在文學書寫場域中，作家採取何種觀點與異文化進行對話，是本論文關注的焦點。現今在臺灣詩壇上，不乏漢人作家寫作原住民題材的優異作品，意圖建構另一種「去殖民」的書寫模式，本論文將以蔡秀菊《司馬庫斯部落詩抄》（主）、《Smangus之歌》（輔）為研究文本。詩中代言泰雅族被異化的反抗意識，從異己到主體，藉此還原、澄清族群的面貌，以期扭轉被污名化的歷史進程；從中可見原漢這種新關係早已衝垮宰制關係的主奴結構，形成平等的對話關係，生發對不同族群、不同文化的敬重情感。期待藉此朗現異文化書寫的融入觀點，補足漢族詩人書寫原住民題材相關研究的缺塊

What perspective a writer takes to engage in a dialogue with a cultural other in the field of literature writing is the main focus of this paper. A number of excellent poems on indigenous topics have been composed by Han-Chinese writers in contemporary Taiwanese poetic circle, in an attempt to establish a de-colonized writing mode. This paper focuses on Hsiu-Chu Tsai's two works as research texts, namely Poems on the Smangus Tribe (primary) and Song of Smangus (supplement), to discuss three key aspects. First, regarding the writer, this study investigates the beginning, process, and the influence of her contact with the Smangus tribe, with a focus on how she, as an individual coming from an urban civilization to natural forests, has interacted with the tribe to seek an Eden with spiritual peace. Second, from the subject matter of the poems, this study explores the topics on the subjectivation and cultural-identity of indigenous people by examining the relationship between the texts and the thoughts of de-colonization. Third, in terms of trans-cultural writing, this study identifies the characterstics of Tsai's writing strategies to elucidate the alternative vision revealed in the writing on a cultural other, through which to fill the research gap in Han-Chinese poets' writing on indigenous topics