根據後結構主義哲學家德勒茲的觀點，本研究提出主張「第三方我」的直覺乃藝術創造與學習上的關鍵功能。如德勒茲《差異與重複》書中所示，「第三方我」關係著身體與靈魂綜合運作探索生命的直覺。主體的藝術創造與學習，必須建立在這種被動而直覺的「我」，從實際操作的藝術活動中探索差異感觸。其目的在突破既有概念的形式規則，並能透過「第三方我」發現生命與世界中的異質性因素以學習。 本研究將從德勒茲對死亡議題與生命價值的觀點出發，揭示佛洛伊德之精神分析學以「快樂原則」出發的生命觀點上之錯誤，澄清此兩種同樣關於無意識感受的不同生命價值觀之差異所在，據以說明何以德勒茲所主張的觀點能有助於藝術創造與學習。其原因在於，德勒茲雖然主張被動性的直覺，卻強調其中生命的超越意志所喚起的關於問題解決之進化動力，因而才能激發「第三方我」的聯覺多樣豐富的感受性與學習，發揮內在真實我的潛能，是藝術創造與教育所應強調的重要質素。

This essay addresses that the function of ‘the third party on me’ intuition as a vital factor for art creativity and learning. According to the points from Difference and Repetition, a book by of post-structuralist Deleuze, ‘the third party on me’ is references to how the body and soul operate together as life’s intuition. For the subject, the learning of art creativity needs to be established on the situation of ‘me,’ which uses passive intuition and practical artistic movement for exploring the Idea of difference. The purpose of using ‘the third party on me’ intuition is to avoid being bound by rules or concepts, and discover the heterogeneous factors in life and the world. This paper also uses Deleuze’s perpectives about life and death to demonstrate the error of ‘the pleasure principle’ from Freud’s psychoanalysis theory. The purpose is to clarify how the difference between these two kinds of life values, which are both based on an unconscious sensations, and note why Deleuze’s aspect can benefit creativity and art espression more so than Freud’s theory. This is the case because although the function of the intuition is passive, it needs an dynamic attitude from the individual to solve problems and evolve in their creativity and learning. The life’s will provided can invoke the function of the diverse synaesthesia, thus, the article will demonstrate the potential benefits of learning to use ‘the third party on me.’ This kind of intuition is an essential quality that education needs to emphasize in learning art and creativity.