1968 年9 月12 日張曉風在中國時報發表小說〈潘渡娜〉，講述一個科學家造人的故事，開放了戰後台灣科幻小說書寫的前聲。有趣的是，台灣與西方首位科幻文學作家都是女性，她們以陰性的女作家身份撰寫出被劃歸為男性科學場域的科幻文學，描述科學家造人的題材，並都以悲劇作結。這兩部早期的科幻小說意不在提昇國民智識，也非歌誦科學、科技帶來的進步與喜悅，亦非推理偵探式的科幻小說，而是有著更多對科學理想的恐懼與質疑。因此本文試圖以〈潘渡娜〉一文為剖析文本，探究張曉風以科幻文學來質疑科技文明的寫作面向，呈顯作家以科幻文學進行人文省思的寫作意圖。

Chang Xiao-feng published ＂Pandora＂ on china newspaper in1968 , which open the front sound of the Postwar Taiwan Science Fiction .It's a tragedy about scientist making people. It's interesting that the fist science fiction both in Taiwan and western are writed by woman. They enter science region which was belonged to man. This text try to analyze the writing purpose of Chang Xiao-feng's ＂Pandora＂, to highlight the writers of science fiction writing for humanistic reflection.