This study aimed to explore the deep body experiences of Taiwan professional acrobats' acquired-skills, and how they overcome from psychological obstacles and go back to the stage after getting hurt and recovering the body. Therefore, the narrative inquiry research method was employed. Two participants were asked to describe their body experiences of training, hurt and rehabilitation. The data were analyzed based on the pain concepts. The findings showed that acrobat's training procedure is a sort of quantification and rigidity. The unique body sense is developed as time goes on and experiences are accumulated. The acrobats' individual behaviors come up first when they get hurt. In addition, acrobats have an unpleasant feeling of bodily damage, and then followed with a severe pain. However, as time goes on, the acrobat learns to face it, accept it and overcome it. In fact, the painful body experiences the procedure of ”knowing the pain, bearing the pain, dulling the pain, speaking the pain and healing the pain.” The second level is interpersonal relationship behavior, including the sense of mission from the past master, the sense of responsibility as a professional performer and the response of appreciation from the group teammates' mutual support. Because of the painful body, dread mind and unbalanced sense of body would be dying away in the condition of strengthening physical quality and building up confidence, and then a decision of return-to-perform is made. It was concluded that the acrobats need to realize, understand and treat well their own bodies after experiencing the process of trauma, including body's collapses, a sense of lose, cures and rehabilitation. Although trauma memory could persist, the acrobats need to learn to live with the trauma.