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題名：西方音樂中之情慾書寫--「陰性終止」之省思
書刊名：藝術評論
作者：彭宇薰
作者(外文)：Pong, Elisa Yushun
出版日期：2005
卷期：15
頁次：頁1-26
主題關鍵詞：音樂情慾；陰性終止；布蘭詩歌；崔斯坦與伊索德；牧神的午後前奏曲；Sexuality in music；Feminine endings；Music, gender, and sexuality；Carmina burana；Tristan und Isolde；Prelude a l'apres-midi d'un faune；Suite 1922
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　　　　　情慾一向是文藝領域裡最重要的表現主題之一，音樂自然不會自外於此。本文嘗試舉出西方古典音樂史中書寫情慾的作品例子，檢視其表現之模式與樣態，並從音樂分析中探索其本身情慾多元表現之可能性。其中奧福的《布蘭詩歌》與華格納的《崔斯坦與伊索德》由文字敘事意義與音樂敘事方法的緊密關係裡，探討音樂呈現情慾的結果；而沒有文字憑藉的純器樂曲如德布西《牧神的午後前奏曲》，則以Lucy Green所謂固有性意義及描述性意義之探索，論證音樂所意指之情慾所在；而舞曲之身體性呈現感官世界的意象，亦是情慾強有力的論述，本文對亨德密特的鋼琴獨奏曲Suite 1922中之 〈波士頓舞曲〉有較多的著墨。近年來從女性主義音樂學者如Susan McClary等人之探索下，已開?情慾相關議題極大討論與開發的空間，她在《陰性終止》一書中呈現的觀點，是本文探討音樂情慾書寫之出發點；除了引用其某些觀點至前述之曲目外，最後並對《陰性終止》提出之案例作綜合性之批判與省思。
　　　　　Sexuality is usually the most important issue dealt in the fields of literature and arts. Music is no exception. This article tries to present the musical works which fall into the category of the western art music and to demonstrate the variable construction of sexuality in them through the examination of the music as well as some analytic devices. Among the instances, Orff's Carmina Burana and Wagner's Tristan und Isolde will be discussed on the relationship between the signification of the words and the narrative of the music. And the discussion of Debussy's Preludeal' apres-midi d'un faune will focus on the musical inherent meanings and delineated meanings based on Lucy Green's theory. Spanish dance music usually conveys strong physicality, but here the author will pay more attention on Hindemith's Boston' (from Suite 1922). In recent years, the musical issues related to sexuality have been explored by some feminist-musicologists like Susan McClary. This article starts in accordance with McClary's viewpoints rooted in the book Feminine Endings: Music, Gender, and Sexuality, but criticizes in the end upon the instances she applied in the book.
期刊論文
1.Sayrs, Elizabeth(1993)。Deconstructing McClary。College Music Symposium，33/34，41-55。  new window
2.顏綠芬(19951200)。卡爾．奧福[Carl Orff 1895-1982]--一位偉大作曲家的畫像。奧福教育年刊，2，59-67。  延伸查詢new window
3.黃苓嵐(20070600)。效益主義與墨家之「利」概念比較。輔仁學誌. 人文藝術之部，35，59-81。  延伸查詢new window
圖書
1.McFarland, T.、Rose, L. J.、Negus, A.、Camegy, P.、Swales, M.、Porter, A.(1981)。Tristan & Isolde。New York：Calder Publications Limited Riverrun Press Inc.。  new window
2.Chadwick, Charles、張漢良(1973)。象徵主義。臺北：黎明文化事業。  延伸查詢new window
3.Clough, Patricia Ticineto、夏傳位(1997)。女性主義思想：欲望、權力及學術論述。臺北：巨流圖書公司。  延伸查詢new window
4.McClary, Susan、張馨濤(2003)。陰性終止--音樂學的女性主義批評。臺北：商周。  延伸查詢new window
5.金慶雲(2003)。崔斯坦與伊索德：華格納的愛情劇。臺北：麥田。  延伸查詢new window
6.劉志明(1986)。西方音樂史與風格。臺北：大陸書局。  延伸查詢new window
7.崔光宙(1995)。名曲的饗宴。臺北：世界文物出版社。  延伸查詢new window
8.Green, Lucy(1997)。Music, Gender, Education。Cambridge：Cambridge University Press。  new window
9.Fulcher, Jane(2001)。Debussy and His World。Princeton：Princeton University Press。  new window
10.Dietschy, Marcel、Ashbrook, William、Cobb, Margaret(1990)。A Portrait of Claude Debussy。Oxford：Clarendon Press。  new window
11.Cook, Nicholas(1998)。Music: A Very Short Introduction。Oxford：Oxford University。  new window
12.Kramer, Lawrence(1990)。Music as Cultural Practice, 1800-1900。Berkeley, CA：Los Angeles：Oxford：University of California Press。  new window
13.Kolinsky, Eva、van der Will, Wilfried(1998)。Modern German Culture。Cambridge：Cambridge University Press。  new window
14.Hindemith, Paul(1961)。A Composer's World。New York：Doubleday。  new window
15.Partsch-Bergsohn, Isa(1994)。Modern Dance in Germany and the United States: Crosscurrents and Influences。Harwood Academic Publishers GmbH。  new window
16.Morris, Christopher(2002)。Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg。Cambridge：Cambridge University Press。  new window
17.Millington, Barry(1987)。Wagner。New York：Random House, Inc.。  new window
18.McClary, Susan(1991)。Feminine Endings: Music, Gender, and Sexuality。Minnesota：University of Minnesota Press。  new window
19.Trezise, Simon(2003)。Debussy。Cambridge：Cambridge University Press。  new window
20.Shepherd, John、Wicke, Peter(1997)。Music and Cultural Theory。Cambridge：Polity Press。  new window
21.McFarland, T.、Rose, L. J.、Negus, A.、Camegy, P.、Porter, A.、Swales, M.(1993)。Tristan & Isolde。New York：Calder Publications Limited Riverrun Press Inc.。  new window
22.葉月瑜(20000000)。歌聲魅影：歌曲敘事與中文電影。臺北：遠流。new window  延伸查詢new window
23.劉千美(20010000)。差異與實踐：當代藝術哲學研究。臺北：立緖文化。new window  延伸查詢new window
24.刁筱華、Tong, Rosemarie(1996)。女性主義思潮。台北：時報文化。  延伸查詢new window
其他
1.Goldsmith, Harris(1990)。Granados Goyescas(60408-2-RC)。，BMG Music。  new window
2.Golding, Robin(1975)。Carmina Burana(CDC 7474112)。，EMI Classics。  new window
3.Street Swing's Dance History Archives Hesitation Waltz Dance Page，http://www.streetswing.com/histmain/z3hstion.htm， 2004/03/23。  new window
圖書論文
1.Brett, Philip、Wood, Elizabeth(2001)。Gay and lesbian music。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
2.Barulich, Frances、Fairley, Jan(2001)。Habanera。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
3.Kahl, Willi、Katz, Israel J.(2001)。Bolero。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
4.Hudson, Richard(2001)。Sarabande。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
5.Goodwin, Noel(1998)。Ravel。International Encyclopedia of Dance。Oxford：Oxford University Press。  new window
6.Béhaguer, Gerard(2001)。Tango。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
7.Silbiger, Alexander(2001)。Chaconne。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
8.Sadie, Stanley(2001)。Boston。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
9.Katz, Israel J.(2001)。Fandango。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
10.Kallberg, Jeffrey(2001)。Sex, sexuality。The New Grove Dictionary of Music and Musicians。New York：Macmillan Publishers Limited。  new window
 
 
 
 
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