Abstract This article explores the characteristics of the Flying Phoenix Rhapsodies (Spirit-writing, planchette, Deng Luan Fu, or Luan Shu Fu) in Complete Works of Rhyme-Prose(fu) of Taiwan (《全臺賦》) and Photographic Copies of Original Work of Publications(PartⅠ andⅡ) (《全臺賦影像集》(上)、(下)). This paper addresses the following issues: Why the Flying Phoenix Rhapsodies mushroomed from 1896 to 1902? What might be the major causes of the changes in Flying Phoenix Rhapsodies after 1915? To recognize their characteristics, there are three perspectives we adopt: first, we classify the Flying Phoenix Rhapsodies by subjects and illustrate their socio-political backgrounds. Second, we categorize some of their forms and structure shown in the works. Third, we investigate the styles appearing in the Flying Phoenix Rhapsodies, which might reveal the distinctive characteristics the descending deities (降筆神仙) have. Through all these descriptions of the changes due to the socio-politicalbackgrounds, subjects, forms, structures, and styles, readers will get a full view of the Flying Phoenix Rhapsodies of Taiwan.