臺灣民間信仰相當興盛，固然外臺戲演出多半是依附於信仰活動。因此扮仙戲演出的源頭是本論探討之重點。 宋元時期的院本雜劇已有同名的《八仙會》、《瑤池會》，可惜未有劇本可考；直到明代時，因道教的興盛，加上八仙人物廣泛用於慶壽劇，雖然多為教坊劇、討好皇帝皇后，但卻也可能成為當今扮仙戲的源頭。本文試以扮仙戲中的大醉八仙與朱有燉的《蟠桃會》與《瑤池會》做對照，期望能探究大醉八仙與明代慶壽劇之間的關係。

Ban shian drama in Taiwan folk custom belief activity the common outside Taiwan play performs, when gods birth, in order to repay the god, also to hope, outside performs the Taiwan play in the god hour of birth front the temple mouth. Before performing the play, to perform first plays the role of the immortal play to thanks for god, Now plays the role of the immortal play to perform has the Tzuie ba shian、san shian huei and tian guan tsz fu. However most common is ba shian. Tzuie ba shian is closely linked with Taoism belief, especially, Taiwan folk belief is quite prosperous outside the stage drama performs is mostly attaches in the belief activity. Therefore, Ban shian drama the source is this discusses key point of the discussion. Song、Yuan zaju had of the same name for ba shian party and yao chr party,but we can’t to find the originally zaju. Until the Ming Dynasty, because the Taoism is prosperous, moreover the ba shian character to use in the Ming’s Birthday celebration zaju. Although is the Instruction zaju, to flatters emperor and empress,but possibly becomes ban shian drama source. This article tries by ban shian drama Tzuie ba shian with Chu yu-tun’s pan tao party and yao chr party makes the comparison.I hope inquisition Tzuie ba shian and Ming’s Birthday celebration zaju between relations.