In the political environment of the 1950s, there was a deep relationship between the fields of literature and politics. Historically, critics normally regard the 1950s as the peak period of anti-communist literature. This article adopts “There Is No Road That a Person can finish Walking”, a novel written by Shi Fan, as the reference point, and is structured around specific historical events of the 1950s. it utilizes official records from the 1950s to analyze the instrumental and transitional utopia characteristics of Taiwan. this article further analyzes the loss of the sense of paradise and the process by which it searches for, and returns. The sense of paradise in the book “There Is No Road That a Person can Finish Walking” emerges from the pent-up feeling of being trapped residing on an island. Taiwan is characterized as a currently existing utopia, while mainland China is characterized as a lost paradise. The sense of paradise in this article is reflected on three different levels: the legend of the original country, political slogans about recovering the homeland, and writings about the country. Even though the political power of the government spreads moral values and outlines an outlines an ideal paradise based on the ideas from the Courtsey and Universal Brotherhood Chapter of the Book of Rites, it is insufficient to explain the deep meaning of the book by calling it anti-communist literature. This novel moves back and for the in time. It points its hope to the future; however, in the area of chronology, it finishes by returning to the past. It also reinforces the order of fantasy, deepens the pursuit of the sense of paradise and the concept of eternal return. This novel presents the model of the return of paradise that was typical in long novels of the 1960s. The implied meaning of this novel is definitely worth investigating.